{"id":148637,"date":"2020-10-27T13:32:42","date_gmt":"2020-10-27T17:32:42","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=148637"},"modified":"2020-10-27T13:32:42","modified_gmt":"2020-10-27T17:32:42","slug":"redux-of-time-accelerated","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/10\/27\/redux-of-time-accelerated\/","title":{"rendered":"Redux: Of Time Accelerated"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\n
\n
\"\"<\/a>

Chinua Achebe.<\/p><\/div>\n<\/div>\n<\/div>\n

This week, we\u2019re highlighting work by Nigerian writers in the archive and the current issue. Read on for Chinua Achebe\u2019s Art of Fiction interview<\/a>, Eloghosa Osunde\u2019s short story \u201cGood Boy<\/a>,\u201d and Wole Soyinka\u2019s poem \u201cYour Logic Frightens Me Mandela<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>?\u00a0Or take advantage of our new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new TriBeCa tote<\/a> for only $69 (plus free shipping!). And for as long as we\u2019re flattening the curve, The Paris Review<\/em> will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Chinua Achebe, The Art of Fiction No. 139<\/a>
\nIssue no. 133, Winter 1994<\/em><\/p>\n

\n

INTERVIEWER<\/p>\n

How much do you think writers should engage themselves in public issues?<\/p>\n

ACHEBE<\/p>\n

I don\u2019t lay down the law for anybody else. But I think writers are not only writers, they are also citizens. They are generally adults. My position is that serious and good art has always existed to help, to serve, humanity. Not to indict. I don\u2019t see how art can be called art if its purpose is to frustrate humanity. To make humanity uncomfortable, yes. But intrinsically to be against humanity, that I don\u2019t take.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Photo: Michael Sander. CC BY-SA 4.0, via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

Good Boy<\/a>
\nBy Eloghosa Osunde
\nIssue no. 234, Fall 2020<\/em><\/p>\n

Start here: I\u2019m not inspiring. When I first moved to Lagos, I didn\u2019t come here with good mind. I came here with one mission and one mission only: to get a lot of money, so as to prove my popsy wrong. That\u2019s all. For me, blood family doesn\u2019t mean shit. Family is your spine dividing into four, hot metal in your back, red life shooting out of you in a geyser. It\u2019s you falling forward in slow motion, a yelp in your neck, whole outfit ruined in the air. You, reading this, you\u2019re here, alive, because your parents synced and you showed up. That\u2019s it. Even if they planned for a child, it was still a raffle draw. A hand went in a bowl and picked you. The tree shook and a fruit fell down.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Photo: Tom Woodward. CC BY-SA 2.0, via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

Your Logic Frightens Me Mandela<\/a>
\nBy Wole Soyinka
\nIssue no. 107, Summer 1988<\/em><\/p>\n

Your logic frightens me, Mandela,
\nYour logic frightens me. Those years
\nOf dreams, of time accelerated in
\nVisionary hopes, of savouring the task anew,
\nThe call, the tempo primed
\nTo burst in supernovae round a \u201cbrave new world\u201d!
\nThen stillness. Silence. The world closes round
\nYour sole reality; the rest is\u2026 dreams?<\/p>\n

Your logic frightens me.
\nHow coldly you disdain legerdemains!
\n\u201cOpen Sesame\u201d and\u2014two decades\u2019 rust on hinges
\nPeels at touch of a conjurer\u2019s wand?
\nWhite magic, ivory-topped black magic wand,
\nOne moment wand, one moment riot club
\nElectric cattle prod and club or sjambok
\nTearing flesh and spilling blood and brain?<\/p>\n

This bag of tricks, whose silk streamers
\nTurn knotted cords to crush dark temples?
\nA rabbit punch sneaked beneath the rabbit?
\nDoves metamorphosed in milk-white talons?
\nNot for you the olive branch that sprouts
\nGun muzzles, barbed-wire garlands, tangled thorns
\nTo wreathe the brows of black, unwilling christs.<\/p>\n

Your patience grows inhuman, Mandela \u2026<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>. Or take advantage of our new subscription bundle<\/a>, bringing you four issues of the print magazine, access to our full sixty-seven-year digital archive, and our new TriBeCa tote<\/a> for only $69 (plus free shipping!).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Chinua Achebe\u2019s Art of Fiction interview, a short story by Eloghosa Osunde, and a poem by Wole Soyinka.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-148637","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: Of Time Accelerated by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Chinua Achebe\u2019s Art of Fiction interview, a short story by Eloghosa Osunde, and a poem by Wole Soyinka.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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