{"id":146430,"date":"2020-07-28T13:37:15","date_gmt":"2020-07-28T17:37:15","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=146430"},"modified":"2020-07-28T14:25:26","modified_gmt":"2020-07-28T18:25:26","slug":"redux-a-aries-t-taurus-g-gemini","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/07\/28\/redux-a-aries-t-taurus-g-gemini\/","title":{"rendered":"Redux: A Aries, T Taurus, G Gemini"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\n
\"\"<\/a>

Kay Ryan. Photo: Jennifer Loring. CC BY-SA (https:\/\/creativecommons.org\/licenses\/by-sa\/3.0). Via Wikimedia Commons.<\/p><\/div>\n<\/div>\n

This week at The Paris Review<\/em>, we\u2019re feeling esoteric. In the cards are Kay Ryan\u2019s Art of Poetry interview<\/a>, Fernanda Melchor\u2019s \u201cThey Called Her the Witch<\/a>,\u201d and Charles Bernstein\u2019s \u201cTwelve-Year Universal Horoscope<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? Or, better yet, subscribe to\u00a0our special summer offer<\/a>\u00a0with\u00a0The New York Review of Books<\/em>\u00a0for only $99. And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Kay Ryan, The Art of Poetry No. 94<\/a>
\nIssue no. 187 (Winter 2008)<\/em><\/p>\n

I\u2019d bought a tarot deck\u2014this was the seventies\u2014a standard one with a little accompanying book that explained how to read the cards, lay them out, shuffle them\u2014all those things. But I\u2019m not a student and was totally impatient with learning anything about the cards. I thought they were just interesting to look at. But I did use the book\u2019s shuffling method, which was very elaborate, and in the morning I\u2019d turn one card over and whatever that card was I would write a poem about it. The card might be Love, or it might be Death. My game, or project, was to write as many poems as there were cards in the deck. But since I couldn\u2019t control which cards came up, I\u2019d write some over and over again and some I\u2019d never see. That gave me range. I always understood that to write poetry was to be totally exposed. But in the seventies I only had models of ripping off your clothes, and I couldn\u2019t do that. My brain could be naked, but I didn\u2019t want to be naked. Nor was I interested in the heart, or love. The tarot helped me see that I could write about anything\u2014even love if required\u2014and retain the illusion of not being exposed. If one is writing well, one is totally exposed. But at the same time, one has to feel thoroughly masked or protected.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a>

Fortune-teller reading a woman\u2019s palm, 1936. Photo: Nationaal Archief. Via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

They Called Her the Witch<\/a>
\nBy Fernanda Melchor
\nTranslated by Sophie Hughes
\nIssue no. 231 (Winter 2019)<\/em><\/p>\n

They called her the Witch, the same as her mother; the Girl Witch when she first started trading in curses and cures, and then, when she wound up alone, the year of the landslide, simply the Witch.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Spread from Manuel pour la pratique de la chiromancie<\/em>, by Jules Charles Edmond Billaudot, a.k.a. Le Mage Edmond, ca. 1870. Photo: MUCEM Marseille, via Wikimedia Commons.<\/p><\/div>\n

 <\/p>\n

Twelve-Year Universal Horoscope<\/a>
\nBy Charles Bernstein
\nIssue no. 230, Fall 2019<\/em><\/p>\n

Key: A Aries, T Taurus, G Gemini, C Cancer, L Leo, V Virgo, Li Libra, S Scorpio, Sa Sagittarius, Ca Capricorn, Aq Aquarius, P Pisces. Each section covers one year, then rotates.<\/em><\/p>\n

A2019, T2020, G2021, C2022, L2023, V2024, Li2025, S2026, Sa2027, Ca2028, Aq2029, P2030
\n<\/strong>Anticipated reversals occur in unanticipated locations: avoid planar surfaces. As Saturn and Pluto come into alignment, prepare for irrepressible nostalgia. Casual attachments provide a medley of diversions from long-term fantasies. Mix of sulfur and magnesium is at its height on the twelfth and twenty-ninth: stay clear of disarticulating headwinds while remaining open to miscalibrated address. Seek pine- and coconut-flavored dishes. Preferred alcohol: Anisette (neat) \u2026<\/p><\/blockquote>\n

 <\/p>\n

To read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>.\u00a0<\/em>And for a limited time, you can\u00a0subscribe<\/a>\u00a0to both\u00a0<\/em>The Paris Review\u00a0and\u00a0<\/em>The New York Review of Books\u00a0for just $99<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Kay Ryan\u2019s Art of Poetry interview, fiction by Fernanda Melchor, and poetry by Charles Bernstein.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-146430","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: A Aries, T Taurus, G Gemini by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Kay Ryan\u2019s Art of Poetry interview, fiction by Fernanda Melchor, and poetry by Charles Bernstein.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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