{"id":155389,"date":"2021-10-18T12:57:28","date_gmt":"2021-10-18T16:57:28","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=155389"},"modified":"2026-03-16T11:49:29","modified_gmt":"2026-03-16T15:49:29","slug":"hunters-moon","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/","title":{"rendered":"Hunter\u2019s Moon"},"content":{"rendered":"<p><em>In her monthly column\u00a0<a href=\"https:\/\/www.theparisreview.org\/blog\/the-moon-in-full\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Moon in Full<\/a>, Nina MacLaughlin illuminates humanity\u2019s long-standing lunar fascination. Each installment is published in advance of the full moon.<\/em><\/p>\n<div id=\"attachment_155437\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-155437\" class=\"wp-image-155437 size-large\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-1024x700.jpg\" alt=\"\" width=\"1024\" height=\"700\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-1024x700.jpg 1024w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-300x205.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-768x525.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-1536x1049.jpg 1536w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-2048x1399.jpg 2048w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-155437\" class=\"wp-caption-text\"><em>The Wild Hunt of Odin<\/em>, by Peter Nicolai Arbo, Nasjonalmuseet<\/p><\/div>\n<p>Summer is dead. The last flames of its cremation heat the leaves across New England where I live. The rest of the fire-stained leaves will fall, ashy on the forest floors, ashy on the sidewalks. This is how ghosts speak, the sound of ashy leaves blown by wind or shuffled by feet, and October is when they speak the loudest. Ghosts are white in the imagination, pale blurs, small fogs of body. The moon is also white, but no one thinks it a ghost.<\/p>\n<p>For this haunted moment of the year: the Hunter\u2019s Moon. Bare trees, bare fields\u2014all the better, by moonlight, to spot the prey, take aim, drain blood, skin, sever limb from joint, and slice flesh to store for the cold months ahead. Me, I go to the grocery store; my meat has its skin peeled off before I bring it home. Have you sliced the throat of a mammal? Snapped the neck of a fowl? Put a bullet through the soft parts to stop the light in the eyes of a creature who leaps or flies? Do you know what it is to crouch in brush and wait, hoping the wind does not carry your human scent to the nostrils of whatever beast you\u2019re trying to catch? I don\u2019t. But something stirs in the blood this time of year regardless. Maybe you feel it, too. Maybe you\u2019re able to detect things that normally elude our dulled and faulty senses. As if all of a sudden noses become more alert. May and June have their blooms, the dewy grassy floral scent of spring. Late fall smells earthier: mulch, ash, the turpentine tang of decay, worm chew, slowing sap, flinty night.<!--more--><\/p>\n<p>October marks a crossroads. The last warmth fades behind us; the apple-skin present invites the teeth; the cold dark looms. Past present future spin and overlap at greater speed. Ghosts travel in these swirling tunnels, the dead whispering alongside us, reminding us, softly, where we\u2019re headed at some unnamed, unknown moment.<\/p>\n<blockquote><p>Crossing the autumn moor\u2014<br \/>\nI keep hearing<br \/>\nsomeone behind me!<\/p><\/blockquote>\n<p>So wrote Yosa Buson nearly three hundred years ago. Who\u2019s there? What follows us? Death is not the hunter. Time is.<\/p>\n<p>Time pulls open the steel jaws of a trap and sets it tight to snap the leg. Digs a pit in the path, covers it with twigs and leaves and forest soil: a footstep on what looks like solid earth and quick as a car crash you\u2019re smelling dirt at the bottom of a hole with walls too steep to climb. Time has its nets, its ropes, its bow strung tight and its quiver full of arrows. It surrounds us on all sides. We find ways to dodge it now and then, to slow its creep. Drugs, sunscreen, meditation, all the ecstatic pursuits that dissolve the limits of your senses. It can happen in simpler moments, too, in a chair, eating a hard-boiled egg, an olive, soft butter on some bread. \u201cI shall live centuries in the hours,\u201d Mary MacLane writes in <em>I Await the Devil\u2019s Coming<\/em>. It is a good way to live. To say, I am in your hands, Time, you have me, I am yours. Thus some do learn how to make love with the hunter. It\u2019s possible.<\/p>\n<p>In Northern European folklore there is a spectral horde known as the Wild Hunt. Like time, they fly. The elder of the Grimm brothers, Jacob, describes a pack of spirits, gods, wraiths, horses, hounds, thundering across the sky, harbingering plague or war or death to the poor fool out at night alone who glimpses them. Hunting souls, they \u201csweep through forest and air in whole companies with a horrible din.\u201d Their legend, Grimm writes, \u201cinterweaves itself, now with gods, and now with heroes. Look where you will, it betrays its connexion with heathenism.\u201d Some tales have it that a woman and her twenty-four daughters loved hunting so much, they claimed it was better than heaven. As punishment, they were flung into the air, and all two dozen daughters turned into dogs, condemned \u201cthere betwixt heaven and earth to hunt unceasingly.