{"id":145165,"date":"2020-05-19T13:00:07","date_gmt":"2020-05-19T17:00:07","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=145165"},"modified":"2020-05-18T16:59:51","modified_gmt":"2020-05-18T20:59:51","slug":"redux-what-kind-of-flowers-am-i-making","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/05\/19\/redux-what-kind-of-flowers-am-i-making\/","title":{"rendered":"Redux: What Kind of Flowers Am I Making"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_145167\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/theparisreview.org\/interviews\/2313\/the-art-of-fiction-no-117-iris-murdoch\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-145167\" class=\"wp-image-145167 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/iris-murdoch-1.jpg\" alt=\"\" width=\"1000\" height=\"750\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/iris-murdoch-1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/iris-murdoch-1-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/iris-murdoch-1-768x576.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-145167\" class=\"wp-caption-text\">Iris Murdoch.<\/p><\/div>\n<p>A couple of weeks ago,\u00a0the Redux brought you <a href=\"https:\/\/www.theparisreview.org\/blog\/2020\/05\/05\/redux-red-black-and-purple-zigzags\/\" target=\"_blank\" rel=\"noopener noreferrer\">April showers<\/a>; now we\u2019re delivering the obligatory May flowers. Read on for Iris Murdoch\u2019s <a href=\"https:\/\/theparisreview.org\/interviews\/2313\/the-art-of-fiction-no-117-iris-murdoch\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Fiction interview<\/a>, Jorge Luis Borges\u2019s short story \u201c<a href=\"https:\/\/theparisreview.org\/fiction\/4604\/funes-the-memorious-jorge-luis-borges\" target=\"_blank\" rel=\"noopener noreferrer\">Funes the Memorious<\/a>,\u201d and Eileen Myles\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/6404\/circus-eileen-myles\" target=\"_blank\" rel=\"noopener noreferrer\">Circus<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review<\/em>\u00a0and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And for as long as we\u2019re flattening the curve,\u00a0<em>The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0<em>Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0<a href=\"https:\/\/mailchi.mp\/theparisreview.org\/the-art-of-distance-no-7-sports-134874\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>, and then\u00a0<a href=\"https:\/\/theparisreview.us17.list-manage.com\/subscribe?u=b6c161007733f0d4c084f3fde&amp;id=35491ea532\" target=\"_blank\" rel=\"noopener noreferrer\">sign up for more<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/interviews\/2313\/the-art-of-fiction-no-117-iris-murdoch\" target=\"_blank\" rel=\"noopener noreferrer\">Iris Murdoch, The Art of Fiction No. 117<\/a><br \/>\n<em>Issue no. 115 (Summer 1990)<\/em><\/p>\n<blockquote>\n<p style=\"text-align: center;\">INTERVIEWER<\/p>\n<p>Which tends to come first\u2014characters or plot?<\/p>\n<p style=\"text-align: center;\">MURDOCH<\/p>\n<p>I think they all start in much the same way, with two or three people in a relationship with a problem. Then there is a story, ordeals, conflicts, a movement from illusion to reality, all that. I don\u2019t think I have any autobiographical tendencies and can\u2019t think of any novel I\u2019ve written that is a copy of my own life.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/fiction\/4604\/funes-the-memorious-jorge-luis-borges\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-145171\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/funes.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/funes.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/funes-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/funes-768x511.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/fiction\/4604\/funes-the-memorious-jorge-luis-borges\" target=\"_blank\" rel=\"noopener noreferrer\">Funes the Memorious<\/a><br \/>\nBy Jorge Luis Borges<br \/>\n<em>Issue no. 28 (Summer\u2013Fall 1962)<\/em><\/p>\n<blockquote><p>I remember him (I have no right to utter this sacred verb, only one man on earth had that right and he is dead) with a dark passion flower in his hand, seeing it as no one has ever seen it, though he might look at it from the twilight of dawn till that of evening, a whole lifetime.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6404\/circus-eileen-myles\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-145172\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/circus.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/circus.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/circus-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/05\/circus-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6404\/circus-eileen-myles\" target=\"_blank\" rel=\"noopener noreferrer\">Circus<\/a><br \/>\nBy Eileen Myles<br \/>\n<em>Issue no. 214 (Fall 2015)<\/em><\/p>\n<blockquote><p>Jill tells me about the<br \/>\nshow she is making<br \/>\n&amp; I thought it\u2019s like<br \/>\nFlowers. What kind<br \/>\nof flowers am I making.<br \/>\nI think that I met<br \/>\nyou at work. I\u2019m home<br \/>\nNow &amp; think what<br \/>\nKind of flower am<br \/>\nI making. How do we find<br \/>\nthe flower, use the<br \/>\nFlower spread it around<br \/>\nI thought summer\u2019s a good<br \/>\nGrowing season or is<br \/>\nIt. Is summer just hot? \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>And to read more from the <\/em>Paris Review<em> archives, make sure to <a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-seven years\u2019 worth of archives.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on Iris Murdoch\u2019s Art of Fiction interview, a story by Jorge Luis Borges, and a poem by Eileen Myles.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-145165","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: What Kind of Flowers Am I Making by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the 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