{"id":147926,"date":"2020-09-29T14:06:58","date_gmt":"2020-09-29T18:06:58","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=147926"},"modified":"2020-09-29T16:29:06","modified_gmt":"2020-09-29T20:29:06","slug":"redux-leaves-fall-off-of-the-trees","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/","title":{"rendered":"Redux: Leaves Fall Off of the Trees"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\n
\"\"<\/a>

Ali Smith, with Leo, in Cambridge, 2003.<\/p><\/div>\n<\/div>\n

This week at The Paris Review<\/em>, autumn has arrived. Read on for Ali Smith\u2019s Art of Fiction interview<\/a>, Robert Walser\u2019s work of fiction \u201cFrom the Essays of Fritz Kocher<\/a>,\u201d and Evie Shockley\u2019s poem \u201cex patria<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? Or, to celebrate the students and teachers in your life, why not gift our\u00a0special subscription deal<\/a>\u00a0featuring a copy of\u00a0Writers at Work around the World<\/em>\u00a0for 50% off? And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Ali Smith, The Art of Fiction No. 236<\/a>
\nIssue no. 221, Summer 2017<\/em><\/p>\n

\n

INTERVIEWER<\/p>\n

Were you pleased to see Autumn<\/em> referred to as \u201cthe first serious Brexit novel\u201d?<\/p>\n

SMITH<\/p>\n

Indifferent. What\u2019s the point of art, of any art, if it doesn\u2019t let us see with a little bit of objectivity where we are? All the way through this book I\u2019ve used the step-back motion, which I\u2019ve borrowed from Dickens\u2014the way that famous first paragraph of A Tale of Two Cities<\/em> creates space by being its own opposite\u2014to allow readers the space we need to see what space we\u2019re in.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Micha\u0142 Gorstkin-Wywi\u00f3rski, Park in autumn<\/em>, ca. 1900. Public domain, via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

From the Essays of Fritz Kocher<\/a>
\nBy Robert Walser
\nIssue no. 205, Summer 2013<\/em><\/p>\n

When autumn comes, the leaves fall off of the trees onto the ground. Actually, I should say it like this: When the leaves fall, autumn is here. I have to work on improving my style. Last time the teacher wrote: Style, wretched. It\u2019s upsetting but there\u2019s nothing I can do about it.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Arkhip Kuindzhi, Autumn<\/em>, ca. 1883. Public domain, via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

ex patria<\/a>
\nBy Evie Shockley
\nIssue no. 228, Spring 2019<\/em><\/p>\n

\n

(quattro stagioni: primavera, estate, autunno, inverno)<\/em><\/p>\n

a mythology can ask why is autumn so beautiful<\/em> and why is winter, blight-stricken as it is, so arresting?<\/em> a mythology, as opposed to a young person, can find autumn and winter much more striking than summer, sun-bleached summer, so legibly the scene of happiness<\/em> that nothing else can really happen there. a mythology can see the blood in spring, the stages of growth a kind of violence the body does to itself, it will never be this way again yet it can\u2019t get on to the next moment fast enough.<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Ali Smith\u2019s Art of Fiction interview, fiction by Robert Walser, and poetry by Evie Shockley.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-147926","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: Leaves Fall Off of the Trees by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Ali Smith\u2019s Art of Fiction interview, fiction by Robert Walser, and poetry by Evie Shockley.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Leaves Fall Off of the Trees by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"September 29, 2020 \u2013 This week, we\u2019ve lowered the paywall on Ali Smith\u2019s Art of Fiction interview, fiction by Robert Walser, and poetry by Evie Shockley.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-29T18:06:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-29T20:29:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: Leaves Fall Off of the Trees\",\"datePublished\":\"2020-09-29T18:06:58+00:00\",\"dateModified\":\"2020-09-29T20:29:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/\"},\"wordCount\":549,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg\",\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/\",\"name\":\"Redux: Leaves Fall Off of the Trees by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg\",\"datePublished\":\"2020-09-29T18:06:58+00:00\",\"dateModified\":\"2020-09-29T20:29:06+00:00\",\"description\":\"This week, we\u2019ve lowered the paywall on Ali Smith\u2019s Art of Fiction interview, fiction by Robert Walser, and poetry by Evie Shockley.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg\",\"width\":1000,\"height\":667},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: Leaves Fall Off of the Trees\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: Leaves Fall Off of the Trees by The Paris Review","description":"This week, we\u2019ve lowered the paywall on Ali Smith\u2019s Art of Fiction interview, fiction by Robert Walser, and poetry by Evie Shockley.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/","og_locale":"en_US","og_type":"article","og_title":"Redux: Leaves Fall Off of the Trees by The Paris Review","og_description":"September 29, 2020 \u2013 This week, we\u2019ve lowered the paywall on Ali Smith\u2019s Art of Fiction interview, fiction by Robert Walser, and poetry by Evie Shockley.","og_url":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2020-09-29T18:06:58+00:00","article_modified_time":"2020-09-29T20:29:06+00:00","og_image":[{"width":1000,"height":667,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: Leaves Fall Off of the Trees","datePublished":"2020-09-29T18:06:58+00:00","dateModified":"2020-09-29T20:29:06+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/"},"wordCount":549,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg","articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/","url":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/","name":"Redux: Leaves Fall Off of the Trees by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg","datePublished":"2020-09-29T18:06:58+00:00","dateModified":"2020-09-29T20:29:06+00:00","description":"This week, we\u2019ve lowered the paywall on Ali Smith\u2019s Art of Fiction interview, fiction by Robert Walser, and poetry by Evie Shockley.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/ali.jpg","width":1000,"height":667},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/29\/redux-leaves-fall-off-of-the-trees\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: Leaves Fall Off of the Trees"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/147926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=147926"}],"version-history":[{"count":7,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/147926\/revisions"}],"predecessor-version":[{"id":147948,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/147926\/revisions\/147948"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=147926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=147926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=147926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}