\u201d If you see them, hide.<\/p>\n<p>In Celtic mythology, a roving band of underfolk called the Sluagh, gone-wrong souls of the dead, fly through the night on Samhain, the last night in October, hunting for more souls to join their mob. People once left food and treats to keep the gang appeased, a precursor to trick-or-treating. Gods, ghosts, fairies, heroes crash across the sky, up, look up, time\u2019s up. Time\u2019s up! Few phrases ice the heart as fast. To hunt or be hunted is to know the private smells, the sour tang of fear, its mix-up with desire, the heady musk of the creased places, salted, glandular. \u201cHunters and undergrowth are intimate,\u201d Ruth Fainlight writes. \u201cThe hunt is out, torch-light and screams \u2026 terror cannot be disguised \u2026 smell is carried by the wind.\u201d Tempus fugit. It flies.<\/p>\n<p>But the verb in Latin, <em>fugere<\/em>, does not mean \u201cto fly.\u201d It means \u201cto flee.\u201d<\/p>\n<p>Who\u2019s hunted? What\u2019s being chased?<\/p>\n<p>Buson again:<\/p>\n<blockquote><p>Escaped the nets,<br \/>\nescaped the ropes\u2014<br \/>\nmoon on the water.<\/p><\/blockquote>\n<p>The ungraspable moon glitters on the surface of a lake. Reach in for it, it scatters, flees, and then returns, reassembling its shimmer, same as if you try to grab a handful of fog. We cannot catch it, though its light is on our skin. (Every month time chews on the moon until it\u2019s gone, and yet the moon returns.) We can\u2019t catch time, either, and maybe we\u2019re the horde who chases, galloping after it, berserk and wild-eyed, more please, more.<\/p>\n<p>The moon, the hunt, the realm between life and afterlife\u2014these bring us to Diana, a triple goddess. Goddess of the hunt with her bow and arrow. Of the moon, often depicted with a crescent crown. And goddess, too, of the crossroads, the haunted in-between, the underworld place where the paths split, where hunters might find themselves, lit by the moon, and face a choice: stay the course, go back the way they came, or veer off someplace new. \u201cWe are divided in ourselves, against ourselves,\u201d D. H. Lawrence writes in an essay on <em>The Scarlet Letter<\/em>. \u201cAnd that is the meaning of the cross symbol.\u201d Are all ghosts holy?<\/p>\n<p>Lawrence buys into the duality: we have mind-knowledge (self-conscious, rational, guilty) and blood-knowledge (instinctual, sexed, hungering). \u201cBlood-consciousness overwhelms, obliterates, and annuls mind-consciousness,\u201d he writes. \u201cMind-consciousness extinguishes blood-consciousness, and consumes the blood.\u201d One hunts the other, in other words. \u201cThe two ways are antagonistic in us\u2026 That is our cross.\u201d<\/p>\n<p>The moon is presumed mute\u2014its silence is the silence of death. But when it does speak, it speaks in the language of shadows. You speak this language, too. It was your first language, our shared first language, the language of the dark. When you can\u2019t scream in nightmares, it is the moon caught in your throat, a bright white rolling marble that garbles the voice, makes it choked and animal. Moonlight smells like chalkboard, like snowcloud, like a rock in the dirt. You can skin it with a glimpse, lay its pelt down by the hearth, and wrap yourself in its furred light. No weapons, no blood. A glimpse as it shifts in time; what a thing to witness, the full moon\u2019s monthly resurrection.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Nina MacLaughlin is a writer in Cambridge, Massachusetts. Her most recent book is\u00a0<\/em><a href=\"https:\/\/bookshop.org\/a\/1531\/9781574232387\">Summer Solstice<\/a><em>. Her previous columns for the\u00a0<\/em>Daily<em>\u00a0are\u00a0<\/em><a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/winter-solstice\/\">Winter Solstice<\/a><em>,\u00a0<\/em><a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/sky-gazing\/\">Sky Gazing<\/a><em>,\u00a0<\/em><a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/summer-solstice\/\">Summer Solstice<\/a><em>,\u00a0<\/em><a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/senses-of-dawn\/\">Senses of Dawn<\/a><em>, and\u00a0<\/em><a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/novemberance\/\">Novemberance<\/a><em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every month time chews on the moon until it\u2019s gone, and yet the moon returns.<\/p>\n","protected":false},"author":2669,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[68286],"tags":[19652,67827,7359,68299,17494],"class_list":["post-155389","post","type-post","status-publish","format-standard","hentry","category-the-moon-in-full","tag-autumn","tag-featured","tag-full-moon","tag-goddess","tag-hunting"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hunter\u2019s Moon by Nina MacLaughlin<\/title>\n<meta name=\"description\" content=\"October 18, 2021 \u2013 Every month time chews on the moon until it\u2019s gone, and yet the moon returns.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hunter\u2019s Moon by Nina MacLaughlin\" \/>\n<meta property=\"og:description\" content=\"October 18, 2021 \u2013 Every month time chews on the moon until it\u2019s gone, and yet the moon returns.