{"id":153029,"date":"2021-07-02T09:00:23","date_gmt":"2021-07-02T13:00:23","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=153029"},"modified":"2021-07-02T10:10:49","modified_gmt":"2021-07-02T14:10:49","slug":"cezanne-on-paper","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/07\/02\/cezanne-on-paper\/","title":{"rendered":"C\u00e9zanne on Paper"},"content":{"rendered":"<p><em>Although he\u2019s best known for his lush, technically miraculous oil paintings, Paul C\u00e9zanne held his sketchbook near and dear. In a 1904 letter to the Fauvist painter Charles Camoin, C\u00e9zanne wrote, \u201cDrawing is merely the configuration of what you see.\u201d Thousands of his works on paper have survived. More than two hundred fifty of these rarely shown pieces form the basis of \u201c<a href=\"https:\/\/www.moma.org\/calendar\/exhibitions\/5293\" target=\"_blank\" rel=\"noopener noreferrer\">C\u00e9zanne Drawing<\/a>,\u201d which will be on view at the Museum of Modern Art through September 25. A selection of images from the show appears below.<\/em><\/p>\n<div id=\"attachment_153030\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_stilllifebluepot_getty_ps.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153030\" class=\"wp-image-153030 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_stilllifebluepot_getty_ps.jpg\" alt=\"\" width=\"1000\" height=\"760\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_stilllifebluepot_getty_ps.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_stilllifebluepot_getty_ps-300x228.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_stilllifebluepot_getty_ps-768x584.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153030\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>Still Life with Blue Pot<\/em>, 1900\u201306, pencil and watercolor on paper, 19 \u00d7 24 7\/8&#8243;. The J. Paul Getty Museum, Los Angeles.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153337\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_bathers_moma_ps.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153337\" class=\"size-full wp-image-153337\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_bathers_moma_ps.jpg\" alt=\"\" width=\"1000\" height=\"613\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_bathers_moma_ps.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_bathers_moma_ps-300x184.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/06\/cezanne_bathers_moma_ps-768x471.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153337\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>Bathers (Baigneurs)<\/em>, 1885\u201390, watercolor and pencil on wove paper, 5 \u00d7 8 1\/8&#8243;. The Museum of Modern Art, New York. Lillie P. Bliss Collection. Photo \u00a9 2021 MoMA, NY.<\/p><\/div>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153339\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_forestlandscape_private_ps.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153339\" class=\"size-full wp-image-153339\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_forestlandscape_private_ps.jpg\" alt=\"\" width=\"1000\" height=\"773\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_forestlandscape_private_ps.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_forestlandscape_private_ps-300x232.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_forestlandscape_private_ps-768x594.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153339\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>Forest Landscape<\/em>, 1904\u201306, pencil and watercolor on paper, 18 5\/8 \u00d7 23 5\/8&#8243;. Private collection.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153340\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_montsaintevictoire_moma_ps.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153340\" class=\"size-full wp-image-153340\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_montsaintevictoire_moma_ps.jpg\" alt=\"\" width=\"1000\" height=\"785\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_montsaintevictoire_moma_ps.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_montsaintevictoire_moma_ps-300x236.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_montsaintevictoire_moma_ps-768x603.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153340\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>Mont Sainte-Victoire (La Montagne Sainte-Victoire vue des Lauves)<\/em>, 1902\u201306, watercolor and pencil on wove paper, 16 3\/4 x 21 3\/8&#8243;. The Museum of Modern Art, New York. Gift of Mr. and Mrs. David Rockefeller. Photo \u00a9 2021 MoMA, NY.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153341\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_stilllifewatermelons_beyeler_ps.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153341\" class=\"size-full wp-image-153341\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_stilllifewatermelons_beyeler_ps.jpg\" alt=\"\" width=\"1000\" height=\"652\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_stilllifewatermelons_beyeler_ps.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_stilllifewatermelons_beyeler_ps-300x196.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_stilllifewatermelons_beyeler_ps-768x501.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153341\" class=\"wp-caption-text\">Paul C\u00e9zanne. <em>Still Life with Cut Watermelon (Nature morte avec past\u00e8que entam\u00e9e)<\/em>, ca. 1900, pencil and watercolor on paper, 12 3\/8 \u00d7 19 1\/8&#8243;. Fondation Beyeler, Riehen\/Basel. Beyeler Collection. Photo: Peter Schibli.