{"id":148998,"date":"2020-11-10T14:00:50","date_gmt":"2020-11-10T19:00:50","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=148998"},"modified":"2020-11-10T15:57:33","modified_gmt":"2020-11-10T20:57:33","slug":"redux-the-feeling-of-an-airplane-crashing","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/","title":{"rendered":"Redux: The Feeling of an Airplane Crashing"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\n
\"\"<\/a>

Kurt Vonnegut, ca. 1972. Photo: PBS.<\/p><\/div>\n<\/div>\n

This week, The Paris Review<\/em> is thinking about Veterans Day. Read on for Kurt Vonnegut\u2019s Art of Fiction interview<\/a>, M.\u2009F. Beal\u2019s short story \u201cVeterans<\/a>,\u201d and Jim Carroll\u2019s poem \u201cTraffic<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>?\u00a0Or take advantage of our\u00a0new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new\u00a0TriBeCa tote<\/a>\u00a0for only $69 (plus free shipping!). And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Kurt Vonnegut, The Art of Fiction No. 64<\/a>
\nIssue no. 69, Spring 1977<\/em><\/p>\n

\n

VONNEGUT<\/p>\n

I said, By God, I saw something after all! I would try to write my war story, whether it was interesting or not, and try to make something out of it. I describe that process a little in the beginning of Slaughterhouse Five<\/em>; I saw it as starring John Wayne and Frank Sinatra. Finally, a girl called Mary O\u2019Hare, the wife of a friend of mine who\u2019d been there with me, said, \u201cYou were just children then. It\u2019s not fair to pretend that you were men like Wayne and Sinatra, and it\u2019s not fair to future generations, because you\u2019re going to make war look good.\u201d That was a very important clue to me.<\/p>\n

INTERVIEWER<\/p>\n

That sort of shifted the whole focus \u2026<\/p>\n

VONNEGUT<\/p>\n

She freed me to write about what infants we really were: seventeen, eighteen, nineteen, twenty, twenty-one. We were baby-faced, and as a prisoner of war I don\u2019t think I had to shave very often. I don\u2019t recall that that was a problem.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Veterans<\/a>
\nBy M.\u2009F. Beal
\nIssue no. 98, Winter 1985<\/em><\/p>\n

She settled back in her seat. It was accidental, this trip. Ross had been working on a neighbor\u2019s caterpillar tractor and the gear slipped, lowering the blade onto his knee. Nothing broken, but after a few days the bruise turned into a puffy swollen redness which began to throb. Ross could go to a V.A. hospital for treatment; the neighbor was uninsured. Ross had done some work for her, too, not long after her husband died, and one day he brought her a dozen dark red roses. Some nights he stayed over in the bunkhouse instead of driving his old gas-guzzler to his sister\u2019s, in return for helping her with some of the heavier chores.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Traffic<\/a>
\nBy Jim Carroll
\nIssue no. 45, Winter 1968<\/em><\/p>\n

I was a young pilot in World War I, remember?
\ndo you know the feeling of an airplane crashing the water\u2019s edge?<\/p>\n

we\u2019ve just traveled 600 miles, and the only person
\nwe know is sleeping under the wet almond tree.<\/p>\n

there is nothing left but this meadow which smells of blood \u2026<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>. Or take advantage of our\u00a0new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new\u00a0TriBeCa tote<\/a>\u00a0for only $69 (plus free shipping!)<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Kurt Vonnegut\u2019s Art of Fiction interview, a short story by M.\u2009F. Beal, and a poem by Jim Carroll.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-148998","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: The Feeling of an Airplane Crashing by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Kurt Vonnegut\u2019s Art of Fiction interview, a short story by M.\u2009F. Beal, and a poem by Jim Carroll.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: The Feeling of an Airplane Crashing by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"November 10, 2020 \u2013 This week, we\u2019ve lowered the paywall on Kurt Vonnegut\u2019s Art of Fiction interview, a short story by M.\u2009F. Beal, and a poem by Jim Carroll.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-11-10T19:00:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-11-10T20:57:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"950\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: The Feeling of an Airplane Crashing\",\"datePublished\":\"2020-11-10T19:00:50+00:00\",\"dateModified\":\"2020-11-10T20:57:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/\"},\"wordCount\":637,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg\",\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/\",\"name\":\"Redux: The Feeling of an Airplane Crashing by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg\",\"datePublished\":\"2020-11-10T19:00:50+00:00\",\"dateModified\":\"2020-11-10T20:57:33+00:00\",\"description\":\"This week, we\u2019ve lowered the paywall on Kurt Vonnegut\u2019s Art of Fiction interview, a short story by M.\u2009F. Beal, and a poem by Jim Carroll.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg\",\"width\":1000,\"height\":950,\"caption\":\"Kurt Vonnegut, ca. 1972. Photo: PBS.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: The Feeling of an Airplane Crashing\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: The Feeling of an Airplane Crashing by The Paris Review","description":"This week, we\u2019ve lowered the paywall on Kurt Vonnegut\u2019s Art of Fiction interview, a short story by M.\u2009F. Beal, and a poem by Jim Carroll.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/","og_locale":"en_US","og_type":"article","og_title":"Redux: The Feeling of an Airplane Crashing by The Paris Review","og_description":"November 10, 2020 \u2013 This week, we\u2019ve lowered the paywall on Kurt Vonnegut\u2019s Art of Fiction interview, a short story by M.\u2009F. Beal, and a poem by Jim Carroll.","og_url":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2020-11-10T19:00:50+00:00","article_modified_time":"2020-11-10T20:57:33+00:00","og_image":[{"width":1000,"height":950,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: The Feeling of an Airplane Crashing","datePublished":"2020-11-10T19:00:50+00:00","dateModified":"2020-11-10T20:57:33+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/"},"wordCount":637,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg","articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/","url":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/","name":"Redux: The Feeling of an Airplane Crashing by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg","datePublished":"2020-11-10T19:00:50+00:00","dateModified":"2020-11-10T20:57:33+00:00","description":"This week, we\u2019ve lowered the paywall on Kurt Vonnegut\u2019s Art of Fiction interview, a short story by M.\u2009F. Beal, and a poem by Jim Carroll.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/11\/kurt_vonnegut_1972.jpg","width":1000,"height":950,"caption":"Kurt Vonnegut, ca. 1972. Photo: PBS."},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/11\/10\/redux-the-feeling-of-an-airplane-crashing\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: The Feeling of an Airplane Crashing"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/148998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=148998"}],"version-history":[{"count":3,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/148998\/revisions"}],"predecessor-version":[{"id":149008,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/148998\/revisions\/149008"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=148998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=148998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=148998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}