{"id":149624,"date":"2020-12-08T13:35:29","date_gmt":"2020-12-08T18:35:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=149624"},"modified":"2020-12-08T13:35:29","modified_gmt":"2020-12-08T18:35:29","slug":"redux-a-point-of-coincidence","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/12\/08\/redux-a-point-of-coincidence\/","title":{"rendered":"Redux: A Point of Coincidence"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a><\/p>\n

This week, The Paris Review<\/em> is celebrating the release of the Winter 2020 issue<\/a> by highlighting three contributors who have appeared in previous issues. Read on for Claudia Rankine\u2019s Art of Poetry interview<\/a>, Gy\u00f6rgy Dragom\u00e1n\u2019s short story \u201cEnd of the World<\/a>,\u201d and Arthur Sze\u2019s poem \u201cStreamers<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>?\u00a0Or take advantage of our\u00a0new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new\u00a0TriBeCa tote<\/a>\u00a0for only $69 (plus free shipping!). And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Claudia Rankine, The Art of Poetry No. 102<\/a>
\nIssue no. 219, Winter 2016<\/em><\/p>\n

The question is, How do you get to an authentic emotional place? I\u2019m often listening not for what is being told to me but for what resides behind the narrative. What is the feeling for the thing that\u2019s being told to me? One of the reasons I work in book-length projects, instead of individual poems, is because I don\u2019t trust the authenticity of any given moment by itself.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Photo: Ginny. CC BY-SA 2.0 (https:\/\/creativecommons.org\/licenses\/by-sa\/2.0), via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

End of the World<\/a>
\nBy Gy\u00f6rgy Dragom\u00e1n, translated by Paul Olchv\u00e1ry
\nIssue no. 183, Winter 2007<\/em><\/p>\n

Coach Gica tended to us goalies specially, he made us show up at every practice an hour early and mainly had us do speed drills, plus we had to jump a lot and dive, jump and dive, jump and dive, and he had this goalie-terrorizing machine, he came up with it himself and the workers at the Ironworks made it for him, a soccer ball was put up on the end of this long iron pipe, the ball was filled with sand, and that\u2019s what he shot at us, the whole contraption was built onto an axle it revolved around, throwing that sand-packed ball with no mercy, and Janika and I knew that if we didn\u2019t catch it, it would hit us in the head and break our bones, other kids had already died in Coach Gica\u2019s hands, so they said, which is why he became a coach for the junior team, the adult players couldn\u2019t stand his heavy-handedness, one time they caught him and knocked half his brains out, and since then he wasn\u2019t allowed to coach the Ironworks\u2019 adult team but could work only with us eleven and twelve year olds.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Photo: Latemplanza. CC BY-SA 4.0 (https:\/\/creativecommons.org\/licenses\/by-sa\/4.0), via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

Streamers<\/a>
\nBy Arthur Sze
\nIssue no. 116, Fall 1990<\/em><\/p>\n

As an archaeologist unearths a mask with opercular teeth
\nand abalone eyes, someone throws a broken fan and extension cords
\ninto a dumpster. A point of coincidence exists in the mind<\/p>\n

resembling the tension between a denotation and its stretch
\nof definition: aurora: a luminous phenomenon consisting
\nof streamers or arches of light appearing in the upper atmosphere<\/p>\n

of a planet\u2019s polar regions, caused by the emission of light
\nfrom atoms excited by electrons accelerated along the planet\u2019s
\nmagnetic field lines. The mind\u2019s magnetic field lines.<\/p>\n

When the red shimmering in the huge dome of sky stops,
\na violet flare is already arcing up and across, while a man
\nforaging a dumpster in Cleveland finds some celery and charred fat.<\/p>\n

Hunger, angst: the blue shimmer of emotion, water speeding
\nthrough a canyon; to see only to know: to wake finding
\na lug nut, ticket stub, string, personal card, ink smear, $2.76 \u2026<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>. Or take advantage of our\u00a0new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new\u00a0TriBeCa tote<\/a>\u00a0for only $69 (plus free shipping!).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Claudia Rankine\u2019s Art of Poetry interview, a short story by Gy\u00f6rgy Dragom\u00e1n, and a poem by Arthur Sze.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-149624","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: A Point of Coincidence by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Claudia Rankine\u2019s Art of Poetry interview, a short story by Gy\u00f6rgy Dragom\u00e1n, and a poem by Arthur Sze.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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