{"id":148116,"date":"2020-10-06T13:20:44","date_gmt":"2020-10-06T17:20:44","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=148116"},"modified":"2020-10-06T14:41:29","modified_gmt":"2020-10-06T18:41:29","slug":"redux-the-things-between-me-and-time","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/10\/06\/redux-the-things-between-me-and-time\/","title":{"rendered":"Redux: The Things between Me and Time"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\n
\n
\"\"<\/a>

Grace Paley.<\/p><\/div>\n<\/div>\n<\/div>\n

This week at The Paris Review<\/em>, the clock is ticking. Read on for Grace Paley\u2019s Art of Fiction interview<\/a>, V.\u2009S. Naipaul\u2019s short story \u201cMy Aunt Gold Teeth<\/a>,\u201d and David Rokeah\u2019s poem \u201cBetween Me and Time<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? Or, to celebrate the students and teachers in your life, why not gift our\u00a0special subscription deal<\/a>\u00a0featuring a copy of\u00a0Writers at Work around the World<\/em>\u00a0for 50% off? And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Grace Paley, The Art of Fiction No. 131<\/a>
\nIssue no. 124, Fall 1992<\/em><\/p>\n

\n

INTERVIEWER<\/p>\n

What were you doing before you became a published writer?<\/p>\n

GRACE PALEY<\/p>\n

I was working part time. I was hanging out a lot. I was kind of lazy. I had my kids when I was about twenty-six, twenty-seven. I took them to the park in the afternoons. Thank God I was lazy enough to spend all that time in Washington Square Park. I say lazy<\/em> but of course it was kind of exhausting running after two babies. Still, looking back I see the pleasure of it. That\u2019s when I began to know women very well\u2014as co-workers, really. I had a part-time job as a typist up at Columbia. In fact, when I began to write stories, I typed some up there, and some in the PTA office of P.S. 41 on Eleventh Street. If I hadn\u2019t spent that time in the playground, I wouldn\u2019t have written a lot of those stories. That\u2019s pretty much how I lived. And then we had our normal family life\u2014struggles and hard times. That takes up a lot of time, hard times. Uses up whole days.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Bertrand Planes, Life Clock 2<\/em>, 2006. Photo: Neologico \/ CC BY-SA (https:\/\/creativecommons.org\/licenses\/by-sa\/3.0).<\/p><\/div>\n

 <\/p>\n

My Aunt Gold Teeth<\/a>
\nBy V.\u2009S. Naipaul
\nIssue no. 19, Summer 1958<\/em><\/p>\n

One morning she took the train for the county town of Chaguanas, three miles, two stations and twenty minutes away. The church of St. Philip and St. James in Chaguanias stands imposingly at the end of the Caroni Savannah Road, and although Gold Teeth knew Chaguanas well, all she knew of the church was that it had a clock, at which she had glanced on her way to the Railway Station nearby. She had hitherto been far more interested in the drab ochre-washed edifice opposite, which was the Police Station.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Photo: Gabo2013 \/ CC BY-SA (https:\/\/creativecommons.org\/licenses\/by-sa\/4.0).<\/p><\/div>\n

 <\/p>\n

Between Me and Time<\/a>
\nBy David Rokeah
\nIssue no. 29, Winter\u2013Spring 1963<\/em><\/p>\n

The things between me
\nand time:
\nMy daily forgetfulnesses.
\nLeaves of the fall that lose themselves in the wind.
\nDesert sand. Its haste that evades the eyes.
\nThe black complaint of the sea
\nthat lasts longer than night \u2026<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>. Or, to celebrate the students and teachers in your life, why not gift our\u00a0special subscription deal<\/a>\u00a0featuring a copy of\u00a0<\/em>Writers at Work around the World\u00a0for 50% off?<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Grace Paley\u2019s Art of Fiction interview, a short story by V. S. Naipaul, and a poem by David Rokeah.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-148116","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: The Things between Me and Time by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Grace Paley\u2019s Art of Fiction interview, a short story by V. S. 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