{"id":149277,"date":"2020-11-24T13:00:46","date_gmt":"2020-11-24T18:00:46","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=149277"},"modified":"2020-11-24T12:51:18","modified_gmt":"2020-11-24T17:51:18","slug":"redux-a-dining-room-deserted","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/24\/redux-a-dining-room-deserted\/","title":{"rendered":"Redux: A Dining Room Deserted"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Derek Walcott, ca. 2012. Photo: Jorge Mej\u00eda Peralta.<\/p><\/div>\n

This week, The Paris Review<\/em> approaches this strange and lonely holiday season with a feeling of gratitude. Read on for Derek Walcott\u2019s Art of Poetry interview<\/a>, Nick Fuller Googins\u2019s short story \u201cThe Doors<\/a>,\u201d and Pablo Neruda\u2019s poem \u201cMelancholy inside Families<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>?\u00a0Or take advantage of our\u00a0new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new\u00a0TriBeCa tote<\/a>\u00a0for only $69 (plus free shipping!). And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Derek Walcott, The Art of Poetry No. 37<\/a>
\nIssue no. 101, Winter 1986<\/em><\/p>\n

Ultimately, it\u2019s what Yeats says: \u201cSuch a sweetness flows into the breast that we laugh at everything and everything we look upon is blessed.\u201d That\u2019s always there. It\u2019s a benediction, a transference. It\u2019s gratitude, really. The more of that a poet keeps, the more genuine his nature. I\u2019ve always felt that sense of gratitude. I\u2019ve never felt equal to it in terms of my writing, but I\u2019ve never felt that I was ever less than that.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Photo: Aaron Burden. CC0, via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

The Doors<\/a>
\nBy Nick Fuller Googins
\nIssue no. 228, Spring 2019<\/em><\/p>\n

Niko is a natural. With his help the beginners improve their line by leaps and bounds for instance facing the front most of the time now and usually remembering to hold the railing on the stairs. I teach him my modified sleeper hold. Double-teaming the beginners we have them snoring by one thirty every afternoon sometimes even earlier. Then we sit in the quiet nap-time darkness and guard against Nightworld and yes it is true that I would not mind if Niko thanked me for taking him under my wing but I realize that I never thanked him for taking me under his wing. And maybe our mutual gratitude is a silently understood kind of mutual gratitude but then again what if it is not?<\/p>\n

Thanks brother, I say whispering so as not to wake the beginners.<\/p>\n

For what? he whispers back.<\/p>\n

For everything, I say.<\/p>\n

Don\u2019t say that, he says.<\/p>\n

But I mean it, I say.<\/p>\n

So do I, he says.<\/p>\n

I don\u2019t push him. The gymnasium lights are dim but not so dim that they don\u2019t reflect a little watery in his eyes.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Melancholy inside Families<\/a>
\nBy Pablo Neruda
\nIssue no. 39, Fall 1966<\/em><\/p>\n

I keep a blue bottle.
\nInside it an ear and a portrait.
\nWhen the night dominates
\nthe feathers of the owl,
\nwhen the hoarse cherry tree
\nrips out its lips and makes menacing gestures
\nwith rinds which the ocean wind often perforates\u2014
\nthen I know that there are immense expanses hidden from us,
\nquartz in slugs,
\nooze,
\nblue waters for a battle,
\nmuch silence, many ore-veins
\nof withdrawals and camphor,
\nfallen things, medallions, kindnesses,
\nparachutes, kisses.<\/p>\n

It is only the passage from one day to another,
\na single bottle moving over the seas,
\nand a dining room where roses arrive,
\na dining room deserted
\nas a fish-bone: I am speaking of
\na smashed cup, a curtain, at the end
\nof a deserted room through which a river passes
\ndragging along the stones. It is a house
\nset on the foundations of the rain,
\na house of two floors with the required number of windows,
\nand climbing vines faithful in every particular \u2026<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>. Or take advantage of our\u00a0new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new\u00a0TriBeCa tote<\/a>\u00a0for only $69 (plus free shipping!)<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Derek Walcott\u2019s Art of Poetry interview, a short story by Nick Fuller Googins, and a poem by Pablo Neruda.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-149277","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: A Dining Room Deserted by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Derek Walcott\u2019s Art of Poetry interview, a short story by Nick Fuller Googins, and a poem by Pablo Neruda.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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