{"id":147860,"date":"2020-09-24T14:00:10","date_gmt":"2020-09-24T18:00:10","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=147860"},"modified":"2020-09-24T17:15:12","modified_gmt":"2020-09-24T21:15:12","slug":"david-hockneys-portraits-on-paper","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/24\/david-hockneys-portraits-on-paper\/","title":{"rendered":"David Hockney\u2019s Portraits on Paper"},"content":{"rendered":"<p><em>Opening next week at the Morgan Library &amp; Museum, \u201c<a href=\"https:\/\/www.themorgan.org\/exhibitions\/david-hockney\" target=\"_blank\" rel=\"noopener noreferrer\">David Hockney: Drawing from Life<\/a>\u201d is the first major exhibition to focus on the artist\u2019s portraits on paper. Spanning more than half a century, the works showcased in \u201cDrawing from Life\u201d see Hockney returning again and again to some of the individuals he holds dearest: the designer Celia Birtwell, his friend and former curator Gregory Evans, the printer Maurice Payne, his mother, and himself. Evident everywhere is Hockney\u2019s mastery of color and his devotion to capturing the subject at hand. A selection of images from the show appears below.<\/em><\/p>\n<div id=\"attachment_147854\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_03c05.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147854\" class=\"wp-image-147854 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_03c05.jpg\" alt=\"\" width=\"1000\" height=\"1274\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_03c05.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_03c05-235x300.jpg 235w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_03c05-768x978.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_03c05-804x1024.jpg 804w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147854\" class=\"wp-caption-text\">David Hockney, <em>Self Portrait with Red Braces<\/em>, 2003, watercolor on paper, 24&#8243; x 18 1\/8&#8243;. \u00a9 David Hockney. Photo: Richard Schmidt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147850\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_gregory_78b36.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147850\" class=\"wp-image-147850 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_gregory_78b36.jpg\" alt=\"\" width=\"1000\" height=\"1211\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_gregory_78b36.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_gregory_78b36-248x300.jpg 248w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_gregory_78b36-768x930.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_gregory_78b36-846x1024.jpg 846w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147850\" class=\"wp-caption-text\">David Hockney, <em>Gregory<\/em>, 1978, colored pencil on paper, 17&#8243; x 14&#8243;.\u00a0 \u00a9 David Hockney. Photo: Richard Schmidt.<\/p><\/div>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147851\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/gregory_la_march_31_cp-055.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147851\" class=\"wp-image-147851 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/gregory_la_march_31_cp-055.jpg\" alt=\"\" width=\"1000\" height=\"1092\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/gregory_la_march_31_cp-055.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/gregory_la_march_31_cp-055-275x300.jpg 275w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/gregory_la_march_31_cp-055-768x839.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/gregory_la_march_31_cp-055-938x1024.jpg 938w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147851\" class=\"wp-caption-text\">David Hockney, <em>Gregory. Los Angeles. March 31st 1982<\/em>, 1982, composite polaroid, 14 1\/2&#8243; x 13 1\/4&#8243;. \u00a9 David Hockney. Photo: Richard Schmidt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147853\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self-portrait_1954_54a07.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147853\" class=\"wp-image-147853 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self-portrait_1954_54a07.jpg\" alt=\"\" width=\"1000\" height=\"1427\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self-portrait_1954_54a07.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self-portrait_1954_54a07-210x300.jpg 210w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self-portrait_1954_54a07-768x1096.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self-portrait_1954_54a07-718x1024.jpg 718w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147853\" class=\"wp-caption-text\">David Hockney, <em>Self Portrait<\/em>, 1954, collage on newsprint, 16 1\/2&#8243; X 11 3\/4&#8243;. \u00a9 David Hockney. Photo: Richard Schmidt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147849\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_celia_carennac_71a01.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147849\" class=\"wp-image-147849 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_celia_carennac_71a01.jpg\" alt=\"\" width=\"1000\" height=\"1211\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_celia_carennac_71a01.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_celia_carennac_71a01-248x300.jpg 248w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_celia_carennac_71a01-768x930.