{"id":155261,"date":"2021-10-12T12:05:37","date_gmt":"2021-10-12T16:05:37","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=155261"},"modified":"2021-10-12T13:13:12","modified_gmt":"2021-10-12T17:13:12","slug":"redux-the-storm-before-the-calm","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/10\/12\/redux-the-storm-before-the-calm\/","title":{"rendered":"Redux: The Storm before the Calm"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

KENZABURO OE IN 2002.<\/p><\/div>\n

This week at\u00a0The Paris Review<\/em>, we\u2019re highlighting work from some of the more than thirty Nobel laureates in our archive, in honor of the Nobel Prize in Literature announcement last Thursday.\u00a0Read on for Kenzaburo Oe\u2019s\u00a0Art of Fiction interview<\/a>, Alice Munro\u2019s short story \u201cSpaceships Have Landed<\/a>,\u201d an excerpt from Naguib Mahfouz\u2019s novel\u00a0The Journey of Ibn Fattouma<\/em><\/a>, and Wislawa Szymborska\u2019s poem \u201cNegative<\/a>.\u201d<\/p>\n

Interview<\/em>
\nKenzaburo Oe, The Art of Fiction no. 195<\/a>
\nIssue no. 183 (Winter 2007)<\/em><\/p>\n

\n

The Nobel Prize is almost meaningless to one\u2019s literary work, but it raises one\u2019s profile, one\u2019s status as a social figure. One earns a kind of currency that one can use in a much wider realm. But for the author, nothing changes. My opinion of myself didn\u2019t change. There are only a few writers who have gone on to produce good work after winning the Nobel Prize. Thomas Mann is one. Faulkner also.<\/p>\n<\/blockquote>\n

<\/p>\n

\"\"<\/a>

ALICE MUNRO PHOTOGRAPHED BY MARION ETTLINGER.<\/p><\/div>\n

Fiction<\/em>
\nSpaceships Have Landed<\/a>
\nBy Alice Munro
\nIssue no. 131 (Summer 1994)<\/em><\/p>\n

\n

One whole summer Eunie and Rhea played together. They never thought of their activity as play, but playing was what they called it, to satisfy other people. It was the most serious part of their lives. What they did the rest of the time seemed frivolous, forgettable. When they cut from Eunie’s yard down to the riverbank they became different people. Each of them was called Tom.<\/p>\n<\/blockquote>\n

\"\"<\/a>

NAGUIB MAHFOUZ IN 1992.<\/p><\/div>\n

Fiction<\/em>
\nThe Land of Mashriq<\/a>
\nBy Naguib Mahfouz, translated by Denys Johnson-Davies
\nIssue no. 123\u00a0(Summer 1992)<\/em><\/p>\n

\n

Away from home, I am remolded in a new form; in the depths of me there come into existence bold, impetuous longings to satisfy desires, to pursue adventures. I relinquish one civilization and give myself over to a new one. I yearn for life far away from observers: observers who, while manifesting themselves outwardly, also throb within oneself.<\/p>\n<\/blockquote>\n

\"\"<\/a>

WISLAWA SZYMBORSKA PHOTOGRAPHED BY MARUISZ KUBIK IN 2009.<\/p><\/div>\n

Poetry<\/em>
\nNegative<\/a>
\nBy Wislawa Szymborska, translated by Joanna Trzeciak
\nIssue no. 144 (Fall 1997)<\/em><\/p>\n

. . . On your dark face, light shadows.
\nYou have sat down at a small table
\nAnd laid your grayed hands on it.<\/p>\n

You give the impression of a ghost
\nWho attempts to summon the living.<\/p>\n

(Because I’m still counted among them,
\nI should appear and knock:
\nGood night, that is, good morning,
\nFarewell, that is, hello.
\nNot being stingy with questions to any answer
\nIf they concern life,
\nThat is, the storm before the calm.)<\/p><\/blockquote>\n

 <\/p>\n

If you enjoyed the above, don\u2019t forget to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-eight years\u2019 worth of archives.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

We\u2019ve lowered the paywall on Kenzaburo Oe\u2019s Art of Fiction interview, fiction by Alice Munro and Naguib Mahfouz, and more.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-155261","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: The Storm before the Calm by The Paris Review<\/title>\n<meta name=\"description\" content=\"October 12, 2021 \u2013 We\u2019ve lowered the paywall on Kenzaburo Oe\u2019s Art of Fiction interview, fiction by Alice Munro and Naguib Mahfouz, and more.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2021\/10\/12\/redux-the-storm-before-the-calm\/\" 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