{"id":147454,"date":"2020-09-08T15:11:51","date_gmt":"2020-09-08T19:11:51","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=147454"},"modified":"2020-09-08T15:32:53","modified_gmt":"2020-09-08T19:32:53","slug":"redux-a-ball-of-waxy-light","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/08\/redux-a-ball-of-waxy-light\/","title":{"rendered":"Redux: A Ball of Waxy Light"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Lydia Davis in Paris, 1973.<\/p><\/div>\n

This week at The Paris Review<\/em>, we\u2019re celebrating the release of issue no. 234<\/a> and reading work from Fall issue contributors who have appeared in the magazine before. Read on for Lydia Davis\u2019s Art of Fiction interview<\/a>, Margaret Atwood\u2019s short story \u201cBodily Harm<\/a>,\u201d and Yusef Komunyakaa\u2019s poem \u201cMemory Cave<\/a>.\u201d<\/p>\n

After you\u2019re finished, mark your calendar for our forthcoming Fall issue launch, on September 23 at 6 P.M.<\/small> EST. This free virtual event will feature several Fall issue contributors reading from their work: Rabih Alameddine, Lydia Davis, Emma Hine, and Eloghosa Osunde. For more information and to RSVP, please visit our events page<\/a>.<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>\u00a0and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Lydia Davis, The Art of Fiction No. 227<\/a>
\nIssue no. 212, Spring 2015<\/em><\/p>\n

To me a short story is a defined traditional form, the sort of thing that Hemingway wrote, or Katherine Mansfield or Chekhov. It is longer, more \u00addeveloped, with narrated scenes and dialogue and so on. You could call some of my stories proper short stories. Most of the others I wouldn\u2019t call short \u00adstories, even though many are very short. Some you could call \u00adpoems\u2014not many.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Bodily Harm<\/a>
\nBy Margaret Atwood
\nIssue no. 81, Fall 1981<\/em><\/p>\n

Who knows what goes on in their heads? said Jocasta. They were well into the second carafe of wine. Not me, I\u2019ve stopped even trying. It used to be women that were so mysterious, remember? Well, not any more, now it\u2019s men. Me, I\u2019m an open book. All I want is a good enough time, no hassle, a few laughs, a little how-you-say romance, I\u2019ll take the violins if they\u2019re going around, dim lights, roses, fantastic sex, let them<\/em> scrape the pate off the rug in the morning, is that too much to ask? Are they afraid of my first name or something, is that it? Remember when we all batted our eyes and pretended not to know what dirty jokes meant and crossed our legs a lot and they chased around like pigs after a truffle and God did they complain. Frigid, cock teaser, professional virgin, remember those? Remember panty girdles, remember falsies<\/em>, remember Peter Pan brassieres, in the front seat after the formal, with your wires digging into his chest?<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Memory Cave<\/a>
\nBy Yusef Komunyakaa
\nIssue no. 144, Fall 1997<\/em><\/p>\n

A tallow worked into a knot
\nof rawhide, with a ball of waxy light
\ntied to a stick, the boy
\nscooted through a secret mouth
\nof the cave, pulled by the flambeau
\nin his hand. He could see
\nthe gaze of agate eyes
\n& wished for the forbidden
\nplains of bison & wolf, years
\nfrom the fermented honey
\n& musty air \u2026<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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