{"id":141399,"date":"2019-12-10T14:05:29","date_gmt":"2019-12-10T19:05:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=141399"},"modified":"2019-12-10T14:05:29","modified_gmt":"2019-12-10T19:05:29","slug":"redux-credible-threats-that-appear-and-disappear-like-clockwork","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/12\/10\/redux-credible-threats-that-appear-and-disappear-like-clockwork\/","title":{"rendered":"Redux: Credible Threats That Appear and Disappear Like Clockwork"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/perec.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-141403\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/perec.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/perec.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/perec-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/perec-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>This week at <em>The Paris Review<\/em>, we\u2019re celebrating the release of the <a href=\"https:\/\/www.theparisreview.org\/back-issues\/231\" target=\"_blank\" rel=\"noopener noreferrer\">Winter issue<\/a>. Read on for three archive pieces written by contributors to our new issue: <a href=\"https:\/\/www.theparisreview.org\/fiction\/2285\/ifrom-i-a-man-asleep-georges-perec\" target=\"_blank\" rel=\"noopener noreferrer\">an excerpt<\/a> from Georges Perec\u2019s novel <em>A Man Asleep<\/em>, <a href=\"https:\/\/www.theparisreview.org\/poetry\/6962\/from-no-home-go-home-go-home-no-home-jeffrey-yang-kazumi-tanaka\" target=\"_blank\" rel=\"noopener noreferrer\">a selection<\/a> from Jeffrey Yang and Kazumi Tanaka\u2019s collaboration \u201cNo Home Go Home\u2009\/\u2009Go Home No Home,\u201d and Rae Armantrout\u2019s poem \u201c<a href=\"https:\/\/theparisreview.org\/poetry\/7292\/now-see-rae-armantrout\" target=\"_blank\" rel=\"noopener noreferrer\">Now See<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/NYB\/app\/live\/subscriptions?org=NYB&amp;publ=NY&amp;key_code=EXEEPRN&amp;type=S&amp;=Redux_Blog_Post\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review<\/em>\u00a0and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/2285\/ifrom-i-a-man-asleep-georges-perec\" target=\"_blank\" rel=\"noopener noreferrer\"><em>from<\/em> A Man Asleep<\/a><br \/>\nBy Georges Perec<br \/>\n<em>Issue no. 116 (Fall 1990)<\/em><\/p>\n<blockquote><p>You are sitting, naked from the waist up, wearing only pajama bottoms, in your garret, on the narrow bench that serves as your bed, with a book. Raymond Aron\u2019s <em>Eighteen Lectures on Industrial Society<\/em>, resting on your knees, open at page one-hundred and twelve.<\/p>\n<p>At first it\u2019s just a sort of lassitude or tiredness, as if you suddenly became aware that for a long time, for several hours, you have been succumbing to an insidious, numbing discomfort, not exactly painful but nonetheless intolerable, succumbing to the sickly-sweet and stifling sensation of being without muscles or bones, of being a sack of potatoes surrounded by other sacks of potatoes.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6962\/from-no-home-go-home-go-home-no-home-jeffrey-yang-kazumi-tanaka\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-141406 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/yang.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/yang.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/yang-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/yang-768x511.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6962\/from-no-home-go-home-go-home-no-home-jeffrey-yang-kazumi-tanaka\" target=\"_blank\" rel=\"noopener noreferrer\"><em>from<\/em> \u201cNo Home Go Home\u2009\/\u2009Go Home No Home\u201d<\/a><br \/>\nBy Jeffrey Yang and Kazumi Tanaka<br \/>\n<em>Issue no. 221 (Summer 2017)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6962\/from-no-home-go-home-go-home-no-home-jeffrey-yang-kazumi-tanaka\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-141404 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/tanaka.png\" alt=\"\" width=\"1000\" height=\"233\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/tanaka.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/tanaka-300x70.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/tanaka-768x179.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/poetry\/7292\/now-see-rae-armantrout\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-141405 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/rae.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/rae.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/rae-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/12\/rae-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theparisreview.org\/poetry\/7292\/now-see-rae-armantrout\" target=\"_blank\" rel=\"noopener noreferrer\">Now See<\/a><br \/>\nBy Rae Armantrout<br \/>\n<em>Issue no. 227 (Winter 2018)<\/em><\/p>\n<blockquote><p>Don\u2019t worry.<\/p>\n<p>We have armies<br \/>\nof showrunners<\/p>\n<p>writing our dreams,<br \/>\nones where we\u2019re featured<\/p>\n<p>as skilled apparatchiks<br \/>\nfacing credible threats<\/p>\n<p>that appear and disappear<br \/>\nlike clockwork,<\/p>\n<p>leaving no apparent<br \/>\ndamage \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on three archive pieces written by contributors to the newly released Winter issue.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-141399","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: Credible Threats That Appear and Disappear Like Clockwork by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on three archive pieces written by contributors to the newly released Winter issue.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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