{"id":145506,"date":"2020-06-09T13:00:10","date_gmt":"2020-06-09T17:00:10","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=145506"},"modified":"2020-06-10T10:08:26","modified_gmt":"2020-06-10T14:08:26","slug":"redux-the-tempo-primed","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/","title":{"rendered":"Redux: The Tempo Primed"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Dany Laferri\u00e8re with his eldest daughter, Melissa, in 1985.<\/p><\/div>\n

This week at The Paris Review<\/em>, we\u2019re reading Black voices from around the world. Read on for Dany Laferri\u00e8re\u2019s Art of Fiction interview<\/a>, Way\u00e9tu Moore\u2019s \u201cGbessa<\/a>\u201d (the first chapter of her novel She Would Be King<\/em>), and Wole Soyinka\u2019s poem \u201cYour Logic Frightens Me Mandela<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>\u00a0and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u2014which lowers the paywall on six Writers at Work interviews with Black American authors\u2014here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Dany Laferri\u00e8re, The Art of Fiction No. 237<\/a>
\nIssue no. 222 (Fall 2017)<\/em><\/p>\n

\n

INTERVIEWER<\/p>\n

In 2013, you were elected to the Acad\u00e9mie fran\u00e7aise, the first-ever Haitian or Quebecois writer to join their ranks.<\/p>\n

LAFERRI\u00c8RE<\/p>\n

Yes, but first they had to sort out whether I was even admissible. You are supposed to be French<\/em>. It turns out this wasn\u2019t a written rule. At the time the rules were written, they couldn\u2019t even imagine including someone not born in France or a French colony or d\u00e9partement, or a naturalized Frenchman. A Haitian in Montreal is none of the above. To be eligible, you also have to live in France\u2014which I did not. So the question became, is it the Acad\u00e9mie fran\u00e7aise<\/em> as in the French language<\/em>? Or as in France<\/em>? The president of the R\u00e9publique decided the question\u2014it\u2019s the Acad\u00e9mie of the French language. This decision permitted my candidacy to proceed. It was what they call \u201cune belle \u00e9lection<\/em>.\u201d I was received with enthusiasm, in the first round of voting. It took Victor Hugo something like four rounds, Voltaire three!<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Gbessa<\/a>
\nBy Way\u00e9tu Moore
\nIssue no. 225 (Summer 2018)<\/em><\/p>\n

Lai was hidden in the middle of forests when the Vai people found it. There was evidence of earlier townsmen there, as ends of stoneware and crushed diamonds were found scattered on hilltops in the unexpected company of domestic cats. But when the Vai people arrived from war-ravaged Arabia through the Mandingo inland, they found no inhabitants and decided to occupy the province with their spirits.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Your Logic Frightens Me Mandela<\/a>
\nBy Wole Soyinka
\nIssue no. 107 (Summer 1988)<\/em><\/p>\n

Your logic frightens me, Mandela,
\nYour logic frightens me. Those years
\nOf dreams, of time accelerated in
\nVisionary hopes, of savouring the task anew,
\nThe call, the tempo primed
\nTo burst in supernovae round a \u201cbrave new world\u201d!
\nThen stillness. Silence. The world closes round
\nYour sole reality; the rest is\u2026 dreams?<\/p>\n

Your logic frightens me.
\nHow coldly you disdain legerdemains!
\n\u201cOpen Sesame\u201d and\u2014two decades\u2019 rust on hinges
\nPeels at touch of a conjurer\u2019s wand?
\nWhite magic, ivory-topped black magic wand,
\nOne moment wand, one moment riot club
\nElectric cattle prod and club or sjambok
\nTearing flesh and spilling blood and brain?<\/p>\n

This bag of tricks, whose silk streamers
\nTurn knotted cords to crush dark temples?
\nA rabbit punch sneaked beneath the rabbit?
\nDoves metamorphosed in milk-white talons?
\nNot for you the olive branch that sprouts
\nGun muzzles, barbed-wire garlands, tangled thorns
\nTo wreathe the brows of black, unwilling christs \u2026<\/p><\/blockquote>\n

 <\/p>\n

And to read more from the\u00a0<\/em>Paris Review\u00a0archives, make sure to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Dany Laferri\u00e8re\u2019s Art of Fiction interview, fiction by Way\u00e9tu Moore, and a poem by Wole Soyinka.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-145506","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: The Tempo Primed by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Dany Laferri\u00e8re\u2019s Art of Fiction interview, fiction by Way\u00e9tu Moore, and a poem by Wole Soyinka.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: The Tempo Primed by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"June 9, 2020 \u2013 This week, we\u2019ve lowered the paywall on Dany Laferri\u00e8re\u2019s Art of Fiction interview, fiction by Way\u00e9tu Moore, and a poem by Wole Soyinka.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-06-09T17:00:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-10T14:08:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: The Tempo Primed\",\"datePublished\":\"2020-06-09T17:00:10+00:00\",\"dateModified\":\"2020-06-10T14:08:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/\"},\"wordCount\":682,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg\",\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/\",\"name\":\"Redux: The Tempo Primed by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg\",\"datePublished\":\"2020-06-09T17:00:10+00:00\",\"dateModified\":\"2020-06-10T14:08:26+00:00\",\"description\":\"This week, we\u2019ve lowered the paywall on Dany Laferri\u00e8re\u2019s Art of Fiction interview, fiction by Way\u00e9tu Moore, and a poem by Wole Soyinka.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg\",\"width\":1000,\"height\":667},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: The Tempo Primed\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: The Tempo Primed by The Paris Review","description":"This week, we\u2019ve lowered the paywall on Dany Laferri\u00e8re\u2019s Art of Fiction interview, fiction by Way\u00e9tu Moore, and a poem by Wole Soyinka.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/","og_locale":"en_US","og_type":"article","og_title":"Redux: The Tempo Primed by The Paris Review","og_description":"June 9, 2020 \u2013 This week, we\u2019ve lowered the paywall on Dany Laferri\u00e8re\u2019s Art of Fiction interview, fiction by Way\u00e9tu Moore, and a poem by Wole Soyinka.","og_url":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2020-06-09T17:00:10+00:00","article_modified_time":"2020-06-10T14:08:26+00:00","og_image":[{"width":1000,"height":667,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: The Tempo Primed","datePublished":"2020-06-09T17:00:10+00:00","dateModified":"2020-06-10T14:08:26+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/"},"wordCount":682,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg","articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/","url":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/","name":"Redux: The Tempo Primed by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg","datePublished":"2020-06-09T17:00:10+00:00","dateModified":"2020-06-10T14:08:26+00:00","description":"This week, we\u2019ve lowered the paywall on Dany Laferri\u00e8re\u2019s Art of Fiction interview, fiction by Way\u00e9tu Moore, and a poem by Wole Soyinka.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/06\/dany.jpg","width":1000,"height":667},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2020\/06\/09\/redux-the-tempo-primed\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: The Tempo Primed"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/145506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=145506"}],"version-history":[{"count":5,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/145506\/revisions"}],"predecessor-version":[{"id":145538,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/145506\/revisions\/145538"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=145506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=145506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=145506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}