{"id":152125,"date":"2021-04-20T14:18:35","date_gmt":"2021-04-20T18:18:35","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=152125"},"modified":"2021-04-20T14:30:38","modified_gmt":"2021-04-20T18:30:38","slug":"redux-spreading-privacies-on-the-internet","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/20\/redux-spreading-privacies-on-the-internet\/","title":{"rendered":"Redux: Spreading Privacies on the Internet"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\n
\"\"<\/a>

Milan Kundera, ca. 1980. Photo: Elisa Cabot.<\/p><\/div>\n<\/div>\n

This week at The Paris Review<\/em>, we\u2019re spending too much time online. Read on for Milan Kundera\u2019s Art of Fiction interview<\/a>, Hiromi Kawakami\u2019s short story \u201cMogera Wogura<\/a>,\u201d and Stephen Dunn\u2019s poem \u201cHistorically Speaking<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? You\u2019ll also get four new issues of the quarterly delivered straight to your door. Or,\u00a0subscribe to our new bundle<\/a>\u00a0and receive\u00a0Poets at Work<\/em>\u00a0for 25% off.<\/p>\n

 <\/p>\n

Milan Kundera, The Art of Fiction No. 81<\/a>
\nIssue no. 92 (Summer 1984)<\/em><\/p>\n

Today one can compose music with a computer, but the computer always existed in composers\u2019 heads\u2014if they had to, composers could write sonatas without a single original idea, just by \u201ccybernetically\u201d expanding on the rules of composition. Jan\u00e1\u010dek\u2019s purpose was to destroy this computer \u2026 My purpose is like Jan\u00e1\u010dek\u2019s: to rid the novel of the automatism of novelistic technique, of novelistic word-spinning.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Photo: University of Texas at Arlington Photograph Collection. CC BY 4.0 (https:\/\/creativecommons.org\/licenses\/by\/4.0), via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

Mogera Wogura<\/a>
\nBy Hiromi Kawakami, translated by Michael Emmerich
\nIssue no. 173 (Spring 2005)<\/em><\/p>\n

The young humans who have joined the company in recent years don\u2019t even seem to notice how different I look. I don\u2019t think they consciously decide not to wonder about me, why my form is so unlike theirs; they simply can\u2019t be bothered. People sometimes make comments\u2014\u201cYou\u2019re pretty hairy, aren\u2019t you?\u201d\u2014but no one openly stares at me anymore, or presses me for information about my background. Until a decade or so ago, people really gossiped a lot.<\/p>\n

I sit at my computer until lunchtime, mostly dealing with statistics. Sometimes a young woman comes from general affairs and asks me to write out an address on an envelope in calligraphy, using a brush. I\u2019m a good calligrapher. Everyone says I write sharper-looking characters than anyone else in the company.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Photo: Ellinor Algin. CC BY 4.0, (https:\/\/creativecommons.org\/licenses\/by\/4.0), via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

Historically Speaking<\/a>
\nBy Stephen Dunn
\nIssue no. 219 (Winter 2016)<\/em><\/p>\n

It was a year of pirates in speedboats,
\nanonymous bullies spreading privacies
\non the Internet, and the worst of them
\ndoing worse than that and wishing to be known
\nfor what they\u2019d done, their perfidy
\nan advertisement for a cause.<\/p>\n

Thus it was a bad year for historians,
\nwhose stories couldn\u2019t be correct
\nfor longer than a few days. More than ever
\nthe imperfections of memory
\nwould combine with the slipperiness
\nof documentation to produce versions
\nonly people who need not be persuaded
\ncould agree with \u2026<\/p><\/blockquote>\n

 <\/p>\n

If you enjoyed the above, don\u2019t forget to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-eight years\u2019 worth of archives. Or,\u00a0subscribe to our new bundle<\/a>\u00a0and receive\u00a0<\/em>Poets at Work\u00a0for 25% off.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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