{"id":143668,"date":"2020-03-19T14:18:05","date_gmt":"2020-03-19T18:18:05","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=143668"},"modified":"2020-03-19T14:18:05","modified_gmt":"2020-03-19T18:18:05","slug":"and-alexander-wept","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/03\/19\/and-alexander-wept\/","title":{"rendered":"And Alexander Wept"},"content":{"rendered":"<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<div id=\"attachment_143673\" style=\"width: 770px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/6136694_26048_05dc816f9b910993a5aa419eee9b83a6_wm.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-143673\" class=\"size-full wp-image-143673\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/6136694_26048_05dc816f9b910993a5aa419eee9b83a6_wm.jpg\" alt=\"\" width=\"760\" height=\"507\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/6136694_26048_05dc816f9b910993a5aa419eee9b83a6_wm.jpg 760w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/6136694_26048_05dc816f9b910993a5aa419eee9b83a6_wm-300x200.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-143673\" class=\"wp-caption-text\">Alexander the Great, detail of an ancient Roman floor mosaic from the House of the Faun in Pompeii<\/p><\/div>\n<p>All right, this particular canard has had all its feathers pulled off many times. I claim no originality. People explain it over and over on blogs. Every twenty seconds, somebody asks about it, and the explainers go to work.<\/p>\n<p>The \u201cquote\u201d goes like this:<\/p>\n<\/div>\n<\/div>\n<blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p><i>And Alexander wept, seeing as he had no more worlds to conquer.<\/i><\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>\u201cAlexander\u201d is, of course, Alexander the Great, king of Macedon in the fourth century BC. A legend in his own time, et cetera, he died in his early thirties, et cetera, having won many battles. The quote is poetic. It touches a theme dear to everyone\u2019s heart: the Tears of the Monster. However! From time to time, some bright person is forced by the laws of physics to ask: \u201cIn what ancient text does that passage appear?\u201d Answer: it appears nowhere.<\/p>\n<p>Remember <i>Die Hard<\/i>? I don\u2019t. I saw it right around the time it came out, and all I remember is Bruce Willis, barefoot, running through broken glass. That, for me, was a metaphor for watching the movie. Fans of the film, however, will recall its dapper German villain, Hans Gruber, smacking his silly lips and gloating at some private victory. He puts his fingertips together and says in facetiously tragic tones (clearly quoting something from High Culture and referring with cozy irony to himself): \u201cAnd Alexander wept, seeing as he had no more worlds to conquer.\u201d Then he smiles with evil-genius self-satisfaction and says: \u201cBenefits of a classical education.\u201d<\/p>\n<p>Yeah. Except that quote would never come up in the context of a classical education, unless the instructor happened to be taking a jolly detour, nose in the air, to attack a piece of legendary crap that no student of his must ever traffic in. And even I, right now, have been forced to attach weights to my own nose to prevent its springing upward. (I can\u2019t stop its sniffing though. There it goes again: <i>sniff<\/i>.)<\/p>\n<p>A few facts. The monkeys who wrote\u00a0<i>Die Hard<\/i> did not invent that quote. (And let me tell ya something: the people who write the scripts for action movies are literally forbidden to invent <i>anything<\/i>. Their mandate is to regift whatever is known to have worked in the past. More on this another day.) The quote, I was saying, is very old. It comes up in certain classic English poems from the seventeenth century. For example, here\u2019s Edmund Waller addressing Oliver Cromwell in 1655:<\/p>\n<\/div>\n<\/div>\n<p><!--more--><\/p>\n<blockquote>\n<div>\n<div class=\"gmail_default\">\n<p>When for more worlds the Macedonian cried,<br \/>\nHe wist not Thetis in her lap did hide<br \/>\nAnother yet, a world reserved for you<br \/>\nTo make more great than that he did subdue &#8230;<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<blockquote>\n<blockquote>\n<div>\n<div class=\"gmail_default\">\n<p>\u2014\u201cA Panegyric to My Lord Protector,\u201d lines 73\u20136<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<\/blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>There it is. And a quick Google search turned up an even earlier item, printed in medieval Canada (1628, I mean).