{"id":144957,"date":"2020-05-12T13:00:47","date_gmt":"2020-05-12T17:00:47","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=144957"},"modified":"2020-05-18T15:12:48","modified_gmt":"2020-05-18T19:12:48","slug":"redux-landing-without-incident","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/05\/12\/redux-landing-without-incident\/","title":{"rendered":"Redux: Landing without Incident"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Alice Munro.<\/p><\/div>\n

This week at The Paris Review<\/em>, in honor of Mother\u2019s Day, we\u2019re thinking of motherhood and children and the work behind parenting. Read on for Alice Munro\u2019s Art of Fiction interview<\/a>, Lorrie Moore\u2019s short story \u201cTerrific Mother<\/a>,\u201d and Camille Dungy\u2019s poem \u201cThe Average Mother Now Spends Twice as Many Hours on Childcare as Did Her Counterpart in 1965, and She Also Spends Three Times as Many Hours Working Outside the Home; or, How to Sing a Song of Sixpence When You\u2019re Really Feeling Wry<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>\u00a0and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And for as long as we\u2019re flattening the curve,\u00a0The Paris Review<\/em>\u00a0will be sending out a new weekly newsletter, The Art of Distance, featuring unlocked archival selections, dispatches from the\u00a0Daily<\/em>, and efforts from our peer organizations. Read the latest edition\u00a0here<\/a>, and then\u00a0sign up for more<\/a>.<\/p>\n

 <\/p>\n

Alice Munro, The Art of Fiction No. 137<\/a>
\nIssue no. 131 (Summer 1994)<\/em><\/p>\n

\n

INTERVIEWER<\/p>\n

Doesn\u2019t any young artist, on some level, have to be hard-hearted?<\/p>\n

MUNRO<\/p>\n

It\u2019s worse if you\u2019re a woman. I want to keep ringing up my children and saying, Are you sure you\u2019re all right? I didn\u2019t mean to be such a . . . Which of course would make them furious because it implies that they\u2019re some kind of damaged goods. Some part of me was absent for those children, and children detect things like that. Not that I neglected them, but I wasn\u2019t wholly absorbed. When my oldest daughter was about two, she\u2019d come to where I was sitting at the typewriter, and I would bat her away with one hand and type with the other. I\u2019ve told her that. This was bad because it made her the adversary to what was most important to me. I feel I\u2019ve done everything backwards: this totally driven writer at the time when the kids were little and desperately needed me. And now, when they don\u2019t need me at all, I love them so much. I moon around the house and think, There used to be a lot more family dinners.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Terrific Mother<\/a>
\nBy Lorrie Moore
\nIssue no. 124 (Fall 1992)<\/em><\/p>\n

Although she had been around them her whole life, it was when she reached thirty-five that holding babies seemed to make her nervous\u2014just at the beginning, a twinge of stage fright swinging up from the gut. \u201cAdrienne, would you like to hold the baby? Would you mind?\u201d Always these words from a woman her age looking kind and beseeching\u2014a former friend, she was losing her friends to babble and beseech\u2014and Adrienne would force herself to breathe deep. Holding a baby was no longer natural\u2014she was no longer natural\u2014but a test of womanliness and earthly skills. She was being observed. People looked to see how she would do it. She had entered a puritanical decade, a demographic moment\u2014whatever it was\u2014when the best compliment you could get was: You would make a terrific mother. The wolf whistle of the nineties.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

The Average Mother Now Spends Twice as Many Hours on Childcare as Did Her Counterpart in 1965, and She Also Spends Three Times as Many Hours Working Outside the Home; or, How to Sing a Song of Sixpence When You\u2019re Really Feeling Wry<\/a>
\nBy Camille Dungy
\nIssue no. 230 (Fall 2019)<\/em><\/p>\n

We flew through a thunderstorm on our way into
\nPittsburgh, landing without incident, but a hailstorm
\ndescended, delaying our bags.<\/p>\n

Forty minutes.
\nOne hour.<\/p>\n

When we got into the Town Car, both the driver and his
\nwife\u2019s well-timed pot roast were burning.<\/p>\n

When he started driving, the baby started screaming.<\/p>\n

She wouldn\u2019t stop screaming \u2026<\/p><\/blockquote>\n

 <\/p>\n

If you like what you read,\u00a0get a year of<\/a>\u00a0<\/em>The Paris Review\u2014four new issues, plus instant access to everything we\u2019ve ever published<\/em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Alice Munro\u2019s Art of Fiction interview, a short story by Lorrie Moore, and a poem by Camille Dungy.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-144957","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: Landing without Incident by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Alice Munro\u2019s Art of Fiction interview, a short story by Lorrie Moore, and a poem by Camille Dungy.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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