{"id":142725,"date":"2020-02-11T14:05:24","date_gmt":"2020-02-11T19:05:24","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=142725"},"modified":"2020-02-11T14:05:24","modified_gmt":"2020-02-11T19:05:24","slug":"the-bird-master","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/02\/11\/the-bird-master\/","title":{"rendered":"The Bird Master"},"content":{"rendered":"<p><i>The below is an excerpt from Yoshiharu Tsuge\u2019s semiautobiographical manga<\/i>\u00a0<a href=\"https:\/\/www.nyrb.com\/collections\/yoshiharu-tsuge\/products\/the-man-without-talent?variant=29168539107380\" target=\"_blank\" rel=\"noopener noreferrer\">The Man without Talent<\/a><em> (translated from the Japanese by Ryan Holmberg). In keeping with the customs of the medium, both the panels and the text are intended to be read from right to left.<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-1-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142765\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-1-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-1-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-1-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-1-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-1-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-2-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142766\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-2-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-2-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-2-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-2-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-2-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-3-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142767\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-3-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-3-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-3-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-3-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-3-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-4-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142768\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-4-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-4-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-4-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-4-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-4-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-5-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142769\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-5-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-5-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-5-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-5-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-5-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-6-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142770\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-6-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-6-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-6-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-6-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-6-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-7-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142771\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-7-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-7-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-7-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-7-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-7-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-8-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142772\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-8-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-8-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-8-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-8-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-8-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-9-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142773\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-9-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-9-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-9-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-9-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-9-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-10-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142774\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-10-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-10-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-10-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-10-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-10-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-11-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142775\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-11-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-11-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-11-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-11-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-11-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-12-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142776\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-12-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-12-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-12-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-12-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-12-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-13-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142777\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-13-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-13-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-13-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-13-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-13-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-14-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142778\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-14-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-14-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-14-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-14-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-14-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-15-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142779\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-15-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-15-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-15-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-15-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-15-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-16-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142780\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-16-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-16-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-16-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-16-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-16-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-17-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142781\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-17-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-17-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-17-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-17-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-17-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a> <a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-18-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-142782\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-18-2.jpg\" alt=\"\" width=\"960\" height=\"1176\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-18-2.jpg 960w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-18-2-245x300.jpg 245w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-18-2-768x941.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-18-2-836x1024.jpg 836w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Yoshiharu Tsuge is a cartoonist and essayist best known for his surrealistic, avant-garde work. He began drawing comics in 1955, working primarily in the rental comics industry that was popular in impoverished postwar Japan. In the sixties, Tsuge was discovered by the publishers of the avant-garde comics magazine <\/em>Garo<em> and gained increasing recognition. He withdrew from <\/em>Garo<em> in the seventies, and his work became more autobiographical. Tsuge has not published cartoons since the late eighties, elevating him to cult status in Japan. He lives in Tokyo.<\/em><\/p>\n<p><em>Ryan Holmberg is an arts and comics historian. He has edited and translated books by Seiichi Hayashi, Osamu Tezuka, Sasaki Maki, Tadao Tsuge, and others.<\/em><\/p>\n<p><em>From <\/em><a href=\"https:\/\/www.nyrb.com\/collections\/yoshiharu-tsuge\/products\/the-man-without-talent?variant=29168539107380\" target=\"_blank\" rel=\"noopener noreferrer\">The Man without Talent<\/a><em>, by Yoshiharu Tsuge, translated from the Japanese by Ryan Holmberg. Images courtesy of New York Review Comics.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this comic, a man with a talent for catching birds disappears as mysteriously as he appeared.<\/p>\n","protected":false},"author":1910,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30980],"tags":[],"class_list":["post-142725","post","type-post","status-publish","format-standard","hentry","category-comics"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Bird Master by Yoshiharu Tsuge<\/title>\n<meta name=\"description\" content=\"In this comic, a man with a talent for catching birds disappears as mysteriously as he appeared.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2020\/02\/11\/the-bird-master\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Bird Master by Yoshiharu Tsuge\" \/>\n<meta property=\"og:description\" content=\"February 11, 2020 \u2013 In this comic, a man with a talent for catching birds disappears as mysteriously as he appeared.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2020\/02\/11\/the-bird-master\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-02-11T19:05:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/02\/tsuge-1-2.jpg\" \/>\n\t<meta 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