{"id":140379,"date":"2019-10-22T13:00:33","date_gmt":"2019-10-22T17:00:33","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=140379"},"modified":"2019-10-21T17:08:34","modified_gmt":"2019-10-21T21:08:34","slug":"redux-cold-night-of-october","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/10\/22\/redux-cold-night-of-october\/","title":{"rendered":"Redux: Cold Night of October"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_140383\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/interviews\/2027\/italo-calvino-the-art-of-fiction-no-130-italo-calvino\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-140383\" class=\"wp-image-140383 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/calvino.jpg\" alt=\"\" width=\"1000\" height=\"714\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/calvino.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/calvino-300x214.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/calvino-768x548.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-140383\" class=\"wp-caption-text\">Italo Calvino.<\/p><\/div>\n<p>This week at <em>The Paris Review<\/em>, it\u2019s starting to get a little chilly. Read on for Italo Calvino\u2019s <a href=\"https:\/\/www.theparisreview.org\/interviews\/2027\/italo-calvino-the-art-of-fiction-no-130-italo-calvino\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Fiction interview<\/a>, Hiromi Kawakami\u2019s short story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/5482\/mogera-wogura-hiromi-kawakami\" target=\"_blank\" rel=\"noopener noreferrer\">Mogera Wogura<\/a>,\u201d and Tina Barr\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/2201\/twelve-dancing-princesses-tina-barr\" target=\"_blank\" rel=\"noopener noreferrer\">Twelve Dancing Princesses<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/NYB\/app\/live\/subscriptions?org=NYB&amp;publ=NY&amp;key_code=EXEEPRN&amp;type=S&amp;=Redux_Blog_Post\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review<\/em>\u00a0and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And make sure to listen to the\u00a0<a href=\"https:\/\/www.theparisreview.org\/podcast\/6045\/s2trailer\" target=\"_blank\" rel=\"noopener noreferrer\">new trailer<\/a>\u00a0for\u00a0<em>The Paris Review Podcast<\/em>\u2014Season 2 premieres this Wednesday, October 23!<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/2027\/italo-calvino-the-art-of-fiction-no-130-italo-calvino\" target=\"_blank\" rel=\"noopener noreferrer\">Italo Calvino, The Art of Fiction No. 130<\/a><br \/>\n<em>Issue no. 124 (Fall 1992)<\/em><\/p>\n<blockquote><p>It can be said about <em>If on a Winter\u2019s Night a Traveler<\/em> that it could not have existed without a very precise, very articulated structure. I believe I have succeeded in this, which gives me a great satisfaction. Of course, all this kind of effort should not concern the reader at all. The important thing is to enjoy reading my book, independently of the work I have put into it.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/5482\/mogera-wogura-hiromi-kawakami\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-140385 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/mole.png\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/mole.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/mole-300x200.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/mole-768x512.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/5482\/mogera-wogura-hiromi-kawakami\" target=\"_blank\" rel=\"noopener noreferrer\">Mogera Wogura<\/a><br \/>\nBy Hiromi Kawakami<br \/>\n<em>Issue no. 173 (Spring 2005)<\/em><\/p>\n<blockquote><p>Aboveground, the sunlight is blinding. Even on cloudy days it takes a while after I emerge from the earth for my eyes to get used to the light; I have to wait a bit before I can even open them. I stand there for a moment, feeling the brightness through my tightly closed eyelids. The light feels cold. Even though it comes from the sun, it feels cold. My wife says this is because the sun is just too far away from the earth. Down inside the earth it\u2019s much warmer than aboveground, because there you\u2019re closer to the lowest reaches of the earth, where the magma is. Even the humans I collect look much warmer sprawled out in the second room of our house than they did when they were aboveground.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/2201\/twelve-dancing-princesses-tina-barr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-140386 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/princess.jpg\" alt=\"\" width=\"1000\" height=\"749\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/princess.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/princess-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/princess-768x575.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/2201\/twelve-dancing-princesses-tina-barr\" target=\"_blank\" rel=\"noopener noreferrer\">Twelve Dancing Princesses<\/a><br \/>\nBy Tina Barr<br \/>\n<em>Issue no. 119 (Summer 1991)<\/em><\/p>\n<blockquote><p>Now I am flying a land<br \/>\ncompressed below me, a realm,<br \/>\nI alight and descend to:<br \/>\nLong Island as it was in the cold<br \/>\nnight of October we swept through Laurel<br \/>\nHollow in our acetate gowns, pink sheened,<br \/>\nwearing the masks of princesses,<br \/>\nsmelling hard plastic as we breathed.<br \/>\nElastic pinned our ears; the eye holes slid \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on Italo Calvino\u2019s Art of Fiction interview, a short story by Hiromi Kawakami, and a poem by Tina Barr.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-140379","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: Cold Night of October by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Italo Calvino\u2019s Art of Fiction interview, a short story by Hiromi 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