{"id":151836,"date":"2021-04-08T17:52:29","date_gmt":"2021-04-08T21:52:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=151836"},"modified":"2021-04-08T18:13:12","modified_gmt":"2021-04-08T22:13:12","slug":"untitled-no-date","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/","title":{"rendered":"Untitled, No Date"},"content":{"rendered":"<p><em>As is the case with far too many artists, the multitalented Frank Walter (1926\u20132009) did not receive his due during his lifetime. By all accounts a polymath\u2014<a href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-unknown-antiguan-visionary-knew-the-living-artist\" target=\"_blank\" rel=\"noopener noreferrer\">his second cousin recalls<\/a> that \u201cas a child, he\u2019d sit us down under a fruit tree, and while he\u2019s typing on one subject matter, he\u2019s lecturing us on other matter\u201d\u2014Walter spent much of his life in relative solitude on Antigua, with his ideas and memories to keep him company as he painted, drew, wrote, sculpted, captured photographs, made sound recordings, and fashioned toys. He brimmed with a restless creativity; he left behind some five thousand paintings, two thousand photographs, fifty thousand pages of writing across various genres, and much more. <a href=\"https:\/\/www.davidzwirner.com\/exhibitions\/2021\/frank-walter\" target=\"_blank\" rel=\"noopener noreferrer\">A new exhibition<\/a> featuring a fraction of this work will open at David Zwirner\u2019s London gallery on April 15. A selection of images from the show appears below.<\/em><\/p>\n<div id=\"attachment_151828\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-151828\" class=\"size-full wp-image-151828\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg\" alt=\"\" width=\"1000\" height=\"803\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate-300x241.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate-768x617.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-151828\" class=\"wp-caption-text\">Frank Walter, <em>LANDSCAPE Untitled (Airplanes over boats in harbor)<\/em>, n.d. \u00a9 Courtesy Kenneth M. Milton Fine Arts. Image courtesy of Kenneth M. Milton Fine Arts and David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_151834\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0020_estate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-151834\" class=\"size-full wp-image-151834\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0020_estate.jpg\" alt=\"\" width=\"1000\" height=\"794\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0020_estate.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0020_estate-300x238.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0020_estate-768x610.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-151834\" class=\"wp-caption-text\">Frank Walter, <em>Untitled (Watermelon)<\/em>, n.d. \u00a9 Courtesy Kenneth M. Milton Fine Arts. Image courtesy Kenneth M. Milton Fine Arts and David Zwirner.<\/p><\/div>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_151826\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0082_estate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-151826\" class=\"size-full wp-image-151826\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0082_estate.jpg\" alt=\"\" width=\"1000\" height=\"1661\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0082_estate.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0082_estate-181x300.jpg 181w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0082_estate-768x1276.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0082_estate-616x1024.jpg 616w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-151826\" class=\"wp-caption-text\">Frank Walter, <em>Untitled (black birds in foreground with white bird on a shark)<\/em>, n.d. \u00a9 Courtesy Kenneth M. Milton Fine Arts. Image courtesy Kenneth M. Milton Fine Arts and David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_151835\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0016_estate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-151835\" class=\"size-full wp-image-151835\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0016_estate.jpg\" alt=\"\" width=\"1000\" height=\"802\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0016_estate.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0016_estate-300x241.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0016_estate-768x616.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-151835\" class=\"wp-caption-text\">Frank Walter, <em>Untitled (Abstract Triangles Red, Yellow, Black and Silver)<\/em>, n.d. \u00a9 Courtesy Kenneth M. Milton Fine Arts. Image courtesy Kenneth M. Milton Fine Arts and David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_151832\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0029_estate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-151832\" class=\"size-full wp-image-151832\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0029_estate.jpg\" alt=\"\" width=\"1000\" height=\"739\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0029_estate.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0029_estate-300x222.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0029_estate-768x568.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-151832\" class=\"wp-caption-text\">Frank Walter, <em>FIGURATIVE Untitled (Self-portrait on water with red hurrican sky moving in)<\/em>, n.d. \u00a9 Courtesy Kenneth M. Milton Fine Arts. Image courtesy Kenneth M. Milton Fine Arts and David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_151824\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0151_estate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-151824\" class=\"size-full wp-image-151824\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0151_estate.jpg\" alt=\"\" width=\"1000\" height=\"799\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0151_estate.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0151_estate-300x240.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0151_estate-768x614.