{"id":140045,"date":"2019-10-08T13:00:16","date_gmt":"2019-10-08T17:00:16","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=140045"},"modified":"2019-10-08T10:18:13","modified_gmt":"2019-10-08T14:18:13","slug":"redux-the-deep-well-of-other-beings","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/10\/08\/redux-the-deep-well-of-other-beings\/","title":{"rendered":"Redux: The Deep Well of Other Beings"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<p>This week at\u00a0<em>The Paris Review<\/em>,<em>\u00a0<\/em>we\u2019re listening to Season 1 of\u00a0<em>The Paris Review <\/em><em>Podcast<\/em>\u00a0in anticipation for\u00a0<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=d03de95304&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3Dd03de95304%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNHTkifYbCeKV_8N3z9iR7qIHVFFzw\">Season 2<\/a>. We\u2019ve unlocked archival selections used in Season 1: the <a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=fc581622a6&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3Dfc581622a6%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNE99l68dXuHxtkVYAWEUJp3JNpmOQ\">Art of Fiction<\/a>\u00a0with Maya Angelou, the short story \u201c<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=5994fe00f2&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D5994fe00f2%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNFut-or1QczJ-THsA8e0E0uUdo4rQ\">A Dark and Winding Road<\/a>\u201d by Ottessa Moshfegh, and Pablo Neruda\u2019s poem \u201c<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=7b9144f603&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D7b9144f603%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNGEczrEPFrWhuwKec1E8qPxjI65hA\">Emerging<\/a>.\u201d<\/p>\n<p>If you enjoy\u00a0these free interviews, stories, and poems, why not<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=a1b09bd83b&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3Da1b09bd83b%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNHjaRuzH54JOlQncVt-G609pG7P5Q\">\u00a0<\/a><a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=177c2673b7&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D177c2673b7%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNGP3TqJMU6i1GdsAGQUp9jK7yx4tw\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review\u00a0<\/em>and<em>\u00a0<\/em>read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. And make sure to listen to the\u00a0<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=c6d798474e&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3Dc6d798474e%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNFsvvvmlfcuNKa5sbObkOXfcZ8HIw\">new trailer<\/a>\u00a0for\u00a0<em>The Paris Review<\/em>\u00a0<em>Podcast<\/em>\u2014Season 2 premieres October 23!<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-15.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-140052\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-15.jpg\" alt=\"\" width=\"844\" height=\"563\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-15.jpg 844w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-15-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-15-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=a46cb4e660&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3Da46cb4e660%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNH1Lv7qaTotuXXGEW3Li4CHAub8TA\">Maya Angelou, The Art of Fiction No. 119<\/a><br \/>\n<em>Issue no. 116 (Fall 1990)<br \/>\n<\/em><em>Podcast Season 1, Episode 1: \u201c<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=33b19ec0c9&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D33b19ec0c9%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285245000&amp;usg=AFQjCNE7itqBoitd4BfOfaf2qXlA4SPliA\">Times of Cloud<\/a>\u201d<\/em><\/p>\n<p>I know when it\u2019s the best I can do. It may not be the best there is. Another writer may do it much better. But I know when it\u2019s the best I can do. I know that one of the great arts that the writer develops is the art of saying, \u201cNo. No, I\u2019m finished. Bye.\u201d And leaving it alone. I will not write it into the ground. I will not write the life out of it. I won\u2019t do that.<\/p>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-18.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-140053\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-18.jpg\" alt=\"\" width=\"947\" height=\"631\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-18.jpg 947w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-18-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-18-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=2d6854bf1f&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D2d6854bf1f%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285246000&amp;usg=AFQjCNEZuYm2FL5Nfx3KbRI3Yjf1NpDoJA\">A Dark and Winding Road<\/a><br \/>\nBy Ottessa Moshfegh<br \/>\n<em>Issue no. 207 (Winter 2013)<\/em><br \/>\n<em>Podcast Season 1, Episode 7: \u201c<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=9692aa099b&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D9692aa099b%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285246000&amp;usg=AFQjCNHCMr4vHpmcsM6y2u4JnieY9ewW9A\">The Listening Forest<\/a>\u201d<\/em><\/p>\n<p>My parents kept a small cabin in the mountains. It was a simple thing, just four walls, and very dark inside. A heavy felt curtain blotted out whatever light made it through the canopy of huge pines and down into the cabin\u2019s only window. There was a queen-size bed in there, an armchair, and a wood-burning stove. It wasn\u2019t an old cabin. I think my parents built it in the seventies from a kit. In a few spots the wood beams were branded with the word <em>home-rite<\/em>. But the spirit of the place made me think of simpler times, olden days, yore, or whenever it was that people rarely spoke except to say there was a storm coming or the berries were poisonous or whatnot, the bare essentials. It was deadly quiet up there.<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-17.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-140054\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-17.jpg\" alt=\"\" width=\"900\" height=\"600\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-17.jpg 900w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-17-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/10\/unnamed-17-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=7f4734a007&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D7f4734a007%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285246000&amp;usg=AFQjCNEcvJfDsJK-IQePrjNIMMuXgo4T_A\">Emerging<\/a><br \/>\nBy\u00a0Pablo Neruda<br \/>\n<em>Issue no. 57 (Spring 1974)<\/em><br \/>\n<em>Podcast Season 1, Episode 11: \u201c<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=9da496a53e&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D9da496a53e%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1570493285246000&amp;usg=AFQjCNEw8SbV8bK2PCP7VOTeTexH1WsZtw\">Tomorrow\u2019s Reason<\/a>\u201d<\/em><\/p>\n<p>A man says yes without knowing<br \/>\nhow to decide even what the question is,<br \/>\nand is caught up, and then is carried along<br \/>\nand never again escapes from his own cocoon;<br \/>\nand that\u2019s how we are, forever falling<br \/>\ninto the deep well of other beings \u2026<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week we\u2019ve unlocked archival selections from the first season of \u2018The Paris Review Podcast.\u2019<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-140045","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: The Deep Well of Other Beings by The Paris Review<\/title>\n<meta name=\"description\" content=\"October 8, 2019 \u2013 This week we\u2019ve unlocked archival selections from the first season of \u2018The Paris Review Podcast.\u2019\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2019\/10\/08\/redux-the-deep-well-of-other-beings\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: The Deep Well of Other Beings by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"October 8, 2019 \u2013 This week we\u2019ve unlocked archival selections from the first season of \u2018The Paris Review Podcast.\u2019\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2019\/10\/08\/redux-the-deep-well-of-other-beings\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-08T17:00:16+00:00\" \/>\n<meta property=\"og:image\" 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