{"id":145961,"date":"2020-07-07T13:04:47","date_gmt":"2020-07-07T17:04:47","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=145961"},"modified":"2020-07-07T13:40:14","modified_gmt":"2020-07-07T17:40:14","slug":"redux-this-satisfied-procession","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/07\/07\/redux-this-satisfied-procession\/","title":{"rendered":"Redux: This Satisfied Procession"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Joan Didion at the 2008 Brooklyn Book Festival. Photo: David Shankbone. CC BY-SA (https:\/\/creativecommons.org\/licenses\/by-sa\/3.0).<\/p><\/div>\n

This week at The Paris Review<\/em>, we\u2019re announcing another year of the best deal in town: our summer subscription offer<\/a> with The New York Review of Books<\/em>. For only $99, you\u2019ll receive yearlong subscriptions and complete archive access to both magazines\u2014a 38% savings.<\/p>\n

To celebrate, we\u2019re unlocking pieces from the archives of both The Paris Review<\/em> and The New York Review of Books<\/em>. Read on for Joan Didion\u2019s Art of Fiction interview<\/a>, paired with her essay \u201cCalifornia Notes<\/a>\u201d; Zadie Smith\u2019s short story \u201cMiss Adele amidst the Corsets<\/a>,\u201d paired with her talk \u201cOn Optimism and Despair<\/a>\u201d; and T.\u2009S. Eliot\u2019s Art of Poetry interview<\/a>, paired with two uncollected poems<\/a>.<\/p>\n

If you enjoy these free interviews, stories, and poems, why not subscribe<\/a> to both The Paris Review<\/em> and The New York Review of Books<\/em> and read their entire archives? And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em> will be sending out a weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Joan Didion, The Art of Fiction No. 71<\/a>
\nThe Paris Review, issue no. 74 (Fall\u2013Winter 1978)<\/em><\/p>\n

Sometimes I\u2019ll be fifty, sixty pages into something and I\u2019ll still be calling a character \u201cX.\u201d I don\u2019t have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don\u2019t want to leave them ever.<\/p><\/blockquote>\n

<\/p>\n

California Notes<\/a>
\nBy Joan Didion
\nThe New York Review of Books, volume 63, no. 9 (May 26, 2016)<\/em><\/p>\n

At the center of this story there is a terrible secret, a kernel of cyanide, and the secret is that the story doesn\u2019t matter, doesn\u2019t make any difference, doesn\u2019t figure. The snow still falls in the Sierra. The Pacific still trembles in its bowl. The great tectonic plates strain against each other while we sleep and wake. Rattlers in the dry grass. Sharks beneath the Golden Gate. In the South they are convinced that they have bloodied their place with history. In the West we do not believe that anything we do can bloody the land, or change it, or touch it.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Zadie Smith at the 2012 Paris Review<\/em> Spring Revel. Photo: Patrick McMullan.<\/p><\/div>\n

 <\/p>\n

Miss Adele amidst the Corsets<\/a>
\nBy Zadie Smith
\nThe Paris Review, issue no. 208 (Spring 2014)<\/em><\/p>\n

And who was left, anyway, to get dramatic about? The beloved was gone, and so were all the people she had used, over the years, as substitutes for the beloved. Every kid who\u2019d ever called her gorgeous had already moved to Brooklyn, Jersey, Fire Island, Provincetown, San Francisco, or the grave. This simplified matters.<\/p><\/blockquote>\n

On Optimism and Despair<\/a>
\nBy Zadie Smith
\nThe New York Review of Books, volume 63, no. 20 (December 22, 2016)<\/em><\/p>\n

But neither do I believe in time travel. I believe in human limitation, not out of any sense of fatalism but out of a learned caution, gleaned from both recent and distant history. We will never be perfect: that is our limitation. But we can have, and have had, moments in which we can take genuine pride.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Sketch by D. Cammell, 1959.<\/p><\/div>\n

 <\/p>\n

T.\u2009S. Eliot, The Art of Poetry No. 1<\/a>
\nThe Paris Review, issue no. 21 (Spring\u2013Summer 1959)<\/em><\/p>\n

There is all the difference in the world between writing a play for an audience and writing a poem, in which you\u2019re writing primarily for yourself\u2014although obviously you wouldn\u2019t be satisfied if the poem didn\u2019t mean something to other people afterward.<\/p><\/blockquote>\n

Two Uncollected Poems<\/a>
\nBy T.\u2009S. Eliot
\nThe New York Review of Books, volume 63, no. 1 (January 14, 2016)<\/em><\/p>\n

Sunday: this satisfied procession
\nOf definite Sunday faces;
\nBonnets, silk hats, and conscious graces
\nIn repetition that displaces
\nYour mental self-possession
\nBy this unwarranted digression \u2026<\/p><\/blockquote>\n

 <\/p>\n

If you like what you read, subscribe<\/a> to both <\/em>The Paris Review and <\/em>The New York Review of Books for just $99.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

To celebrate our subscription bundle with \u2018The New York Review of Books,\u2019 we present three pairings from the archives of both publications.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-145961","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: This Satisfied Procession by The Paris Review<\/title>\n<meta name=\"description\" content=\"To celebrate our subscription bundle with \u2018The New York Review of Books,\u2019 we present three pairings from the archives of both publications.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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