{"id":147257,"date":"2020-09-01T13:08:58","date_gmt":"2020-09-01T17:08:58","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=147257"},"modified":"2020-09-01T13:22:02","modified_gmt":"2020-09-01T17:22:02","slug":"redux-snap-and-glare-and-secret-life","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/09\/01\/redux-snap-and-glare-and-secret-life\/","title":{"rendered":"Redux: Snap and Glare and Secret Life"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\n
\"\"<\/a>

Pat Barker. Photo courtesy of Pat Barker.<\/p><\/div>\n<\/div>\n

This week at The Paris Review<\/em>, we\u2019re dwelling on endings, finishes, and closures. Read on for Pat Barker\u2019s Art of Fiction interview<\/a>, Reinaldo Arenas\u2019s short story \u201cThe Parade Ends<\/a>,\u201d and Adrienne Rich\u2019s poem \u201cEnd of an Era<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? Or, better yet, subscribe to\u00a0our special summer offer<\/a>\u00a0with\u00a0The New York Review of Books<\/em>\u00a0for only $99. And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Pat Barker, The Art of Fiction No. 243<\/a>
\nIssue no. 227, Winter 2018<\/em><\/p>\n

What I would say is that if you\u2019ve got a strong ending, basically you\u2019ve got the book. If you know you\u2019re working toward something that you think works, you\u2019ll get there, somehow, no matter how awful it is struggling with what\u2019s going on in the middle. It\u2019s much harder to bring a book to fruition when you have a very good sound beginning that then peters out into nothing. Books stand or fall really on their endings. I don\u2019t think there\u2019s any such thing as a good novel that has a weak ending.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

The Parade Ends<\/a>
\nBy Reinaldo Arenas
\nIssue no. 80, Summer 1981<\/em><\/p>\n

Life, above all, life in spite of everything, life however it is, even without anything, even without you (and in spite of you) amid the din that rises now, amid the shrieks and the songs, for they\u2019re singing, singing again, and no less than the national anthem. Life, now, while I pursue you over the excrement to the sound of the notes (or shouts) of the national anthem, holding you as justification and refuge, as an immediate solution, as sustenance, the rest (what is the rest?) we\u2019ll see about later.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

End of an Era<\/a>
\nBy Adrienne Rich
\nIssue no. 27, Winter\u2013Spring 1962<\/em><\/p>\n

This morning, flakes of sun
\npeel down to the last snowholds,
\nthe barbed-wire leavings of a war
\nlost, won, in these dead-end alleys.
\nStale as a written-out journalist,
\nI start to sort my gear.
\nNothing is happening. City, dumb
\nas a pack of thumbed cards, you
\nonce had snap and glare
\nand secret life; now, trembling
\nunder my five grey senses\u2019 weight,
\nyou fall and flatten
\nqueasily on the table.<\/p>\n

Baudelaire, I think of you! Nothing changes,
\nrude and self-absorbed the current
\ndashes past, asking nothing, poetry
\nextends its unsought amnesty,
\nautumn saws the great grove down.
\nSome voices, though, shake in the air like heat.<\/p><\/blockquote>\n

 <\/p>\n

To read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>.\u00a0<\/em>And for a limited time, you can\u00a0subscribe<\/a>\u00a0to both\u00a0<\/em>The Paris Review\u00a0and\u00a0<\/em>The New York Review of Books\u00a0for just $99<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Pat Barker\u2019s Art of Fiction interview, a short story by Reinaldo Arenas, and a poem by Adrienne Rich.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-147257","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: Snap and Glare and Secret Life by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Pat Barker\u2019s Art of Fiction interview, a short story by Reinaldo Arenas, and a poem by Adrienne Rich.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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