{"id":146540,"date":"2020-07-30T16:55:04","date_gmt":"2020-07-30T20:55:04","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=146540"},"modified":"2020-07-30T17:40:13","modified_gmt":"2020-07-30T21:40:13","slug":"masks-at-twilight","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/07\/30\/masks-at-twilight\/","title":{"rendered":"Masks at Twilight"},"content":{"rendered":"<p><em>In the final years of his life, Paul Klee\u2019s productivity skyrocketed. Fearing suppression by the Nazi party, the beloved Bauhaus instructor had fled Germany and returned to his home city of Bern, Switzerland, where he struggled with an autoimmune disease and watched Europe backslide into another war. \u201c<a href=\"https:\/\/www.davidzwirner.com\/exhibitions\/paul-klee-late-klee\" target=\"_blank\" rel=\"noopener noreferrer\">Late Klee<\/a>,\u201d on view by appointment at David Zwirner\u2019s London gallery through July 31, focuses on his output from this period. Abstract yet immediately striking, these late works display Klee\u2019s continued experiments with line and his interrogations of mortality\u2014both the world\u2019s and his own. A selection of images from the show appears below.<\/em><\/p>\n<div id=\"attachment_146549\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0064_detail_v1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-146549\" class=\"wp-image-146549 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0064_detail_v1.jpg\" alt=\"\" width=\"1000\" height=\"804\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0064_detail_v1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0064_detail_v1-300x241.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0064_detail_v1-768x617.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-146549\" class=\"wp-caption-text\">Paul Klee, <em>pathetische L\u00f6sung<\/em> (Pathetic solution) (detail), 1939. Photo: Kerry McFate. \u00a9 Klee Family. Courtesy David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_146547\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0078_detail_v1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-146547\" class=\"wp-image-146547 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0078_detail_v1.jpg\" alt=\"\" width=\"1000\" height=\"990\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0078_detail_v1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0078_detail_v1-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0078_detail_v1-300x297.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0078_detail_v1-768x760.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-146547\" class=\"wp-caption-text\">Paul Klee, <em>Schema eines Kampfes<\/em> (Diagram of a fight) (detail), 1939. Photo: Kerry McFate. \u00a9 Klee Family. Courtesy David Zwirner.<\/p><\/div>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_146548\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0074_detail_v1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-146548\" class=\"wp-image-146548 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0074_detail_v1.jpg\" alt=\"\" width=\"1000\" height=\"1245\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0074_detail_v1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0074_detail_v1-241x300.jpg 241w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0074_detail_v1-768x956.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0074_detail_v1-822x1024.jpg 822w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-146548\" class=\"wp-caption-text\">Paul Klee, <em>Besessen<\/em> (Possessed) (detail), 1939. Photo: Kerry McFate. \u00a9 Klee Family. Courtesy David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_146545\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0097_crop.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-146545\" class=\"wp-image-146545 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0097_crop.jpg\" alt=\"\" width=\"1000\" height=\"2065\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0097_crop.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0097_crop-145x300.jpg 145w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0097_crop-768x1586.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0097_crop-496x1024.jpg 496w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-146545\" class=\"wp-caption-text\">Paul Klee, <em>Ohne Titel (Gitter und Schlangenlinien um \u201cT\u201d)<\/em> (Untitled [Grids and wavy lines around \u201cT\u201d]) (detail), ca. 1939. Photo: Kerry McFate. \u00a9 Klee Family. Courtesy David Zwirner.<\/p><\/div>\n<div id=\"attachment_146550\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0041_v2_crop.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-146550\" class=\"wp-image-146550 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0041_v2_crop.jpg\" alt=\"\" width=\"1000\" height=\"571\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0041_v2_crop.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0041_v2_crop-300x171.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0041_v2_crop-768x439.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-146550\" class=\"wp-caption-text\">Paul Klee, <em>Garten in der Ebene<\/em> (Garden in the plain), 1925. \u00a9 Klee Family. Courtesy David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_146543\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0139_v2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-146543\" class=\"wp-image-146543 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0139_v2.jpg\" alt=\"\" width=\"1000\" height=\"1335\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0139_v2.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0139_v2-225x300.jpg 225w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0139_v2-768x1025.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/07\/klepa0139_v2-767x1024.jpg 767w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-146543\" class=\"wp-caption-text\">Paul Klee, <em>Masken Im Zwielicht<\/em> (Masks at twilight), 1938. Photo: Anna Arca. \u00a9 Klee Family. Courtesy David Zwirner.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><em>\u201c<a href=\"https:\/\/www.davidzwirner.com\/exhibitions\/paul-klee-late-klee\" target=\"_blank\" rel=\"noopener noreferrer\">Late Klee<\/a>\u201d is on view by appointment at David Zwirner\u2019s London gallery through Friday, July 31.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the final years of his life, Paul Klee\u2019s productivity skyrocketed. \u201cLate Klee\u201d displays work from this tumultuous yet bountiful period.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[],"class_list":["post-146540","post","type-post","status-publish","format-standard","hentry","category-look"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - 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