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-151824\" class=\"wp-caption-text\">Frank Walter, <em>Untitled (Red sun, black mountain, grey sea)<\/em>, n.d. \u00a9 Courtesy Kenneth M. Milton Fine Arts. Image courtesy Kenneth M. Milton Fine Arts and David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_151831\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0031_estate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-151831\" class=\"size-full wp-image-151831\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0031_estate.jpg\" alt=\"\" width=\"1000\" height=\"800\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0031_estate.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0031_estate-300x240.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0031_estate-768x614.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-151831\" class=\"wp-caption-text\">Frank Walter, <em>Better be UGLY than BAD BEAUTIFUL<\/em>, n.d. \u00a9 Courtesy Kenneth M. Milton Fine Arts. Image courtesy Kenneth M. Milton Fine Arts and David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_151829\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0038_estate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-151829\" class=\"size-full wp-image-151829\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0038_estate.jpg\" alt=\"\" width=\"1000\" height=\"767\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0038_estate.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0038_estate-300x230.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0038_estate-768x589.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-151829\" class=\"wp-caption-text\">Frank Walter, <em>Untitled (Pink and lavender sky with green foreground and brown plantings)<\/em>, n.d. \u00a9 Courtesy Kenneth M. Milton Fine Arts. Image courtesy Kenneth M. Milton Fine Arts and David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><em>\u201c<a href=\"https:\/\/www.davidzwirner.com\/exhibitions\/2021\/frank-walter\" target=\"_blank\" rel=\"noopener noreferrer\">Frank Walter<\/a>\u201d will open at David Zwirner\u2019s London gallery on April 15.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new show at David Zwirner\u2019s London gallery marks the first time Frank Walter\u2019s work has been featured in a solo presentation in the city.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[67827],"class_list":["post-151836","post","type-post","status-publish","format-standard","hentry","category-look","tag-featured"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Untitled, No Date by The Paris Review<\/title>\n<meta name=\"description\" content=\"A new show at David Zwirner\u2019s London gallery marks the first time Frank Walter\u2019s work has been featured in a solo presentation in the city.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Untitled, No Date by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"April 8, 2021 \u2013 A new show at David Zwirner\u2019s London gallery marks the first time Frank Walter\u2019s work has been featured in a solo presentation in the city.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-04-08T21:52:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-08T22:13:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"803\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Untitled, No Date\",\"datePublished\":\"2021-04-08T21:52:29+00:00\",\"dateModified\":\"2021-04-08T22:13:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/\"},\"wordCount\":451,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg\",\"keywords\":[\"Featured\"],\"articleSection\":[\"Look\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/\",\"name\":\"Untitled, No Date by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg\",\"datePublished\":\"2021-04-08T21:52:29+00:00\",\"dateModified\":\"2021-04-08T22:13:12+00:00\",\"description\":\"A new show at David Zwirner\u2019s London gallery marks the first time Frank Walter\u2019s work has been featured in a solo presentation in the city.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Untitled, No Date\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Untitled, No Date by The Paris Review","description":"A new show at David Zwirner\u2019s London gallery marks the first time Frank Walter\u2019s work has been featured in a solo presentation in the city.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/","og_locale":"en_US","og_type":"article","og_title":"Untitled, No Date by The Paris Review","og_description":"April 8, 2021 \u2013 A new show at David Zwirner\u2019s London gallery marks the first time Frank Walter\u2019s work has been featured in a solo presentation in the city.","og_url":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2021-04-08T21:52:29+00:00","article_modified_time":"2021-04-08T22:13:12+00:00","og_image":[{"width":1000,"height":803,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Untitled, No Date","datePublished":"2021-04-08T21:52:29+00:00","dateModified":"2021-04-08T22:13:12+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/"},"wordCount":451,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg","keywords":["Featured"],"articleSection":["Look"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/","url":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/","name":"Untitled, No Date by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg","datePublished":"2021-04-08T21:52:29+00:00","dateModified":"2021-04-08T22:13:12+00:00","description":"A new show at David Zwirner\u2019s London gallery marks the first time Frank Walter\u2019s work has been featured in a solo presentation in the city.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/04\/waltf0081_estate.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/08\/untitled-no-date\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Untitled, No Date"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/151836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=151836"}],"version-history":[{"count":8,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/151836\/revisions"}],"predecessor-version":[{"id":151847,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/151836\/revisions\/151847"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=151836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=151836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=151836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}