{"id":150495,"date":"2021-01-26T13:00:27","date_gmt":"2021-01-26T18:00:27","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=150495"},"modified":"2021-01-25T16:54:51","modified_gmt":"2021-01-25T21:54:51","slug":"redux-some-timeworn-worm-eaten-piece-of-paper","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/01\/26\/redux-some-timeworn-worm-eaten-piece-of-paper\/","title":{"rendered":"Redux: Some Timeworn, Worm-Eaten Piece of Paper"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

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L\u00e1szl\u00f3 Krasznahorkai. Photo: Nina Subin. Courtesy of New Directions.<\/p><\/div>\n<\/div>\n<\/div>\n

This week at The Paris Review<\/em>, we\u2019re celebrating our long and fruitful shared history with New Directions with a special bundle: until the end of January, subscribe<\/a> and receive a year\u2019s worth of issues along with three novels by L\u00e1szl\u00f3 Krasznahorkai, Fernanda Melchor, and Enrique Vila-Matas. Read on for L\u00e1szl\u00f3 Krasznahorkai\u2019s Art of Fiction interview<\/a>, Fernanda Melchor\u2019s \u201cThey Called Her the Witch<\/a>\u201d (an excerpt from her novel Hurricane Season<\/em>), and Enrique Vila-Matas\u2019s Art of Fiction interview<\/a>.<\/p>\n

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L\u00e1szl\u00f3 Krasznahorkai, The Art of Fiction No. 240<\/a>
\nIssue no. 225 (Summer 2018)<\/em><\/p>\n

The power of the word is, for me, the only way to get closer to this hidden reality. Everyone is a fictional person and, at the same time, a real person. I belong to the fictive world and to the real world\u2014I\u2019m there in both empires. You too. And everyone in this restaurant. And also this object and everything we can perceive and also things we can\u2019t perceive, because we know that with our five senses, some part of reality is imperceptible. I\u2019m not being esoteric. Reality is so important to me that I always want to be aware of every possibility.<\/p><\/blockquote>\n

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Fernanda Melchor. Photo courtesy of New Directions.<\/p><\/div>\n

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They Called Her the Witch<\/a>
\nBy Fernanda Melchor
\nIssue no. 231 (Winter 2019)<\/em><\/p>\n

They called her the Witch, the same as her mother; the Girl Witch when she first started trading in curses and cures, and then, when she wound up alone, the year of the landslide, simply the Witch. If she\u2019d had another name, scrawled on some timeworn, worm-eaten piece of paper maybe, buried at the back of one of those wardrobes that the older crone crammed full of plastic bags and filthy rags, locks of hair, bones, rotten leftovers, if at some point she\u2019d been given a first name and last name like everyone else in town, well, no one had ever known it, not even the women who visited the house each Friday had ever heard her called anything else.<\/p><\/blockquote>\n

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Enrique Vila-Matas. Photo: \u00a9 Olivier Roller.<\/p><\/div>\n

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Enrique Vila-Matas, The Art of Fiction No. 247<\/a>
\nIssue no. 234 (Fall 2020)<\/em><\/p>\n

That quality comes from some writers\u2019 facility for what we might call perception, the art of perceiving what\u2019s going to happen. It\u2019s a skill, an art, that we see very acutely in Kafka, for example .\u2009.\u2009. Literature is a mirror with the capacity, like some clocks, to run ahead of time. But we mustn\u2019t mistake perception for prophecy itself.<\/p><\/blockquote>\n

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If you enjoyed the above, make sure to subscribe<\/a> to this special bundle! In addition to a year\u2019s worth of <\/em>The Paris Review, you\u2019ll receive <\/em>Baron Wenckheim\u2019s Homecoming, by L\u00e1szl\u00f3 Krasznahorkai; <\/em>Hurricane Season, by Fernanda Melchor; and <\/em>Mac\u2019s Problem, by Enrique Vila-Matas\u2014all for $99. Note: This offer is available only in the United States and Canada.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on fiction by Fernanda Melchor and interviews with L\u00e1szl\u00f3 Krasznahorkai and Enrique Vila-Matas.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-150495","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: Some Timeworn, Worm-Eaten Piece of Paper by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on fiction by Fernanda Melchor and interviews with L\u00e1szl\u00f3 Krasznahorkai and Enrique Vila-Matas.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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