{"id":155507,"date":"2021-10-27T10:58:05","date_gmt":"2021-10-27T14:58:05","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=155507"},"modified":"2021-10-29T12:30:30","modified_gmt":"2021-10-29T16:30:30","slug":"the-paris-review-podcast-returns","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/27\/the-paris-review-podcast-returns\/","title":{"rendered":"The Paris Review Podcast Returns"},"content":{"rendered":"

\"\"<\/a><\/em><\/p>\n

With our acclaimed podcast, The Paris Review<\/em> gives voice to the sixty-eight years of our archives. Season 3 launches today, with the release of episode 19, \u201cA Memory of the Species<\/a><\/b>.\u201d<\/p>\n

We open\u00a0with a\u00a0recording of the literary critic Richard Poirier<\/strong> in conversation with Robert Frost<\/strong> for the poet\u2019s\u00a01960 Art of Poetry<\/a><\/b> interview, from issue no. 24. Next, the Italian poet Antonella Anedda<\/strong> and her translator Susan Stewart<\/strong> discuss<\/a><\/b> Anedda\u2019s poem \u201cHistoriae 2<\/a><\/b>,\u201d published in issue no. 231. The American vocal ensemble Tenores de Ater\u00fae<\/strong> then reimagines the poem as a song in the folk tradition of Anedda\u2019s native Sardinia. And Yohanca Delgado<\/strong> reads her story \u201cThe Little Widow from the Capital<\/a><\/b>,\u201d from issue no. 236,\u00a0in which a chorus of Dominican women living in a New York apartment building gossip about their new neighbor\u2019s talents for embroidery and witchcraft.<\/p>\n

Listen now at theparisreview.org\/podcast<\/a><\/b> or wherever you get your podcasts. New episodes will arrive every Wednesday in November. And don\u2019t forget to catch up on Season 1<\/a><\/b> and Season 2<\/a><\/b>.<\/p>\n