{"id":141572,"date":"2019-12-27T11:00:24","date_gmt":"2019-12-27T16:00:24","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=141572"},"modified":"2019-12-16T16:22:03","modified_gmt":"2019-12-16T21:22:03","slug":"listen-to-hebe-uhart-now-that-shes-gone-2","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/12\/27\/listen-to-hebe-uhart-now-that-shes-gone-2\/","title":{"rendered":"Listen to Hebe Uhart, Now That She\u2019s Gone"},"content":{"rendered":"<p><em>We\u2019re away until January 6, but we\u2019re reposting some of our favorite pieces from 2019. Enjoy your holiday!<\/em><\/p>\n<div id=\"attachment_136240\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/uhart.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136240\" class=\"wp-image-136240 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/uhart.jpg\" alt=\"\" width=\"1000\" height=\"750\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/uhart.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/uhart-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/uhart-768x576.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136240\" class=\"wp-caption-text\">Hebe Uhart. Photo: Agustina Fern\u00e1ndez.<\/p><\/div>\n<p>In section 16, grave 34 of the Chacarita Cemetery in Buenos Aires, pumpkins and tomatoes now grow. Pumpkins and tomatoes, just like that. A scene that could have been written by Hebe Uhart, who, since October 12, 2018, has lain in a grave there. An image worthy of her stories: reality interrupted by strangeness. \u201cA story is a little plant that\u2019s born,\u201d Uhart used to say that Felisberto Hern\u00e1ndez used to say. Hern\u00e1ndez was one of her go-to authors, along with Natalia Ginzburg, Fray Mocho, and Simone Weil. Uhart starts her magnificent story \u201cGuiding the Ivy\u201d by announcing, \u201cHere I am arranging the plants so they don\u2019t overcrowd one another, pulling off dead leaves, and getting rid of ants.\u201d<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Some time ago, at the launch party for one of her books, Hebe Uhart\u2014born in 1936 in Moreno, Argentina, author of some fifteen volumes of stories, novels, and chronicles, winner of the 2017 Manuel Rojas Ibero-American Narrative Award, rural schoolteacher, philosophy professor in her youth and leader of literary workshops until the end of her days, curious in the extreme, chronic traveler, and admirer of the animal kingdom\u2014confessed the following:<\/p>\n<blockquote><p>I follow Chekhov\u2019s advice, which I believe in absolutely: forget about the content of what the characters say and pay attention to how they say it, look at how the characters move, how they walk, how they are silent. I\u2019m interested in people\u2019s specificity.<\/p><\/blockquote>\n<p>How we move, how we walk, how we keep quiet: that is what Uhart observes in each of us. But also how we pause, how we sneeze, what onomatopoeias we use, how our being is revealed through everyday gestures that at times can contradict the ideas we claim to hold. It\u2019s through these minute observations, and her repudiation of generalities, that the writer unfurls her tentacles to construct her characters. And along the way she sets the coordinates for a wisdom of her own, old and at the same time very simple: one of permanent awe. In the pages of her books are the primordial questionings, the first attempts to understand the world\u2014\u201cthe who-am-I\u2019s and the what-am-I-like\u2019s,\u201d as the protagonist of one of her stories says. What are we? Where are we going? Where did we come from? The classic questions of philosophy are in her pages anchored to the most domestic of situations. Hebe Uhart trains her eye on the things we witness so often that eventually we stop seeing them.<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/2019\/05\/09\/listen-to-hebe-uhart-now-that-shes-gone\/\" target=\"_blank\" rel=\"noopener noreferrer\">Read more &gt;&gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It could be said that nothing happens in Hebe Uhart\u2019s stories. And that\u2019s probably true. But we would have to specify: nothing extraordinary.<\/p>\n","protected":false},"author":1762,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60329],"tags":[4738,362,10885,4453,53562,53563,53564,53561,7540,504,11247,11323],"class_list":["post-141572","post","type-post","status-publish","format-standard","hentry","category-best-of-2019","tag-anton-chekhov","tag-argentina","tag-buenos-aires","tag-chekhov","tag-coordination","tag-felisberto-hernandez","tag-fray-mocho","tag-hebe-uhart","tag-latin-american-literature","tag-literature","tag-natalia-ginzburg","tag-simone-weil"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Listen to Hebe Uhart, Now That She\u2019s Gone by Alejandra Costamagna<\/title>\n<meta name=\"description\" content=\"It could be said that nothing happens in Hebe Uhart\u2019s stories. 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