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-10-18T16:57:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-16T15:49:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1749\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nina MacLaughlin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nina MacLaughlin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/\"},\"author\":{\"name\":\"Nina MacLaughlin\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/1aa79ce6b1ed14531f6ba13b37ff8838\"},\"headline\":\"Hunter\u2019s Moon\",\"datePublished\":\"2021-10-18T16:57:28+00:00\",\"dateModified\":\"2026-03-16T15:49:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/\"},\"wordCount\":1316,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-1024x700.jpg\",\"keywords\":[\"autumn\",\"Featured\",\"full moon\",\"goddess\",\"hunting\"],\"articleSection\":[\"The Moon in Full\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/\",\"name\":\"Hunter\u2019s Moon by Nina MacLaughlin\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-1024x700.jpg\",\"datePublished\":\"2021-10-18T16:57:28+00:00\",\"dateModified\":\"2026-03-16T15:49:29+00:00\",\"description\":\"October 18, 2021 \u2013 Every month time chews on the moon until it\u2019s gone, and yet the moon returns.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-scaled.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-scaled.jpg\",\"width\":2560,\"height\":1749},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Hunter\u2019s Moon\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/1aa79ce6b1ed14531f6ba13b37ff8838\",\"name\":\"Nina MacLaughlin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/31c87f72f1def38557afff34e175c4e92aa03c6a699d825a5fdda6aa690f914e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/31c87f72f1def38557afff34e175c4e92aa03c6a699d825a5fdda6aa690f914e?s=96&d=mm&r=g\",\"caption\":\"Nina MacLaughlin\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/nmaclaughlin\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Hunter\u2019s Moon by Nina MacLaughlin","description":"October 18, 2021 \u2013 Every month time chews on the moon until it\u2019s gone, and yet the moon returns.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/","og_locale":"en_US","og_type":"article","og_title":"Hunter\u2019s Moon by Nina MacLaughlin","og_description":"October 18, 2021 \u2013 Every month time chews on the moon until it\u2019s gone, and yet the moon returns.","og_url":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2021-10-18T16:57:28+00:00","article_modified_time":"2026-03-16T15:49:29+00:00","og_image":[{"width":2560,"height":1749,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-scaled.jpg","type":"image\/jpeg"}],"author":"Nina MacLaughlin","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Nina MacLaughlin","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/"},"author":{"name":"Nina MacLaughlin","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/1aa79ce6b1ed14531f6ba13b37ff8838"},"headline":"Hunter\u2019s Moon","datePublished":"2021-10-18T16:57:28+00:00","dateModified":"2026-03-16T15:49:29+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/"},"wordCount":1316,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-1024x700.jpg","keywords":["autumn","Featured","full moon","goddess","hunting"],"articleSection":["The Moon in Full"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/","url":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/","name":"Hunter\u2019s Moon by Nina MacLaughlin","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-1024x700.jpg","datePublished":"2021-10-18T16:57:28+00:00","dateModified":"2026-03-16T15:49:29+00:00","description":"October 18, 2021 \u2013 Every month time chews on the moon until it\u2019s gone, and yet the moon returns.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-scaled.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/10\/la_caza_salvaje_de_odin_por_peter_nicolai_arbo-scaled.jpg","width":2560,"height":1749},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/18\/hunters-moon\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Hunter\u2019s Moon"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/1aa79ce6b1ed14531f6ba13b37ff8838","name":"Nina MacLaughlin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/31c87f72f1def38557afff34e175c4e92aa03c6a699d825a5fdda6aa690f914e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/31c87f72f1def38557afff34e175c4e92aa03c6a699d825a5fdda6aa690f914e?s=96&d=mm&r=g","caption":"Nina MacLaughlin"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/nmaclaughlin\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/155389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/2669"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=155389"}],"version-history":[{"count":15,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/155389\/revisions"}],"predecessor-version":[{"id":155442,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/155389\/revisions\/155442"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=155389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=155389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=155389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}