{"id":142079,"date":"2020-01-14T13:00:56","date_gmt":"2020-01-14T18:00:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=142079"},"modified":"2020-01-14T13:38:35","modified_gmt":"2020-01-14T18:38:35","slug":"redux-even-forests-engage-in-a-form-of-family-planning","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2020\/01\/14\/redux-even-forests-engage-in-a-form-of-family-planning\/","title":{"rendered":"Redux: Even Forests Engage in a Form of Family Planning"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_142080\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/theparisreview.org\/interviews\/6203\/deborah-eisenberg-the-art-of-fiction-no-218-deborah-eisenberg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-142080\" class=\"wp-image-142080 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/eisenberg.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/eisenberg.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/eisenberg-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/eisenberg-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-142080\" class=\"wp-caption-text\">Deborah Eisenberg.<\/p><\/div>\n<p>This week at <em>The Paris Review<\/em>, we\u2019re trying to separate the forest from the trees. Read on for Deborah Eisenberg\u2019s <a href=\"https:\/\/theparisreview.org\/interviews\/6203\/deborah-eisenberg-the-art-of-fiction-no-218-deborah-eisenberg\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Fiction interview<\/a>, Gisela Elsner\u2019s short story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/4448\/a-pastoral-gisela-elsner\" target=\"_blank\" rel=\"noopener noreferrer\">A Pastoral<\/a>,\u201d and M\u00f3nica de la Torre\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/7150\/boxed-in-monica-de-la-torre\" target=\"_blank\" rel=\"noopener noreferrer\">Boxed In<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review<\/em> and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And don\u2019t forget to listen to <a href=\"https:\/\/www.theparisreview.org\/podcast\/podcast-season-2\" target=\"_blank\" rel=\"noopener noreferrer\">Season 2<\/a>\u00a0of\u00a0<em>The Paris Review Podcast<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/interviews\/6203\/deborah-eisenberg-the-art-of-fiction-no-218-deborah-eisenberg\" target=\"_blank\" rel=\"noopener noreferrer\">Deborah Eisenberg, The Art of Fiction No. 218<\/a><br \/>\n<em>Issue no. 204 (Spring 2013)<\/em><\/p>\n<blockquote><p>I find it endlessly interesting, endlessly funny, the fact that we\u2019re rather arbitrarily divided up into these discrete humans and that your physical self, your physical attributes, your moment of history and the place where you were born determine who you are as much as all that indefinable stuff that\u2019s inside of you. It seems so ridiculous. Why can\u2019t I just buckle on my sword and leap on my horse and go charging through the forests?<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/4448\/a-pastoral-gisela-elsner\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-142083 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/elsner.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/elsner.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/elsner-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/elsner-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/4448\/a-pastoral-gisela-elsner\" target=\"_blank\" rel=\"noopener noreferrer\">A Pastoral<\/a><br \/>\nBy Gisela Elsner<br \/>\n<em>Issue no. 34 (Spring\u2013Summer 1965)<\/em><\/p>\n<blockquote><p>My mother shook herself and scratched herself. We walked along a narrow path, through meadows with yellow flowers alternating with fields, perhaps wheat fields.<\/p>\n<p>\u201cThere,\u201d said my father, pointing his stick horizontally away from himself at a second forest that looked like the first, which I had taken for a fir or a pine forest or an evergreen forest of some other kind, \u201cthere we can rest.\u201d<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/7150\/boxed-in-monica-de-la-torre\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-142084 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/torre.jpg\" alt=\"\" width=\"1000\" height=\"668\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/torre.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/torre-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2020\/01\/torre-768x513.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/7150\/boxed-in-monica-de-la-torre\" target=\"_blank\" rel=\"noopener noreferrer\">Boxed In<\/a><br \/>\nBy M\u00f3nica de la Torre<br \/>\n<em>Issue no. 224 (Spring 2018)<\/em><\/p>\n<blockquote><p>Heads up, false friends use familiarity as camouflage.<br \/>\nIn the source language <em>deciduous<\/em> might be confused with <em>apathy<\/em>,<br \/>\nbut nothing could be further away from <em>desidia<\/em> than the timed impermanence of leaves.<br \/>\nYes, even forests engage in a form of family planning \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019ve lowered the paywall on Deborah Eisenberg\u2019s Art of Fiction interview, a story by Gisela Elsner, and a poem by M\u00f3nica de la Torre.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-142079","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: Even Forests Engage in a Form of Family Planning by The Paris Review<\/title>\n<meta name=\"description\" content=\"We\u2019ve lowered the paywall on Deborah Eisenberg\u2019s Art 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