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_celia_carennac_71a01-846x1024.jpg 846w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147849\" class=\"wp-caption-text\">David Hockney, <em>Celia, Carennac, August 1971<\/em>, 1971, crayon on paper, 17&#8243; x 14&#8243;. \u00a9 David Hockney. Photo: Richard Schmidt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147857\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_3_screen_drawings_ipd-1107_ep1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147857\" class=\"wp-image-147857 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_3_screen_drawings_ipd-1107_ep1.jpg\" alt=\"\" width=\"1000\" height=\"1333\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_3_screen_drawings_ipd-1107_ep1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_3_screen_drawings_ipd-1107_ep1-225x300.jpg 225w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_3_screen_drawings_ipd-1107_ep1-768x1024.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147857\" class=\"wp-caption-text\">David Hockney, <em>No 1201<\/em>, 2012, iPad drawing, 37&#8243; x 28&#8243;. \u00a9 David Hockney.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147852\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_maurice_p98-v_ap-ii.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147852\" class=\"wp-image-147852 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_maurice_p98-v_ap-ii.jpg\" alt=\"\" width=\"1000\" height=\"1427\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_maurice_p98-v_ap-ii.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_maurice_p98-v_ap-ii-210x300.jpg 210w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_maurice_p98-v_ap-ii-768x1096.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_maurice_p98-v_ap-ii-718x1024.jpg 718w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147852\" class=\"wp-caption-text\">David Hockney, <em>Maurice 1998<\/em>, 1998, etching, 44&#8243; x 30 1\/2&#8243;. \u00a9 David Hockney. Photo: Richard Schmidt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147848\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_study_for_my_parents.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147848\" class=\"wp-image-147848 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_study_for_my_parents.jpg\" alt=\"\" width=\"1000\" height=\"828\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_study_for_my_parents.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_study_for_my_parents-300x248.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_study_for_my_parents-768x636.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147848\" class=\"wp-caption-text\">David Hockney, <em>Study for My Parents and Myself<\/em>, 1974, crayon on paper, 14&#8243; x 17&#8243;. \u00a9 David Hockney. Photo: Richard Schmidt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147855\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_1986_x-109.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147855\" class=\"wp-image-147855 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_1986_x-109.jpg\" alt=\"\" width=\"1000\" height=\"2350\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_1986_x-109.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_1986_x-109-128x300.jpg 128w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_1986_x-109-768x1805.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_self_portrait_1986_x-109-436x1024.jpg 436w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147855\" class=\"wp-caption-text\">David Hockney, <em>Self Portrait, July 1986<\/em>, 1986, homemade print on two sheets of paper, 22&#8243; x 8 1\/2&#8243;. \u00a9 David Hockney.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_147847\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_mother_paris_1972_72a05.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-147847\" class=\"wp-image-147847 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_mother_paris_1972_72a05.jpg\" alt=\"\" width=\"1000\" height=\"1223\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_mother_paris_1972_72a05.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_mother_paris_1972_72a05-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_mother_paris_1972_72a05-768x939.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/09\/hockney_mother_paris_1972_72a05-837x1024.jpg 837w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-147847\" class=\"wp-caption-text\">David Hockney, <em>Mother, Paris<\/em>, 1972, colored pencil on paper, 17&#8243; x 14&#8243;. \u00a9 David Hockney. Photo: Richard Schmidt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><em>\u201c<a href=\"https:\/\/www.themorgan.org\/exhibitions\/david-hockney\" target=\"_blank\" rel=\"noopener noreferrer\">David Hockney: Drawing from Life<\/a>\u201d will open on October 2, 2020, at the Morgan Library &amp; Museum. The show will run through May 30, 2021.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new show at the Morgan Library &#038; Museum focuses on David Hockney\u2019s drawing practice and portraits on paper.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[],"class_list":["post-147860","post","type-post","status-publish","format-standard","hentry","category-look"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>David Hockney\u2019s Portraits on Paper by The Paris Review<\/title>\n<meta name=\"description\" content=\"A new show at the Morgan Library &amp; Museum focuses on David Hockney\u2019s drawing practice and portraits on paper.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/09\/24\/david-hockneys-portraits-on-paper\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"David Hockney\u2019s Portraits on Paper by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"September 24, 2020 \u2013 A new show at the Morgan Library &amp; 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