<\/p>\n<p>But\u2014and here\u2019s where it gets good\u2014<i>but<\/i>, nobody seems to have located any citation of the quote\u00a0<i>earlier<\/i>\u00a0than 1628. My homely contribution to this fuss is my hypothesis as to why instances of the quote are unlikely to turn up before 1579.<\/p>\n<p style=\"text-align: center;\">\u2022<\/p>\n<p>The quote is a hash of three passages in Plutarch, first century CE. Two of the passages were made available to English speakers (most notably Shakespeare) in 1579, in the translation by Thomas North. The other passage has a more complicated history. Let\u2019s actually start with the tricky one.<\/p>\n<\/div>\n<\/div>\n<blockquote>\n<div>\n<div class=\"gmail_default\">\n<p><b>Exhibit 1.\u00a0<\/b><span style=\"color: #0000ff;\">[Orthography in all these quotations\u00a0<i>sic<\/i>]<\/span><\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"gmail_default\">\n<p>It is reported that King Alexander the Great, hearing Anaxarchus the philosopher discoursing and maintaining this position: That there were worlds innumerable: fell a-weeping: and when his friends and familiars about him asked what he ailed. Have I not (quoth he) good cause to weep, that being as there are an infinite number of worlds, I am not yet the lord of one?<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>That\u2019s not from Plutarch\u2019s\u00a0<i>Life of Alexander<\/i>. It\u2019s from Plutarch\u2019s essays, usually called the\u00a0<i>Moralia<\/i>. The essay in particular is called \u201cOn Tranquillity of Mind.\u201d The translation above is that of Philemon Holland, 1603. This was not the first translation of that essay into English, but it might as well have been. The others all sank like stones; nobody ever heard of \u2019em. Look at this rather nicer version by everybody\u2019s favorite courtier, Sir Thomas Wyatt:<\/p>\n<\/div>\n<\/div>\n<blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>Alexander, whan he herde Anaxarchus argue that there were infynite worldes, it is said that he wept. And whan his frendes asked hym what thing had happened him to be wept for: \u201cIs it nat to be wept for,\u201d quod he, \u201csyns they say there be infynite worldes, and we are nat yet lorde of one?\u201d<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>The above was done in 1527 at the request (sort of; she actually asked for a different book) of Catherine of Aragon. If you know who that is.<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/plutarchs-quyete-of-mynde-wyatt.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-143671\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/plutarchs-quyete-of-mynde-wyatt.png\" alt=\"\" width=\"368\" height=\"496\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/plutarchs-quyete-of-mynde-wyatt.png 368w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/plutarchs-quyete-of-mynde-wyatt-223x300.png 223w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>At any rate, the passage is crystal clear in both cases: Alexander is not weeping in sorrow that there are no more throats to cut. This is not a picture of a man at the end of a career of world conquest; he\u2019s at the beginning. \u201cLook at all these throats\u2014and I haven\u2019t even cut one!\u201d<\/p>\n<\/div>\n<\/div>\n<blockquote>\n<div>\n<div class=\"gmail_default\">\n<p><b>Exhibit 2.<\/b><\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"gmail_default\">\n<p>For when they brought him [= Alexander, still a boy] newes that his father had taken some famous city, or had won some great battell, he was nothing glad to hear it, but would say to his playfellowes: Sirs, my father will have all, I shall have nothing left me to conquer with you, that shall be ought worth. For he delighting neither in pleasure nor riches, but only in valliantnes and honor, thought, that the greater conquests and realmes his father should leave him, the lesse he should have to do for himselfe. And therfore, seing that his fathers dominions and Empire increased dayly more and more, perceiving all occasion taken from him to do any great attempt: he desired no riches nor pleasure but warres and battells, and aspired to a signory, where he might win honor.