{"id":15460,"date":"2011-05-06T16:49:11","date_gmt":"2011-05-06T20:49:11","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=15460"},"modified":"2011-05-09T14:25:34","modified_gmt":"2011-05-09T18:25:34","slug":"staff-picks-geoff-dyer-lydia-daviss-cows","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/05\/06\/staff-picks-geoff-dyer-lydia-daviss-cows\/","title":{"rendered":"Staff Picks: Geoff Dyer, Lydia Davis’s Cows"},"content":{"rendered":"

\"\"Thanks to a three-day flu I read Rebecca Wolff\u2019s witchy coming-of-age novel The Beginners<\/a><\/em>, then stayed up late reading the rest<\/em> of Jennifer Egan\u2019s juggernaut A Visit From the<\/em> Goon Squad<\/em><\/a> (it lives up to the New Yorker<\/em> excerpts), then started rereading Geoff Dyer\u2019s deeply charming book on photography, The Ongoing Moment<\/a><\/em>, plus a bunch of his old magazine pieces, now newly collected in Otherwise Known as the Human Condition<\/a><\/em> … all worth a good deal of coughing and sneezing. \u2014Lorin Stein<\/strong><\/p>\n

I picked up Lydia Davis\u2019s The Cows<\/a><\/em>, a chapbook about, well, the cows that live across from her. \u201cShe moos toward the wooded hills behind her, and the sound comes back. She moos in a high falsetto before the note descends abruptly, or she moos in a falsetto that does not descend. It is a very small sound to come from such a large, dark animal.\u201d \u2014Thessaly La Force<\/strong><\/p>\n

Amid the impeccably constructed drama of the last of John Updike’s\u00a0Rabbit <\/em>novels,\u00a0Rabbit at Rest<\/a>, <\/em>sits an unforgettable line about how popular culture produces and reproduces itself, one generation after another: \u201cThey lead us down the garden path, the music manufacturers, then turn around and lead the next generation down with a slightly different flavor of glop.\u201d \u2014Rosalind Parry<\/strong><\/p>\n

Thanks to associate editor Conor Friedersdorf of The Atlantic<\/em>, my summer reading list has unmistakably flipped its wig. Friedersdorf has compiled <\/a> “>a list of nearly 100 superb nonfiction pieces<\/a> from 2010 for every one of us to start diligently plowing through. Our very own interview with John McPhee claimed a spot! \u2014Angela Melamud<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Thanks to a three-day flu I read Rebecca Wolff\u2019s witchy coming-of-age novel The Beginners, then stayed up late reading the rest of Jennifer Egan\u2019s juggernaut A Visit From the Goon Squad (it lives up to the New Yorker excerpts), then started rereading Geoff Dyer\u2019s deeply charming book on photography, The Ongoing Moment, plus a bunch […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[2261,1622,1761,296,615,576,2165],"class_list":["post-15460","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-cows","tag-friday-reads","tag-geoff-dyer","tag-jennifer-egan","tag-john-updike","tag-lydia-davis","tag-nonfiction"],"acf":[],"yoast_head":"\nStaff Picks: Geoff Dyer, Lydia Davis's Cows by The Paris Review<\/title>\n<meta name=\"description\" content=\"May 6, 2011 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