{"id":146103,"date":"2020-07-13T13:20:36","date_gmt":"2020-07-13T17:20:36","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=146103"},"modified":"2020-07-13T13:29:15","modified_gmt":"2020-07-13T17:29:15","slug":"the-art-of-distance-no-17","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/07\/13\/the-art-of-distance-no-17\/","title":{"rendered":"The Art of Distance No. 17"},"content":{"rendered":"

In March,<\/em>\u00a0The Paris Review\u00a0launched<\/em>\u00a0The Art of Distance, a newsletter highlighting unlocked archive pieces that resonate with the staff of<\/em>\u00a0the magazine<\/em>, quarantine-appropriate writing on the<\/em>\u00a0Daily, resources from our peer organizations,<\/em>\u00a0and more. Read Emily Nemens\u2019s introductory letter\u00a0here<\/a>, and find the latest unlocked archive pieces below.<\/em><\/p>\n

\u201cSheltering in place all these months has made me realize how much I truly enjoy readings\u2014and how much I miss them. Writing is, of course, a solitary practice, and writers\u2014and readers, for that matter\u2014are the types of people who like spending lots of time alone. But readings and discussion panels are among the few forums in which a whole bunch of literary people get together to partake of the written word, to feel a room humming with collective concentration\u2014and to hang out afterward. Social media just ain\u2019t the same. <\/em>The Paris Review has always held celebrations and readings to joyfully gather our community in a space shaped by literature. For now, that space must be virtual, but the charge and the sense of community are no less real. In that spirit, and until we can get back to gathering before a podium, this installment of The Art of Distance is dedicated to virtual literary events, two of which the <\/em>Review is participating in next week, with more to come (including Readings from the Summer Issue<\/a> on July 22, featuring contributors to no. 233). <\/em>So enjoy these unlocked interviews and stories with contributors whose events you can \u2018attend\u2019 in a few days.\u201d <\/em>\u2014Craig Morgan Teicher, Digital Director<\/em><\/p>\n

\"\"<\/a>

Kelli Jo Ford and Benjamin Nugent. Photo of Ford: Val Ford Hancock. Photo of Nugent: Jason Fulford.<\/p><\/div>\n

This week, the Review<\/em> is sponsoring or cosponsoring two free events<\/a> with recent contributors. On Tuesday, July 14, at 7 P.M.<\/small>, the fiction writer Benjamin Nugent<\/a> will talk on the Review<\/em>\u2019s Instagram Live feed<\/a> with the New Yorker<\/em> staff writer Naomi Fry<\/a> about the work and influence of Leonard Michaels. And on Wednesday, July 15, at 7:30 P.M.<\/small>, TPR<\/em> editor Emily Nemens will talk with Kelli Jo Ford<\/a> as part of Greenlight Bookstore\u2019s Zoom series<\/a> (RSVP required). Each author\u2019s work from the TPR<\/em> archive has been unlocked this week to help you get prepped and psyched for the events. <\/p>\n

Kelli Jo Ford\u2019s \u201cHybrid Vigor<\/a>\u201d (issue no. 227, Winter 2018) is the story of a mule with the bad, if motherly, habit of stealing calves. The story, for which Ford won the 2019 Plimpton Prize, is part of her debut novel, Crooked Hallelujah<\/em><\/a>, a multigenerational saga about four Cherokee women, which she and Emily will discuss on Wednesday.<\/p>\n

Benjamin Nugent, winner of the Review<\/em>\u2019s 2019 Terry Southern Prize, has been a frequent contributor to the magazine since \u201cGod<\/a>\u201d appeared in issue no. 206, Fall 2013 (and was performed by Jesse Eisenberg in Episode 9<\/a> of The Paris Review Podcast<\/em>). It\u2019s sort of a tale about a poet, or a poem, and offers a peek into the college milieu of his recently released story collection, Fraternity<\/em><\/a>, as do \u201cThe Treasurer<\/a>\u201d (issue no. 217, Summer 2016) and \u201cSafe Spaces<\/a>\u201d (issue no. 225, Summer 2018). Obviously, this is an uncertain time for thinking about the collective return to campus life; Nugent offers a socially distant way to go back to school and ponder some of the complications of college.<\/p>\n

Most recently, in issue no. 231, Winter 2019, Nugent spoke with George Saunders for his Writers at Work interview<\/a>. Nugent develops an easy rapport with Saunders, whom he describes as \u201cchatty, kind, quick to shoot down any glib analysis of his work, and free with an anecdote, often casting himself as a blunderer whose illusions land him in hot water.\u201d It\u2019s a companionable and insight-filled conversation between two people who are obviously enjoying each other\u2019s company. Nugent\u2019s passion for Saunders\u2019s work is plainly evident in \u201cHow to Imitate George Saunders<\/a>,\u201d an essay that he wrote for the Daily<\/em> shortly after the interview was published.<\/p>\n

On Tuesday, Nugent will discuss the work of Leonard Michaels. If you click over to Michaels\u2019s author page<\/a>, you\u2019ll find everything there\u2014an interview and three stories\u2014unlocked as well.<\/p>\n

 <\/p>\n

Sign up\u00a0here<\/a>\u00a0to receive a fresh installment of The Art of Distance in your inbox every Monday<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

To help you prepare for our virtual events this week, we\u2019ve lowered the paywall on work by Kelli Jo Ford, Benjamin Nugent, and more.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[63638],"tags":[],"class_list":["post-146103","post","type-post","status-publish","format-standard","hentry","category-the-art-of-distance"],"acf":[],"yoast_head":"\nThe Art of Distance No. 17 by The Paris Review<\/title>\n<meta name=\"description\" content=\"To help you prepare for our virtual events this week, we\u2019ve lowered the paywall on work by Kelli Jo Ford, Benjamin Nugent, and more.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/07\/13\/the-art-of-distance-no-17\/\" \/>\n<meta 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