<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>Now that\u2019s from Plutarch\u2019s <i>Life of Alexander<\/i>. No tears, but definitely the guy Gruber had in mind, the Godzilla he\u2019d heard about in German day camp. Here\u2019s a prince who wants to conquer\u00a0<i>for the sake of conquering<\/i>; he doesn\u2019t care whether Macedon comes out on top or not, except insofar as it\u2019s compatible with his personal glory. (You could at least imagine this guy crying, if there were no more worlds to conquer.)<\/p>\n<p>Our final passage is from Plutarch\u2019s\u00a0<i>Life of Julius C\u00e6sar.<\/i><\/p>\n<blockquote>\n<div>\n<div class=\"gmail_default\">\n<p><b>Exhibit 3.<\/b><\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"gmail_default\">\n<p>An other time also when he was in Spayne, reading the history of Alexanders actes, when he had red it, he was sorrowfull a good while after, and then burst out in weeping. His frends seeing that, marveled what should be the cause of his sorow. He aunswered them, Doe ye not thinke sayd he, that I have good cause to be heavie, when king Alexander being no older than my selfe is now, had in old time wonne so many nations and contries: and that I hitherunto have done nothing worthy of my selfe?<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>Tears! Indeed, it\u2019s pretty much the same thing as Exhibit 1.<\/p>\n<p>Exhibits 2 and 3 are translations by Thomas North, 1579. Here\u2019s my copy of the 1895 reprint:<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/madrid-copy-of-norths-plutarch-in-5-vols.-febr.-2020.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-143672\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/madrid-copy-of-norths-plutarch-in-5-vols.-febr.-2020.png\" alt=\"\" width=\"743\" height=\"495\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/madrid-copy-of-norths-plutarch-in-5-vols.-febr.-2020.png 743w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/madrid-copy-of-norths-plutarch-in-5-vols.-febr.-2020-300x200.png 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>Like all Elizabethan translations, it seems pretty clotted and inelegant to me, but y\u2019know, Shakespeare is Shakespeare, and what was good enough for him, et cetera. Indeed, he does quote North verbatim\u00a0in places, just like he did with Florio\u2019s Montaigne.<\/p>\n<p>But you see what\u2019s happening here. I\u2019m setting out on the table all the ingredients for Gruber\u2019s quote. In no case does Alexander weep because he\u2019s accidentally put himself out of business by making himself king of the world. And it makes sense that he would not weep about such, because in point of fact he did not take over the world. He hits a wall in India, see. His men are tired, the river is deep, he can\u2019t swim. Across the river: some vast Indian army, refreshed and ready. Alexander\u2019s guys beg him to call it a day. \u201cCall it a day, call it a campaign, call it an empire. Anyhow let\u2019s go home.\u201d And for once, Mr. Won\u2019t-Listen-to-Anybody says okay. It\u2019s all in the <i>Life of Alexander<\/i>. Read it sometime. Seventy pages of modern English, it\u2019s not gonna kill ya.<\/p>\n<p>But back to Gruber. What\u2019s surely happened is some specially eloquent seventeenth-century British smarty-pants read the North and Holland translations, misremembered \u2019em, and created the mot that\u2019s been repeated ever since.<\/p>\n<p>How do I know the person didn\u2019t misremember the original Greek? I don\u2019t. But think about it.\u00a0No one could read Greek, not even North (he was translating from Amyot\u2019s French). Besides! is it not remarkable that the earliest instances of the Gruber version happen to crop up a few years after those important translations into English?<\/p>\n<p>Here\u2019s what would settle the matter\u00a0<i>against<\/i>\u00a0me: cases of the Gruber version from languages other than English, occurring before 1579. If anyone reading this can show me such, I promise to write another piece on this same topic, giving you full credit.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>Uh-oh. This just in. There is another possibility altogether, a kind of Exhibit 4:<\/p>\n<\/div>\n<\/div>\n<blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>Nam Alexandri pectus insatiabile laudis, qui Anaxarcho comiti suo ex auctoritate Democriti praeceptoris innumerabiles mundos esse referenti \u201cheu me\u201d inquit \u201cmiserum, quod ne uno quidem adhuc sum potitus!\u201d angusta homini possessio [gloriae] fuit, quae deorum omnium domicilio sufficit.