{"id":151790,"date":"2021-04-06T16:32:21","date_gmt":"2021-04-06T20:32:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=151790"},"modified":"2021-04-06T16:46:11","modified_gmt":"2021-04-06T20:46:11","slug":"redux-a-man-says-yes-without-knowing","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/04\/06\/redux-a-man-says-yes-without-knowing\/","title":{"rendered":"Redux: A Man Says Yes without Knowing"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Elizabeth Bishop. Photo: Alice Helen Methfessel. Courtesy of Frank Bidart.<\/p><\/div>\n

This week at The Paris Review<\/em>, we\u2019re celebrating the release of Poets at Work<\/em><\/a>, our latest anthology of interviews. Read on for work by three of the writers included in the book: Elizabeth Bishop\u2019s Art of Poetry interview<\/a>, Ishmael Reed\u2019s poem \u201cThe Diabetic Dreams of Cake<\/a>,\u201d and Pablo Neruda\u2019s poem \u201cEmerging<\/a>.\u201d You can also read Paris Review<\/em> poetry editor Vijay Seshadri\u2019s introduction<\/a> to the book on the Daily<\/em>.<\/p>\n

If you enjoy these free interviews, stories, and poems, why not subscribe<\/a> to The Paris Review<\/em>? You\u2019ll also get four new issues of the quarterly delivered straight to your door. Or, subscribe to our new bundle<\/a> and receive Poets at Work<\/em> for 25% off.<\/p>\n

 <\/p>\n

Elizabeth Bishop, The Art of Poetry No. 27<\/a>
\nIssue no. 80 (Summer 1981)<\/em><\/p>\n

I can write prose on a typewriter. Not poetry. Nobody can read my writing so I write letters on it. And I\u2019ve finally trained myself so I can write prose on it and then correct a great deal. But for poetry I use a pen. About halfway through sometimes I\u2019ll type out a few lines to see how they look.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Floor of the New York Stock Exchange, 1963. Photo: Thomas J. O\u2019Halloran. Public domain, via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

The Diabetic Dreams of Cake<\/a>
\nBy Ishmael Reed
\nIssue no. 218 (Fall 2016)<\/em><\/p>\n

\u201cWall Street says that cake sales are low\u201d
\nOr to put it bluntly
\n\u201cCake is fizz\u201d
\nSo why is a diabetic dreaming of cake
\nAsked to leave a temple
\nBecause he didn\u2019t know that rice cakes
\nWere sacrament?
\n(He managed to jam some into his pockets)
\nHe dreamed that Mount Diablo was a Devil\u2019s food cake
\nHe began to munch it down until his path was
\nInterrupted by his Pancreas
\nThe Pancreas had sticklike arms and legs
\nIt was frowning
\nIt put up a hand and beckoned him to halt
\nHe pushed aside the Pancreas and finished his
\nMeal \u2026<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Photo: Dinesh Valke. CC BY-SA 2.0 (https:\/\/creativecommons.org\/licenses\/by-sa\/2.0), via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

Emerging<\/a>
\nBy Pablo Neruda, translated by Alastair Reid
\nIssue no. 57 (Spring 1974)<\/em><\/p>\n

A man says yes without knowing
\nhow to decide even what the question is,
\nand is caught up, and then is carried along
\nand never again escapes from his own cocoon;
\nand that\u2019s how we are, forever falling
\ninto the deep well of other beings;
\nand one thread wraps itself around our necks,
\nanother entwines a foot, and then it is impossible,
\nimpossible to move except in the well \u2014
\nnobody can rescue us from other people \u2026<\/p><\/blockquote>\n

 <\/p>\n

If you enjoyed the above, don\u2019t forget to subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-eight years\u2019 worth of archives. Or, subscribe to our new bundle<\/a> and receive <\/em>Poets at Work for 25% off.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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