{"id":147779,"date":"2020-09-22T13:00:23","date_gmt":"2020-09-22T17:00:23","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=147779"},"modified":"2020-09-22T13:57:55","modified_gmt":"2020-09-22T17:57:55","slug":"redux-each-rustle-each-step","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/22\/redux-each-rustle-each-step\/","title":{"rendered":"Redux: Each Rustle, Each Step"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

W.\u2009H. Auden.<\/p><\/div>\n

This week at The Paris Review<\/em>, we\u2019re walking, both alone and with friends. Read on for W.\u2009H. Auden\u2019s Art of Poetry interview<\/a>, Jamaica Kincaid\u2019s short story \u201cWhat I Have Been Doing Lately<\/a>,\u201d and Mary Szybist\u2019s poem \u201cWalking in Fast-Falling Dusk What Is between Us Besides<\/a>.\u201d<\/p>\n

After you\u2019re finished, mark your calendar for our forthcoming Fall issue launch, on September 23 at 6\u00a0P.M.<\/small> (ET). This free virtual event will feature several Fall issue contributors reading from their work: Rabih Alameddine, Lydia Davis, Emma Hine, and Eloghosa Osunde. For more information and to RSVP, please visit our events page<\/a>.<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? Or, to celebrate the students and teachers in your life, why not gift our\u00a0special subscription deal<\/a>\u00a0featuring a copy of\u00a0Writers at Work around the World<\/em> for 50% off? And for as long as we\u2019re flattening the curve, The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

W.\u2009H. Auden, The Art of Poetry No. 17<\/a>
\nIssue no. 57, Spring 1974<\/em><\/p>\n

Later, I realized, in constructing this world which was only inhabited by me, I was already beginning to learn how poetry is written. Then, my final decision, which seemed to be fairly fortuitous at the time, took place in 1922, in March when I was walking across a field with a friend of mine from school who later became a painter. He asked me, \u201cDo you ever write poetry?\u201d and I said, \u201cNo\u201d\u2014I\u2019d never thought of doing so. He said: \u201cWhy don\u2019t you?\u201d\u2014and at that point I decided that\u2019s what I would do. Looking back, I conceived how the ground had been prepared.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Photo: User:Fb78. CC BY-SA 2.0 DE (https:\/\/creativecommons.org\/licenses\/by-sa\/2.0\/de\/deed.en).<\/p><\/div>\n

 <\/p>\n

What I Have Been Doing Lately<\/a>
\nBy Jamaica Kincaid
\nIssue no. 82, Winter 1981<\/em><\/p>\n

What I have been doing lately: I was lying in bed and the doorbell rang. I ran downstairs. Quick. I opened the door. There was no one there. I stepped outside. Either it was drizzling or there was a lot of dust in the air and the dust was damp. I stuck out my tongue and the drizzle or the damp dust tasted like government school ink. I looked north. I looked south. I decided to start walking north. While walking north I decided that I didn\u2019t have any shoes on my feet and that is why I was walking so fast. While walking north I looked up and saw the planet Venus and said, \u201cIt must be almost morning.\u201d<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Image from the Nationaal Archief, the Dutch National Archives, via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

Walking in Fast-Falling Dusk What Is between Us Besides<\/a>
\nBy Mary Szybist
\nIssue no. 227, Winter 2018<\/em><\/p>\n

this sharpness of pines, this gravel loose<\/p>\n

beneath us, faltering with each rustle, each step, with what we\u2019re not<\/p>\n

saying to each other\u2014Now your flashlight\u2019s beam angles<\/p>\n

into the thickness, dead petals the color of light honey<\/p>\n

unfasten from their coppery centers, dark berries shine<\/p>\n

clustered above twig tips, above forked edges of leaves, above<\/p>\n

everything unnamed between us I have<\/p>\n

not forgiven\u2014still overflowing toward us while still<\/p>\n

arrested, suspended, in all the shadows<\/p>\n

of everything I don\u2019t know how to feel \u2026<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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