<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<blockquote>\n<blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>\u2014Valerius Maximus, LIB. VIII, Cap. xiiii,\u00a0<i>Ext<\/i>. \u00a72<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<\/blockquote>\n<blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>Alexander\u2019s heart had an insatiable longing for glory. When his friend Anaxarchus told him, following the authority of his teacher Democritus, that there were innumerable worlds, Alexander said, \u201cAlas, poor me, because so far I have not even gained possession of one!\u201d To possess the world was too inglorious for this man, though the world is great enough to serve as the home of all the gods.<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<blockquote>\n<blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>\u2014<i>from<\/i>\u00a0Book 8, Chapter 14 \u201cThe Desire for Glory,\u201d Foreign Stories: section 2. [Translation Henry John Walker, 2004.]<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n<\/blockquote>\n<div dir=\"ltr\">\n<div class=\"gmail_default\">\n<p>That passage was written fifteen years before Plutarch was born; indeed, it might have been where he got it (?). And since it\u2019s in Latin\u2014and worse, in a frickin\u2019 <i>handbook of memorable sayings<\/i>\u2014anybody could have read it and misremembered it at any point in European history.<\/p>\n<p>Okay, but then why do all these Gruber versions suddenly pop up in early seventeenth-century English, hmmm? I\u2019m tellin\u2019 ya: some Englishman started this. Some English Gruber. We\u2019ll call him \u201cJohn Miner.\u201d Like Gruber, our Miner was pretending to have a classical education. Like Gruber, Miner had eloquence. But <i>unlike<\/i>\u00a0Gruber, Miner actually\u00a0<i>created<\/i> something worthy of a book of memorable sayings. He coined one of the very few classical tags that people still recognize on sight.<\/p>\n<p>Unless even Miner didn\u2019t invent it, but some Frenchman. Anyhow, I give up. My men are done. The river is deep. Call it an empire. Let\u2019s go home.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Anthony Madrid lives in Victoria, Texas. His second book is\u00a0<\/em><a href=\"http:\/\/www.spdbooks.org\/Products\/9780996982757\/try-never.aspx\">Try Never<\/a><em>. He is a correspondent for the\u00a0<\/em>Daily<em>.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cIn what ancient text does that passage appear?\u201d Answer: It appears nowhere.<\/p>\n","protected":false},"author":1005,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[],"class_list":["post-143668","post","type-post","status-publish","format-standard","hentry","category-arts-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>And Alexander Wept by Anthony Madrid<\/title>\n<meta name=\"description\" content=\"March 19, 2020 \u2013 \u201cIn what ancient text does that passage appear?\u201d Answer: It appears nowhere.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/03\/19\/and-alexander-wept\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"And Alexander Wept by Anthony Madrid\" \/>\n<meta property=\"og:description\" content=\"March 19, 2020 \u2013 \u201cIn what ancient text does that passage appear?\u201d Answer: It appears nowhere.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2020\/03\/19\/and-alexander-wept\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-19T18:18:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/6136694_26048_05dc816f9b910993a5aa419eee9b83a6_wm.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"760\" \/>\n\t<meta property=\"og:image:height\" content=\"507\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anthony Madrid\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anthony Madrid\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/03\/19\/and-alexander-wept\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/03\/19\/and-alexander-wept\/\"},\"author\":{\"name\":\"Anthony Madrid\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/ff28732ebcbdac8b865bc16ad5887c2e\"},\"headline\":\"And Alexander Wept\",\"datePublished\":\"2020-03-19T18:18:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/03\/19\/and-alexander-wept\/\"},\"wordCount\":1880,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2020\/03\/19\/and-alexander-wept\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/03\/6136694_26048_05dc816f9b910993a5aa419eee9b83a6_wm.jpg\",\"articleSection\":[\"Arts &amp; 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