{"id":152217,"date":"2021-04-26T11:53:23","date_gmt":"2021-04-26T15:53:23","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=152217"},"modified":"2026-03-16T11:49:54","modified_gmt":"2026-03-16T15:49:54","slug":"pink-moon","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/26\/pink-moon\/","title":{"rendered":"Pink Moon"},"content":{"rendered":"<p><em>In her new monthly column, <a href=\"https:\/\/www.theparisreview.org\/blog\/the-moon-in-full\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Moon in Full<\/a>, Nina MacLaughlin illuminates humanity\u2019s long-standing lunar fascination. Each installment will be published in advance of the full moon.<\/em><\/p>\n<div id=\"attachment_152218\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/munch_moonlight.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-152218\" class=\"size-full wp-image-152218\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/munch_moonlight.jpeg\" alt=\"\" width=\"1000\" height=\"841\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/munch_moonlight.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/munch_moonlight-300x252.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/munch_moonlight-768x646.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-152218\" class=\"wp-caption-text\">Edvard Munch, <em>M\u00e5neskinn<\/em> (Moonlight), 1895, oil on canvas, 36 1\/2 x 43 1\/4&#8243;. Public domain, via Wikimedia Commons.<\/p><\/div>\n<p>An electric blue dusk in an April eight years ago, and a fat full moon was showing off above the trees. I was away from home and walking to a bar to celebrate something privately, and I paused on my way to watch the moon move, its blond glow shifting bonier as it tracked its path higher into the coppery blue. \u201cBeautiful night,\u201d said the bartender when I took a seat. \u201cBeautiful night, beautiful moon,\u201d I said. He poured my drink and an older gentleman on the stool to my right leaned toward me and asked with a sticky blue cheese voice, \u201cWhat does a young woman like you think of the full moon?\u201d I laughed. Was he asking me if my womb was throbbing? What does anyone think of the full moon? I told him I didn\u2019t know how to answer that question. I\u2019ve been thinking about it since.<\/p>\n<p>It\u2019s April again, surging month, and the full moon rises tonight. What do you think of the moon? Joyce considers \u201cher luminary reflection \u2026 her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage \u2026 her arid seas, her silence.\u201d So: light, power, water, beauty, insanity, delinquency, tranquility, inscrutability, silence. It\u2019s a start. The moon reflects back what we aim at it; what we see there tells us as much about ourselves as it does about this chalky pearl two hundred forty thousand miles away, give and take. \u201cBetween us\u2009\/\u2009we had seventeen words\u2009\/\u2009to describe the moon,\u201d writes the poet Arundhathi Subramaniam. I wonder what they were. Let\u2019s see how many we can come up with.<\/p>\n<p>Before that, one word. In more than two dozen languages, the words for <em>month <\/em>and <em>moon <\/em>are the same. In Croatian, <em>mjesec<\/em>; Czech, <em>m\u011bs\u00edc<\/em>; Slovak, <em>mesiac<\/em>. In Filipino, <em>buwan<\/em>; in Malay, <em>bulan<\/em>. In Japanese, \u6708 (<em>tsuki<\/em>); Hmong, <em>lub hlis<\/em>; Maori, <em>marama<\/em>; Igbo, <em>onwa<\/em>; and Zulu, <em>inyanga<\/em>. In Romanian, Estonian, Uzbek, and Turkish: <em>lun\u0103<\/em>, <em>kuu<\/em>, <em>oy<\/em>, <em>ay<\/em>. Our timekeeper, our month maker, our definer of cycles, tetherballing around us in 27.32-day spans. I say <em>our <\/em>as though we own it, as though it belongs to us, attached to where we are by the invisible bands of gravity. It does not belong to us. If anything, we belong to it, subjects to its rhythms, its pull, its power, the night\u2019s one glowing, slow-blinking eye. Across the world, notions of month and moon mingle and mesh in the very language they\u2019re expressed. You cannot talk about one without talking about the other. <!--more--><\/p>\n<p>Lun\u0103 Kuu Oy Ay<\/p>\n<p><em>I saw it written and I saw it say<\/em>.<\/p>\n<p>April\u2019s full moon is the Pink Moon, per the Old Farmer\u2019s Almanac, which draws on Native American and Colonial American sources. Pink moon, pink month: April with its cotton candy texture, sweet spun sugar wool. April brings the sense\u2014everything stirring, about to burst or bursting\u2014that one is waking up from a dream, or moving into another one. It \u201ccomes like an idiot,\u201d as Edna St. Vincent Millay puts it, \u201cbabbling and strewing flowers.\u201d April\u2019s nighttime atmosphere has a distinct flavor to it, too. The blue light of this month\u2019s dusks is thin, metallic, not the take-a-spoonful blue of November dusks. And lamplight through windows on early evening walks is lemony, not the hearthy and inviting orange-gold glow when the year gets colder. Here in the small northeastern city where I live the birds returned some weeks ago, their sour song in the predawn dim getting sweeter as spring makes more of an effort. The Pink Moon refers not to the color of this evening\u2019s moon but to a star-shaped, pink-petaled flower that spreads itself across the continent this month called phlox.<\/p>\n<p>Flocks of rufa red knots, shorebirds with russet breasts, are on the move right now, making their annual nine-thousand-mile migration from Tierra del Fuego up to the Arctic, where they lay their eggs. On the night of the full moon in April, horseshoe crabs, ancient armored beasts of the sea, are drawn to the shores of the mid-Atlantic to lay their eggs. Urged by the swell of the tide and the ultraviolet light of the moon, they travel up from the seafloor and scramble in the sand; waves lap over their spiked shells as they deposit millions of slick, jewel-like sacks of horseshoe matter into the shallow ditches they\u2019ve dug. The red knots depend on these eggs to fuel them for the rest of their journey north. Each year, the birds descend to the beaches of Delaware and New Jersey timed to this state of moon swell and make a great feed, gulping horseshoe eggs by the hundred thousand before they take wing again, heavier, egg-loaded, in this lunar-led triangle of timing and survival. Egg Moon is another name for what\u2019s up tonight.