{"id":139692,"date":"2019-09-23T12:51:23","date_gmt":"2019-09-23T16:51:23","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=139692"},"modified":"2019-09-23T13:09:42","modified_gmt":"2019-09-23T17:09:42","slug":"the-radical-portraits-of-amy-sherald","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/23\/the-radical-portraits-of-amy-sherald\/","title":{"rendered":"The Radical Portraits of Amy Sherald"},"content":{"rendered":"<p><em>Nothing looks quite like an Amy Sherald painting. In each of her portraits, the form for which she is best known, an impeccably painted figure stands smack in the middle of a slab of color. But rather than plucking the subject out of reality and placing them in a vacuum, this effect elevates the portrayed to the level of a timeless symbol, a physically manifested corrective to art\u2019s long tradition of erasure. \u201cI paint because I am looking for versions of myself in art history and in the world,\u201d Sherald has said. Her work is a radical act of representation, one that, with grace and breathtaking beauty, foregrounds the interiority and experiences of black people. Sherald\u2019s first show at Hauser &amp; Wirth, \u201c<a href=\"https:\/\/www.hauserwirth.com\/hauser-wirth-exhibitions\/24653-amy-sherald\" target=\"_blank\" rel=\"noopener noreferrer\">the heart of the matter \u2026<\/a>\u2009,\u201d\u00a0 is on view through October 26. A selection of images from the exhibition appears below.\u00a0<\/em><\/p>\n<div id=\"attachment_139684\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/when-i-let-go-of-what-i-am-i-become-what-i-might-beself-imagined-atlas.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139684\" class=\"size-full wp-image-139684\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/when-i-let-go-of-what-i-am-i-become-what-i-might-beself-imagined-atlas.jpg\" alt=\"\" width=\"1000\" height=\"1257\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/when-i-let-go-of-what-i-am-i-become-what-i-might-beself-imagined-atlas.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/when-i-let-go-of-what-i-am-i-become-what-i-might-beself-imagined-atlas-239x300.jpg 239w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/when-i-let-go-of-what-i-am-i-become-what-i-might-beself-imagined-atlas-768x965.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/when-i-let-go-of-what-i-am-i-become-what-i-might-beself-imagined-atlas-815x1024.jpg 815w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-139684\" class=\"wp-caption-text\">Amy Sherald, <em>When I let go of what I am, I become what I might be (Self-imagined atlas)<\/em>, 2018, oil on canvas, 54&#8243; x 43&#8243; x 2&#8243;. \u00a9 Amy Sherald. Courtesy the artist and Hauser &amp; Wirth. Photo: Joseph Hyde.<\/p><\/div>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_139686\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/the-girl-next-door.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139686\" class=\"size-full wp-image-139686\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/the-girl-next-door.jpg\" alt=\"\" width=\"1000\" height=\"1259\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/the-girl-next-door.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/the-girl-next-door-238x300.jpg 238w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/the-girl-next-door-768x967.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/the-girl-next-door-813x1024.jpg 813w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-139686\" class=\"wp-caption-text\">Amy Sherald, <em>The girl next door<\/em>, 2019, oil on canvas, 54&#8243; x 43&#8243; x 2 1\/2&#8243;. \u00a9 Amy Sherald. Courtesy the artist and Hauser &amp; Wirth. Photo: Joseph Hyde.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_139690\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/if-you-surrendered-to-the-air-you-could-ride-it.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139690\" class=\"size-full wp-image-139690\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/if-you-surrendered-to-the-air-you-could-ride-it.jpg\" alt=\"\" width=\"1000\" height=\"1208\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/if-you-surrendered-to-the-air-you-could-ride-it.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/if-you-surrendered-to-the-air-you-could-ride-it-248x300.jpg 248w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/if-you-surrendered-to-the-air-you-could-ride-it-768x928.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/if-you-surrendered-to-the-air-you-could-ride-it-848x1024.jpg 848w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-139690\" class=\"wp-caption-text\">Amy Sherald, <em>If you surrendered to the air, you could ride it<\/em>, 2019, oil on canvas, 108&#8243; x 130&#8243; x 2 1\/2&#8243;. \u00a9 Amy Sherald. Courtesy the artist and Hauser &amp; Wirth. Photo: Joseph Hyde.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_139687\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/sometimes-the-king-is-a-woman.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139687\" class=\"size-full wp-image-139687\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/sometimes-the-king-is-a-woman.jpg\" alt=\"\" width=\"1000\" height=\"1265\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/sometimes-the-king-is-a-woman.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/sometimes-the-king-is-a-woman-237x300.jpg 237w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/sometimes-the-king-is-a-woman-768x972.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/sometimes-the-king-is-a-woman-809x1024.jpg 809w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-139687\" class=\"wp-caption-text\">Amy Sherald, <em>Sometimes the king is a woman<\/em>, 2019, oil on canvas, 54&#8243; x 43&#8243; x 2 1\/2&#8243;. \u00a9 Amy Sherald. Courtesy the artist and Hauser &amp; Wirth. Photo: Joseph Hyde.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_139688\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/single-man-in-possesion-of-a-good-fortune.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139688\" class=\"size-full wp-image-139688\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/single-man-in-possesion-of-a-good-fortune.jpg\" alt=\"\" width=\"1000\" height=\"1262\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/single-man-in-possesion-of-a-good-fortune.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/single-man-in-possesion-of-a-good-fortune-238x300.jpg 238w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/single-man-in-possesion-of-a-good-fortune-768x969.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/single-man-in-possesion-of-a-good-fortune-811x1024.jpg 811w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-139688\" class=\"wp-caption-text\">Amy Sherald, <em>A single man in possession of a good fortune<\/em>, 2019, oil on canvas, 54&#8243; x 43&#8243; x 2 1\/2&#8243;. \u00a9 Amy Sherald. Courtesy the artist and Hauser &amp; Wirth. Photo: Joseph Hyde.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_139689\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/precious-jewels-by-the-sea.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139689\" class=\"size-full wp-image-139689\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/precious-jewels-by-the-sea.jpg\" alt=\"\" width=\"1000\" height=\"1123\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/precious-jewels-by-the-sea.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/precious-jewels-by-the-sea-267x300.jpg 267w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/precious-jewels-by-the-sea-768x862.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/precious-jewels-by-the-sea-912x1024.jpg 912w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-139689\" class=\"wp-caption-text\">Amy Sherald, <em>Precious jewels by the sea<\/em>, 2019, oil on canvas, 108&#8243; x 120&#8243; x 2 1\/2&#8243;. \u00a9 Amy Sherald. Courtesy the artist and Hauser &amp; Wirth. Photo: Joseph Hyde.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><em>All images \u00a9 Amy Sherald. Courtesy the artist and Hauser &amp; Wirth. Photos: Joseph Hyde.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eight of Amy Sherald\u2019s vivid, skillfully rendered portraits are on view at Hauser &#038; Wirth through October 26.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[],"class_list":["post-139692","post","type-post","status-publish","format-standard","hentry","category-look"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Radical Portraits of Amy Sherald by The Paris Review<\/title>\n<meta name=\"description\" content=\"Eight of Amy Sherald\u2019s vivid, skillfully rendered portraits are on view at Hauser &amp; Wirth through October 26.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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