{"id":143819,"date":"2020-03-24T13:00:16","date_gmt":"2020-03-24T17:00:16","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=143819"},"modified":"2020-03-31T12:31:42","modified_gmt":"2020-03-31T16:31:42","slug":"redux-i-struggle-to-stay-inside-sleep","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/03\/24\/redux-i-struggle-to-stay-inside-sleep\/","title":{"rendered":"Redux: I Struggle to Stay inside Sleep"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_143822\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/interviews\/3039\/the-art-of-publishing-no-1-part-1-james-laughlin\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-143822\" class=\"wp-image-143822 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/laughlin.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/laughlin.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/laughlin-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/laughlin-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-143822\" class=\"wp-caption-text\">James Laughlin. Photo courtesy of New Directions.<\/p><\/div>\n<p>This week at <em>The Paris Review<\/em>, we\u2019re reading long, multipart selections\u2014all the better with which to stay indoors. Read on for James Laughlin\u2019s Art of Publishing interview (<a href=\"https:\/\/www.theparisreview.org\/interviews\/3039\/the-art-of-publishing-no-1-part-1-james-laughlin\" target=\"_blank\" rel=\"noopener noreferrer\">part one<\/a> and <a href=\"https:\/\/www.theparisreview.org\/interviews\/3015\/the-art-of-publishing-no-1-part-2-james-laughlin\" target=\"_blank\" rel=\"noopener noreferrer\">part two<\/a>), Roberto Bola\u00f1o\u2019s complete <em>The Third Reich<\/em> (in parts <a href=\"https:\/\/theparisreview.org\/fiction\/6083\/the-third-reich-part-i-roberto-bolano\" target=\"_blank\" rel=\"noopener noreferrer\">one<\/a>, <a href=\"https:\/\/theparisreview.org\/fiction\/6087\/the-third-reich-part-ii-roberto-bolano\" target=\"_blank\" rel=\"noopener noreferrer\">two<\/a>, <a href=\"https:\/\/www.theparisreview.org\/fiction\/6099\/the-third-reich-part-3-roberto-bolano\" target=\"_blank\" rel=\"noopener noreferrer\">three<\/a>, and <a href=\"https:\/\/www.theparisreview.org\/fiction\/6111\/the-third-reich-part-4-roberto-bolano\" target=\"_blank\" rel=\"noopener noreferrer\">four<\/a>) and Frank Bidart\u2019s poem \u201c<a href=\"https:\/\/theparisreview.org\/poetry\/7422\/the-fifth-hour-of-the-night-frank-bidart\" target=\"_blank\" rel=\"noopener noreferrer\">The Fifth Hour of the Night<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review<\/em> and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And for even more reading material, check out the <a href=\"https:\/\/mailchi.mp\/theparisreview.org\/introducing-the-art-of-distance\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Distance<\/a>,\u00a0<em>The Paris Review<\/em>\u2019s new weekly dispatch from indoors.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/3039\/the-art-of-publishing-no-1-part-1-james-laughlin\" target=\"_blank\" rel=\"noopener noreferrer\">James Laughlin, The Art of Publishing No. 1, Part 1<\/a><br \/>\n<em>Issue no. 89 (Fall 1983)<\/em><\/p>\n<blockquote><p>There were so many different things I had to do. I had to keep in touch with the authors and read the manuscripts, and I had to copyedit manuscripts, and I had to find printers and binders. Then I had to get up ads and do the catalogs. I had to try to sell the books. Publishing, when it&#8217;s a one-man operation, is an extremely varied occupation. It isn\u2019t like a big firm where each person does a different job. I don\u2019t know that I looked at it very objectively; I just did it.<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/3015\/the-art-of-publishing-no-1-part-2-james-laughlin\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2<\/a> <!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/fiction\/6083\/the-third-reich-part-i-roberto-bolano\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-143823 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/bolano.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/bolano.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/bolano-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/bolano-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/fiction\/6083\/the-third-reich-part-i-roberto-bolano\" target=\"_blank\" rel=\"noopener noreferrer\">The Third Reich: Part 1<\/a><br \/>\nBy Roberto Bola\u00f1o<br \/>\n<em>Issue no. 196 (Spring 2011)<\/em><\/p>\n<blockquote><p>Through the window comes the murmur of the sea mingled with the laughter of the night\u2019s last revelers, a sound that might be the waiters clearing the tables on the terrace, an occasional car driving slowly along the Paseo Mar\u00edtimo, and a low and unidentifiable hum from the other rooms in the hotel. Ingeborg is asleep, her face placid as an angel\u2019s. On the night table stands an untouched glass of milk that by now must be warm, and next to her pillow, half hidden under the sheet, a Florian Linden detective novel of which she read only a few pages before falling asleep. The heat and exhaustion have had the opposite effect on me: I\u2019m wide awake.<\/p><\/blockquote>\n<p><a href=\"https:\/\/theparisreview.org\/fiction\/6087\/the-third-reich-part-ii-roberto-bolano\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2<\/a>, <a href=\"https:\/\/www.theparisreview.org\/fiction\/6099\/the-third-reich-part-3-roberto-bolano\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3<\/a>, <a href=\"https:\/\/www.theparisreview.org\/fiction\/6111\/the-third-reich-part-4-roberto-bolano\" target=\"_blank\" rel=\"noopener noreferrer\">Part 4<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/poetry\/7422\/the-fifth-hour-of-the-night-frank-bidart\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-143824 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/bidart.png\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/bidart.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/bidart-300x200.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/bidart-768x511.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/poetry\/7422\/the-fifth-hour-of-the-night-frank-bidart\" target=\"_blank\" rel=\"noopener noreferrer\">The Fifth Hour of the Night<\/a><br \/>\nBy Frank Bidart<br \/>\n<em>Issue no. 229 (Summer 2019)<\/em><\/p>\n<blockquote><p><em>The sun allows you to see only what the sun<\/em><br \/>\n<em>falls<\/em><br \/>\n<em>upon: the surface. What we wanted was what was elsewhere: cause.<\/em><\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>*<\/p>\n<p>Or some books say that\u2019s what we once wanted. Prophets of<br \/>\ncause<br \/>\nnever, of course, agreed about cause, the <em>uncaused cause<\/em>: or they<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>*<\/p>\n<p>terribly did. Asleep, I struggle to stay inside sleep, unravaged by<br \/>\nheart-<br \/>\npiercing dreams\u2014craving, wish, desire to remain inside, if briefly,<\/p>\n<p><span style=\"color: #ffffff;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<\/span>*<\/p>\n<p>obliteration. I cleave to the voice of Poppea\u2019s nurse:<br \/>\n<em>oblivion<\/em><br \/>\n<em>soave<\/em> \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019ve lowered the paywall on James Laughlin\u2019s Art of Publishing interview, an entire Roberto Bola\u00f1o novel, and a long poem by Frank Bidart.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-143819","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: I Struggle to Stay inside Sleep by The Paris Review<\/title>\n<meta name=\"description\" content=\"We\u2019ve lowered the paywall on James Laughlin\u2019s Art of Publishing interview, an entire Roberto Bola\u00f1o novel, and a long poem by Frank Bidart.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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