<\/p>\n<p>What\u2019ll hatch? What\u2019ll come out? What\u2019ll crack through the shell and emerge into this busted, blooming world? What blind, hungry, pin-boned pouch of needs? What fresh life? \u201cIt\u2019s spring,\u201d writes the poet Ouyang Jianghe, \u201cand everyone\u2019s got something to puke.\u201d April is the year\u2019s heaving dress rehearsal. This month and moon provoke a spewing and strewing, a laying, a seeding, a spreading. At the bottom of Craigie Street, a magnolia tree drops its white and pale-pink goat-tongue petals and the sidewalk is slicked with them as footfalls grind them slimy. I see the petals on morning walks and wonder if the blooms on the tree fold up in the moonlight or stay splayed. \u201cTonight the moon is full,\u201d writes Clarice Lispector. \u201cThrough the window the moon covers my bed and turns everything milky bluish white \u2026 I escape by closing my eyes. Because the full moon is light insomnia: numb and drowsy like after love. And I had decided to go to sleep so I could dream, I was missing the news that comes in the dream.\u201d<\/p>\n<p>What news in the dream? My mother tells me she can\u2019t sleep on the full moon. It might be true for me, too, but whether I inherited it in my blood or by suggestion, I do not know. Either way, I like the idea of the full moon as light not being able to sleep. What news in the dream? <em>Limulus polyphemus<\/em> is the name of the horseshoe crab that the red knots eat the eggs of, named after Polyphemus, the one-eyed giant who smashes Odysseus\u2019s men against the wall of his cave and sucks their brains and bones before Odysseus gouges out his eye and escapes with the rest of his crew tied below fat, woolly rams. <em>Polyphemus<\/em> because people mistook horseshoe crabs for having one eye. They have ten. All the better to see the ultraviolet rays of the moon with. In 1967, the Nobel Prize in Medicine was awarded to three doctors \u201cfor their discoveries concerning the primary physiological and chemical visual processes in the eye.\u201d They focused their research on <em>limulus polyphemus<\/em>.<\/p>\n<p>The ten-eyed horseshoe crabs are nabbed from the sand, lifted to labs where they\u2019re stabbed in the heart and drained of a third of their blood, which is copper-based and milky blue. It\u2019s collected for the limulus amebocyte lysate found there, which detects bacterial contaminants called endotoxins, lethal even in minor amounts, and used to test whether medical equipment is sterile. If ever in your life you have had a vaccine, it\u2019s been touched by the blood of the horseshoe crab. The crabs, so drained, are returned to the sea. Splish splash. Some live.<\/p>\n<p>No splish-splash to be had in the twenty-two seas of the moon, evocatively named as they are: Mare Nectaris, Mare Fecunditatis, Mare Tranquillitatis, Mare Crisium, Mare Humorum. Seas of Nectar, Fecundity, Tranquility, Crises, and Moisture. Twenty-two seas, one ocean, and a bunch of marshes, bays, and lakes (Lake of Death, Lake of Oblivion, Lake of Sorrow, Lake of Dreams). Nothing watery about them, they\u2019re fields of solidified lava from ancient eruptions, iron rich, dark, and dry as bone. Early astronomers, when they looked, thought the dark parts were water.<\/p>\n<p>Here, the ocean wears all its mirrors on its back, they bring the news that comes in the dream, and tonight, the full moon will be reflected and repeated there, millions of moons bouncing back off millions of mirrors. All the old Aprils are in this April, the well-worn egg-shaped orbit swings us back to budding fizz on trees, to hungry suckling tongues, to the blue dusk blush, everything stirring and sticky with renewal. We can\u2019t stare at the sun. It will char our retinas and take our sight. The moon won\u2019t burn, even at its brightest, we can look and look, the way we look at the faces in dreams, which reflect what we bring, with darkness and emptiness behind them. Tonight, step into the milk-blue dim, get softened in the mothlight, and feel the moon pull on all your fluids and juices.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Nina MacLaughlin is a writer in Cambridge, Massachusetts. Her most recent book is\u00a0<\/em><a href=\"https:\/\/bookshop.org\/a\/1531\/9781574232387\" target=\"_blank\" rel=\"noopener noreferrer\">Summer Solstice<\/a><em>. Her previous columns for the <\/em>Daily<em> are <a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/winter-solstice\/\" target=\"_blank\" rel=\"noopener noreferrer\">Winter Solstice<\/a>, <a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/sky-gazing\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sky Gazing<\/a>, <a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/summer-solstice\/\" target=\"_blank\" rel=\"noopener noreferrer\">Summer Solstice<\/a>, <a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/senses-of-dawn\/\" target=\"_blank\" rel=\"noopener noreferrer\">Senses of Dawn<\/a>, and <a href=\"https:\/\/www.theparisreview.org\/blog\/columns\/novemberance\/\" target=\"_blank\" rel=\"noopener noreferrer\">Novemberance<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s April again, surging month, and the full moon rises tonight. What do you think of the moon?<\/p>\n","protected":false},"author":2669,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[68286],"tags":[67827],"class_list":["post-152217","post","type-post","status-publish","format-standard","hentry","category-the-moon-in-full","tag-featured"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pink Moon by Nina MacLaughlin<\/title>\n<meta name=\"description\" content=\"It\u2019s April again, surging month, and the full moon rises tonight. 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