{"id":148042,"date":"2020-10-02T15:38:29","date_gmt":"2020-10-02T19:38:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=148042"},"modified":"2020-10-02T16:15:40","modified_gmt":"2020-10-02T20:15:40","slug":"young-queer-and-lonely-in-paris","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/10\/02\/young-queer-and-lonely-in-paris\/","title":{"rendered":"Young, Queer, and Lonely in Paris"},"content":{"rendered":"<p><em>Sophie Yanow\u2019s work of autofiction <\/em><a href=\"https:\/\/bookshop.org\/a\/1531\/9781770464070\" target=\"_blank\" rel=\"noopener noreferrer\">The Contradictions<\/a>\u00a0<em>paints a portrait of the artist as a young, queer, lonely wanderer on a study-abroad trip in Paris. In the excerpt below, Sophie attends student orientation, drinks wine, and, based on a series of cues that feed into one another with the airtight logic of a geometric proof, zeroes in on potential companions.<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148066\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior6.jpg\" alt=\"\" width=\"1000\" height=\"1504\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior6.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior6-199x300.jpg 199w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior6-768x1155.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior6-681x1024.jpg 681w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148067\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior7.jpg\" alt=\"\" width=\"1000\" height=\"1497\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior7.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior7-200x300.jpg 200w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior7-768x1150.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior7-684x1024.jpg 684w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior8.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148068\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior8.jpg\" alt=\"\" width=\"1000\" height=\"1525\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior8.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior8-197x300.jpg 197w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior8-768x1171.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior8-671x1024.jpg 671w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior9.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148069\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior9.jpg\" alt=\"\" width=\"1000\" height=\"1503\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior9.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior9-200x300.jpg 200w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior9-768x1154.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior9-681x1024.jpg 681w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior10.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148070\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior10.jpg\" alt=\"\" width=\"1000\" height=\"1519\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior10.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior10-197x300.jpg 197w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior10-768x1167.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior10-674x1024.jpg 674w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior11.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148071\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior11.jpg\" alt=\"\" width=\"1000\" height=\"1527\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior11.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior11-196x300.jpg 196w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior11-768x1173.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior11-671x1024.jpg 671w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior12.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148072\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior12.jpg\" alt=\"\" width=\"1000\" height=\"1498\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior12.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior12-200x300.jpg 200w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior12-768x1150.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior12-684x1024.jpg 684w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior13.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148073\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior13.jpg\" alt=\"\" width=\"1000\" height=\"1506\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior13.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior13-199x300.jpg 199w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior13-768x1157.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior13-680x1024.jpg 680w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior14.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148074\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior14.jpg\" alt=\"\" width=\"1000\" height=\"1395\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior14.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior14-215x300.jpg 215w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior14-768x1071.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior14-734x1024.jpg 734w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior15.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148075\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior15.jpg\" alt=\"\" width=\"1000\" height=\"1443\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior15.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior15-208x300.jpg 208w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior15-768x1108.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior15-710x1024.jpg 710w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior16.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148076\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior16.jpg\" alt=\"\" width=\"1000\" height=\"1474\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior16.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior16-204x300.jpg 204w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior16-768x1132.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior16-695x1024.jpg 695w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior17.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148077\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior17.jpg\" alt=\"\" width=\"1000\" height=\"1506\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior17.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior17-199x300.jpg 199w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior17-768x1157.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior17-680x1024.jpg 680w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior18.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148078\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior18.jpg\" alt=\"\" width=\"1000\" height=\"1517\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior18.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior18-198x300.jpg 198w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior18-768x1165.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior18-675x1024.jpg 675w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior19.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148079\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior19.jpg\" alt=\"\" width=\"1000\" height=\"1515\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior19.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior19-198x300.jpg 198w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior19-768x1164.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior19-676x1024.jpg 676w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior20.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148080\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior20.jpg\" alt=\"\" width=\"1000\" height=\"1487\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior20.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior20-202x300.jpg 202w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior20-768x1142.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior20-689x1024.jpg 689w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior21.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-148081\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior21.jpg\" alt=\"\" width=\"1000\" height=\"1421\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior21.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior21-211x300.jpg 211w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior21-768x1091.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/10\/contradictions.interior21-721x1024.jpg 721w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Sophie Yanow is an artist and writer based in the San Francisco Bay Area. <\/em>The Contradictions<em> is her first book with Drawn &amp; Quarterly, the web comic of which won an Eisner Award and was nominated for the Ringo and Harvey awards. Yanow is also the author of <\/em>What Is a Glacier?<em> and <\/em>War of Streets and Houses<em>. Her comics have appeared in <\/em>The New Yorker<em>, the <\/em>Guardian<em>, the <\/em>Los Angeles Review of Books<em>, and <\/em>The Nib<em>. She has been a MacDowell Fellow, and her translation of Dominique Goblet\u2019s <\/em>Pretending Is Lying<em> received the Scott Moncrieff Prize for translation from French. Yanow has taught at the Center for Cartoon Studies, the New Hampshire Institute of Art, and The Animation Workshop in Denmark.<\/em><\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/1531\/9781770464070\" target=\"_blank\" rel=\"noopener noreferrer\">The Contradictions<\/a><em>, by Sophie Yanow, was published in September. Excerpt courtesy of Drawn &amp; Quarterly.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A comic by Sophie Yanow.<\/p>\n","protected":false},"author":2058,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30980],"tags":[],"class_list":["post-148042","post","type-post","status-publish","format-standard","hentry","category-comics"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Young, Queer, and Lonely in Paris by Sophie Yanow<\/title>\n<meta name=\"description\" content=\"A comic by Sophie Yanow.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/10\/02\/young-queer-and-lonely-in-paris\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Young, Queer, and Lonely in Paris by Sophie Yanow\" \/>\n<meta property=\"og:description\" content=\"October 2, 2020 \u2013 A comic by Sophie Yanow.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2020\/10\/02\/young-queer-and-lonely-in-paris\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-10-02T19:38:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-02T20:15:40+00:00\" \/>\n<meta property=\"og:image\" 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