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153342\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_selfportraitapple_cincinnati_ps.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153342\" class=\"size-full wp-image-153342\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_selfportraitapple_cincinnati_ps.jpg\" alt=\"\" width=\"1000\" height=\"764\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_selfportraitapple_cincinnati_ps.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_selfportraitapple_cincinnati_ps-300x229.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_selfportraitapple_cincinnati_ps-768x587.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153342\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>Self-Portrait and Apple (Autoportrait et pomme)<\/em>, 1880\u201384, pencil on paper, 6 7\/8 \u00d7 9 1\/8&#8243;. Cincinnati Art Museum. Gift of Miss Emily Poole. Bridgeman Images.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153343\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc255-2000x1458.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153343\" class=\"size-full wp-image-153343\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc255-2000x1458.jpg\" alt=\"\" width=\"1000\" height=\"729\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc255-2000x1458.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc255-2000x1458-300x219.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc255-2000x1458-768x560.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153343\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>Study of a Skull (\u00c9tude de cr\u00e2ne)<\/em>, 1902\u201304, pencil and watercolor on paper, 9 \u00d7 12 1\/4&#8243;. Henry and Rose Pearlman Foundation (on extended loan to the Princeton University Art Museum). The Henry and Rose Pearlman Collection \/ Art Resource, NY. Photo: Bruce M. White.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153344\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc205-1337x2000.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153344\" class=\"size-full wp-image-153344\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc205-1337x2000.jpg\" alt=\"\" width=\"1000\" height=\"1496\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc205-1337x2000.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc205-1337x2000-201x300.jpg 201w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc205-1337x2000-768x1149.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc205-1337x2000-684x1024.jpg 684w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153344\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>Rocks Near the Ch\u00e2teau Noir (Rochers pr\u00e8s des grottes au-dessus de Ch\u00e2teau Noir)<\/em>, 1895\u20131900, watercolor on paper, 18 1\/4 \u00d7 12&#8243;. Private collection.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153345\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc270-2000x1550.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153345\" class=\"size-full wp-image-153345\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc270-2000x1550.jpg\" alt=\"\" width=\"1000\" height=\"775\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc270-2000x1550.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc270-2000x1550-300x233.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/pc270-2000x1550-768x595.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153345\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>Still Life with Carafe, Bottle, and Fruit (La Bouteille de cognac)<\/em>, 1906, pencil and watercolor on paper, 18 7\/8 \u00d7 24 5\/8&#8243;. Henry and Rose Pearlman Foundation (on extended loan to the Princeton University Art Museum). The Henry and Rose Pearlman Collection \/ Art Resource, NY. Photo: Bruce M. White.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_153346\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_apotheosisofdelecroix_britishmuseum_ps.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-153346\" class=\"size-full wp-image-153346\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_apotheosisofdelecroix_britishmuseum_ps.jpg\" alt=\"\" width=\"1000\" height=\"852\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_apotheosisofdelecroix_britishmuseum_ps.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_apotheosisofdelecroix_britishmuseum_ps-300x256.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/07\/cezanne_apotheosisofdelecroix_britishmuseum_ps-768x654.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-153346\" class=\"wp-caption-text\">Paul C\u00e9zanne, <em>The Apotheosis of Delacroix<\/em>, 1878\u201380 (completed later), pencil, ink, and watercolor on wove paper, with a strip added at the bottom, 7 7\/8 \u00d7 9 1\/4&#8243;. The British Museum, London \u00a9 The Trustees of the British Museum.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><em>\u201c<a href=\"https:\/\/www.moma.org\/calendar\/exhibitions\/5293\" target=\"_blank\" rel=\"noopener noreferrer\">C\u00e9zanne Drawing<\/a>\u201d will be on view at the Museum of Modern Art through September 25.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new show at the Museum of Modern Art presents more than two hundred fifty of Paul C\u00e9zanne\u2019s works on paper\u2014including rarely seen watercolors.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[67827],"class_list":["post-153029","post","type-post","status-publish","format-standard","hentry","category-look","tag-featured"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO 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