{"id":145866,"date":"2020-06-30T13:00:03","date_gmt":"2020-06-30T17:00:03","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=145866"},"modified":"2020-06-29T16:58:49","modified_gmt":"2020-06-29T20:58:49","slug":"redux-nor-staple-down-to-fact","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/","title":{"rendered":"Redux: Nor Staple Down to Fact"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Jeanette Winterson.<\/p><\/div>\n

This week at The Paris Review<\/em>, we\u2019re highlighting queer and trans writers in our archive in honor of Pride. Read on for Jeanette Winterson\u2019s Art of Fiction interview<\/a>, Jericho Brown\u2019s \u201cThe Trees<\/a>,\u201d Timothy Liu\u2019s \u201cAction Painting<\/a>,\u201d and a selection of diary entries<\/a> by Jan Morris.<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>\u00a0and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Jeanette Winterson, The Art of Fiction No. 150<\/a>
\nIssue no. 145 (Winter 1997)<\/em><\/p>\n

\n

INTERVIEWER<\/p>\n

One might say that your writing is characterized by a kind of excess. Have you gotten different responses to that aspect of your work?<\/p>\n

WINTERSON<\/p>\n

If you want something to be clear straightaway then it\u2019s probably better not to read my books. Read somebody else\u2019s. I don\u2019t really feel that I should be held accountable for writing the kinds of books that I want to write just because some reader I can\u2019t imagine or will never know doesn\u2019t want to read them. It seems a bit unfair. You can\u2019t win in the art stakes, because there is always somebody who is cross with you. So that\u2019s why it is better not to care and instead think, Well, I must really do my work, hope that it reaches people and leave the rest to chance. That\u2019s often mistaken for arrogance, but it isn\u2019t. You have to believe that you are good, because if you think you are rubbish, why are you doing this stuff anyway? And what are you doing chucking it out there for people to buy? I think that would be the true arrogance\u2014if you thought your stuff was rubbish and still got people to pay good money to read it.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

The Trees<\/a>
\nBy Jericho Brown
\nIssue no. 226 (Fall 2018)<\/em><\/p>\n

In my front yard live three crepe myrtles, crying trees
\nWe once called them, not the shadiest but soothing
\nDuring a break from work in the heat, their cool sweat<\/p>\n

Falling into us. I don\u2019t want to make more of it.
\nI\u2019d like to let these spindly things be
\nSince my gift for transformation here proves<\/p>\n

Useless now that I know everyone moves the same \u2026<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Action Painting<\/a>
\nBy Timothy Liu
\nIssue no. 144 (Fall 1997)<\/em><\/p>\n

A canvas we cannot stretch across the frame
\nnor staple down to fact: a ladder leaning<\/p>\n

against an awning, workers pitching tar
\non the roof of a church packed each week<\/p>\n

with swine\u2014a chain of pearls dangling \u2026<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Diaries<\/a>
\nBy Jan Morris
\nIssue no. 225 (Summer 2018)<\/em><\/p>\n

Not long ago there was certainly more of it, but shifting ecology has robbed us of the grass snakes, glowworms, and occasional lizards that used to frequent the place\u2014even the toads seem scarcer. Never mind, butterflies visit me as I laze, bees and wasps buzz around, beetles and caterpillars make for the gravel, sometimes a handsome dragonfly comes up from the river or a robin hops in. A sudden scuffle in the bushes means that a clumsy squirrel or two are in there\u2014and yes, there they are leaping erratically from branch to branch. More often a crow or a blackbird swoops or cackles among the trees, and a wood pigeon monotonously serenades its mate. Sometimes coveys of seagulls from Cardigan Bay pass overhead, on their way to a promising harvesting somewhere: our owls are still asleep, I suppose, but I like to think of them anyway, there in the dark of the woods.<\/p>\n

Ah, but here comes our merry postman with his morning consignment of trash. Elizabeth drops her trowel and pops off to make some coffee, and I pull myself together, stretch, send my respectful regards to Ovid and the emperor, and leave the yard to the rest of them.<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In honor of Pride, we\u2019ve lowered the paywall on pieces by Jeanette Winterson, Jericho Brown, Timothy Liu, and Jan Morris.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-145866","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: Nor Staple Down to Fact by The Paris Review<\/title>\n<meta name=\"description\" content=\"In honor of Pride, we\u2019ve lowered the paywall on pieces by Jeanette Winterson, Jericho Brown, Timothy Liu, and Jan Morris.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Nor Staple Down to Fact by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"June 30, 2020 \u2013 In honor of Pride, we\u2019ve lowered the paywall on pieces by Jeanette Winterson, Jericho Brown, Timothy Liu, and Jan Morris.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-06-30T17:00:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"750\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: Nor Staple Down to Fact\",\"datePublished\":\"2020-06-30T17:00:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/\"},\"wordCount\":792,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg\",\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/\",\"name\":\"Redux: Nor Staple Down to Fact by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg\",\"datePublished\":\"2020-06-30T17:00:03+00:00\",\"description\":\"In honor of Pride, we\u2019ve lowered the paywall on pieces by Jeanette Winterson, Jericho Brown, Timothy Liu, and Jan Morris.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: Nor Staple Down to Fact\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: Nor Staple Down to Fact by The Paris Review","description":"In honor of Pride, we\u2019ve lowered the paywall on pieces by Jeanette Winterson, Jericho Brown, Timothy Liu, and Jan Morris.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/","og_locale":"en_US","og_type":"article","og_title":"Redux: Nor Staple Down to Fact by The Paris Review","og_description":"June 30, 2020 \u2013 In honor of Pride, we\u2019ve lowered the paywall on pieces by Jeanette Winterson, Jericho Brown, Timothy Liu, and Jan Morris.","og_url":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2020-06-30T17:00:03+00:00","og_image":[{"width":1000,"height":750,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: Nor Staple Down to Fact","datePublished":"2020-06-30T17:00:03+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/"},"wordCount":792,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg","articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/","url":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/","name":"Redux: Nor Staple Down to Fact by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg","datePublished":"2020-06-30T17:00:03+00:00","description":"In honor of Pride, we\u2019ve lowered the paywall on pieces by Jeanette Winterson, Jericho Brown, Timothy Liu, and Jan Morris.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/win.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/30\/redux-nor-staple-down-to-fact\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: Nor Staple Down to Fact"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/145866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=145866"}],"version-history":[{"count":1,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/145866\/revisions"}],"predecessor-version":[{"id":145872,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/145866\/revisions\/145872"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=145866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=145866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=145866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}