{"id":150123,"date":"2020-12-29T12:00:10","date_gmt":"2020-12-29T17:00:10","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=150123"},"modified":"2020-12-22T14:32:30","modified_gmt":"2020-12-22T19:32:30","slug":"redux-its-almost-next-year","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/12\/29\/redux-its-almost-next-year\/","title":{"rendered":"Redux: It\u2019s Almost Next Year"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_150125\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/theparisreview.org\/interviews\/2192\/the-art-of-poetry-no-42-octavio-paz\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-150125\" class=\"wp-image-150125 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/octavio-1.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/octavio-1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/octavio-1-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/octavio-1-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-150125\" class=\"wp-caption-text\">Octavio Paz.<\/p><\/div>\n<p>This week at <em>The Paris Review<\/em>, we\u2019re resolving to read even more of our archive in the new year. Read on for Octavio Paz\u2019s <a href=\"https:\/\/theparisreview.org\/interviews\/2192\/the-art-of-poetry-no-42-octavio-paz\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Poetry interview<\/a>, Rachel Cusk\u2019s \u201c<a href=\"https:\/\/theparisreview.org\/fiction\/6469\/freedom-rachel-cusk\" target=\"_blank\" rel=\"noopener noreferrer\">Freedom<\/a>,\u201d and Margaret Atwood\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/7580\/winter-vacations-margaret-atwood\" target=\"_blank\" rel=\"noopener noreferrer\">Winter Vacations<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review<\/em>?\u00a0Or take advantage of our\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/tpr\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=GRNPREM\" target=\"_blank\" rel=\"noopener noreferrer\">new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new\u00a0<a href=\"https:\/\/store.theparisreview.org\/collections\/accessories\/products\/our-new-green-and-lavender-tote\" target=\"_blank\" rel=\"noopener noreferrer\">TriBeCa tote<\/a>\u00a0for only $69 (plus free shipping!).<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/interviews\/2192\/the-art-of-poetry-no-42-octavio-paz\" target=\"_blank\" rel=\"noopener noreferrer\">Octavio Paz, The Art of Poetry No. 42<\/a><br \/>\n<em>Issue no. 119 (Summer 1991)<\/em><\/p>\n<blockquote><p>I am very fond of fireworks. They were a part of my childhood. There was a part of the town where the artisans were all masters of the great art of fireworks. They were famous all over Mexico. To celebrate the feast of the Virgin of Guadalupe, other religious festivals, and at New Year\u2019s, they made the fireworks for the town. I remember how they made the church facade look like a fiery waterfall. It was marvelous.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/fiction\/6469\/freedom-rachel-cusk\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-150126\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/cusk.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/cusk.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/cusk-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/cusk-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/fiction\/6469\/freedom-rachel-cusk\" target=\"_blank\" rel=\"noopener noreferrer\">Freedom<\/a><br \/>\nBy Rachel Cusk<br \/>\n<em>Issue no. 217 (Summer 2016)<\/em><\/p>\n<blockquote><p>\u201cWhat\u2019s it called,\u201d Dale said, \u201cwhen you have one of those bloody great blinding flashes of insight that changes the way you look at things?\u201d<\/p>\n<p>I said I wasn\u2019t sure: a few different words sprang to mind.<\/p>\n<p>Dale twitched his paintbrush irritably.<\/p>\n<p>\u201cIt\u2019s something to do with a road,\u201d he said.<\/p>\n<p>Road to Damascus, I said.<\/p>\n<p>\u201cI had a road to Damascus moment,\u201d he said. \u201cLast New Year\u2019s Eve, of all times. I bloody hate New Year\u2019s. That was part of it, realizing that I bloody hated New Year\u2019s Eve.\u201d<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/7580\/winter-vacations-margaret-atwood\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-150127\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/atwood3.jpg\" alt=\"\" width=\"1000\" height=\"668\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/atwood3.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/atwood3-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/12\/atwood3-768x513.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/7580\/winter-vacations-margaret-atwood\" target=\"_blank\" rel=\"noopener noreferrer\">Winter Vacations<\/a><br \/>\nBy Margaret Atwood<br \/>\n<em>Issue no. 234 (Fall 2020)<\/em><\/p>\n<blockquote><p>\u2026 Despite all this we\u2019re traveling fast,<br \/>\nwe\u2019re traveling faster than light.<br \/>\nIt\u2019s almost next year,<br \/>\nit\u2019s almost last year,<br \/>\nit\u2019s almost the year before:<br \/>\nfamiliar, but we can\u2019t swear to it.<br \/>\nWhat about this outdoor bar,<br \/>\nthe one with the stained-glass palm tree?<br \/>\nWe know we\u2019ve been here already.<br \/>\nOr were we? Will we ever be?<br \/>\nWill we ever be again?<br \/>\nIs it far?<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>And to read more from the\u00a0<\/em>Paris Review<em>\u00a0archives, make sure to\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em><em>. Or take advantage of our\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/tpr\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=GRNPREM\" target=\"_blank\" rel=\"noopener noreferrer\">new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full archive, and our new <a href=\"https:\/\/store.theparisreview.org\/collections\/accessories\/products\/our-new-green-and-lavender-tote\" target=\"_blank\" rel=\"noopener noreferrer\">TriBeCa tote<\/a>\u00a0for only $69 (plus free shipping!).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on Octavio Paz\u2019s Art of Poetry interview, fiction by Rachel Cusk, and a poem by Margaret Atwood.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-150123","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: It\u2019s Almost Next Year by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Octavio Paz\u2019s Art of Poetry interview, fiction by Rachel Cusk, and a poem by Margaret Atwood.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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