{"id":139463,"date":"2019-09-11T13:00:06","date_gmt":"2019-09-11T17:00:06","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=139463"},"modified":"2019-09-11T17:50:52","modified_gmt":"2019-09-11T21:50:52","slug":"six-young-women-and-their-book-collections","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/11\/six-young-women-and-their-book-collections\/","title":{"rendered":"Six Young Women and Their Book Collections"},"content":{"rendered":"

\"\"<\/a><\/p>\n

In 2017<\/a>, Honey & Wax Booksellers established an annual prize for American women book collectors, aged thirty years and younger. The idea took shape when Heather O\u2019Donnell and Rebecca Romney, the bookstore\u2019s owners, observed that \u201cthe women who regularly buy books from us are less likely to call themselves \u2018collectors\u2019 than the men, even when those women have spent years passionately collecting books.\u201d By providing a financial incentive to them, and a forum in which to celebrate and share their collections, O\u2019Donnell and Romney hope to encourage a new generation of women. This year, they write, “We were impressed by the many contestants whose initial collecting interests put them in pursuit of unusual material not available for Prime delivery: vintage, underground, out-of-print, annotated, foreign, small press, or self-published finds.\u201d<\/p>\n

We are pleased to unveil the winner of the 2019 Honey & Wax Book Collecting Prize, who will receive $1,000, as well as five honorable mentions, who will each receive $250.<\/p>\n

WINNER<\/strong><\/p>\n

Emily Forster: Fan-Made Comics and D\u014djinshi<\/em><\/strong><\/p>\n

\"\"<\/a><\/p>\n

Emily Forster, twenty-eight, is a cartoonist in New York City. She has amassed a collection of almost five hundred original fan-made comics, from photocopied zines to hardcover anthologies, primarily the self-published comics known in Japan as d\u014djinshi.<\/em><\/p>\n

\u201cMost of the modern-day distinctions between official and derivative art\u2014and the assumptions of quality attached to each\u2014were based on concerns of property, not an evaluation of the art itself. There was something incredibly alluring to me about comics art created at a professional standard of quality without the expectation of professional reward,\u201d Forster writes in an essay about the collection.<\/p>\n

Forster\u2019s essay<\/a> offers a series of insights about the fan-made books she collects, gradually revealing the narrative conventions, circumstances of production, and readership of the material. Honey & Wax says, \u201cWe admired her observations on the power structures \u2018fanfic\u2019 subverts, her attraction to \u2018the ultra-niche within the niche,\u2019 and her insistence on \u2018what is beautiful about the illegitimate, the indulgent, and the disposable.\u2019\u2009\u201d <\/p>\n

HONORABLE MENTIONS<\/strong><\/p>\n

Hannah Batsel: Mass-Market Colonialist Children\u2019s Books, 1870\u20131920<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Hannah Batsel, thirty, is a book artist and illustrator in Chicago. She has created a collection of illustrated children\u2019s books, exploring \u201chow colonialist and imperialist thought was packaged and marketed to Western youth\u201d in the late nineteenth and early twentieth centuries.<\/p>\n

\u201cI hunted for books that might contribute to the Western impulse to dominate the natural world and the worlds of other peoples and cultures, not only physically through military force, but intellectually \u2026 In my own work, I appropriate the illustrative style of this era\u2019s children\u2019s books in order to draw a line between them and the modern-day results of the ideologies they contain,\u201d Batsel writes.<\/p>\n

Honey & Wax says, \u201cWe admired the pivot in this collection, which began with one goal in mind, and took a turn. Batsel\u2019s initial attraction to beautiful publisher\u2019s trade bindings led to a reckoning with the racist pseudo-science she found in popular nineteenth-century works of natural history, and an exploration of the way that young readers were once encouraged to classify the peoples of the world.\u201d<\/p>\n

Julia Fine: Pivotal Works in the American Vegetarian Movement, 1971\u2013Present<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Julia Fine, twenty-three, is a humanities fellow in Chevy Chase, Maryland. She collects American vegetarian cookbooks, manifestos, environmental and eco-feminist treatises, and diet guides published in the past fifty years.<\/p>\n

\u201cThe reason I prefer to collect secondhand rather than buying books new is because the marginalia of secondhand books\u2014like the scribbles all over my copy of the first edition Moosewood cookbook\u2014demonstrates the way the personal is connected to the political when it comes to vegetarianism,\u201d Fine writes.<\/p>\n

Honey & Wax says, \u201cWe were impressed by Fine\u2019s scope, which ranges from Diet for a Small Planet<\/em> to The Enchanted Broccoli Forest <\/em>to The Sexual Politics of Meat<\/em> to Eat Pretty<\/em>, and appreciated her consideration of the books\u2019 annotations and marks of use as documentary evidence, showing how personal taste (literally) and political convictions interact.\u201d<\/p>\n

Nathalie Levine: American Women\u2019s Press Books, 1972\u201394<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Nathalie Levine, twenty-six, is a graduate student in library and information science in Princeton, New Jersey. She has created a collection of feminist and lesbian books and periodicals issued by independent American women-run presses, organized by publisher.<\/p>\n

\u201cThere had been a whole movement (the women-in-print movement) of women, and particularly lesbians, who created their own presses in order to publish and distribute books that no one else would publish \u2026 The presses moved around the country with the women who ran them. I was surprised at how many were based in places I had never heard of as hubs of feminist or lesbian culture\u2014or places I\u2019d never heard of, period,\u201d Levine writes.<\/p>\n

Honey & Wax says, \u201cWe enjoyed the unfolding sense of discovery in this collection, which was originally motivated by Levine\u2019s desire to know more about the creators of the books she was reading, and led her to a broader awareness of how independent women\u2019s presses have kept controversial voices in circulation: \u2018How did [these women] live their visions through publishing?\u2019\u2009\u201d<\/p>\n

Arendse Lund: Saga Editions and Transmissions<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Arendse Lund, twenty-eight, is a graduate student in medieval law in Belvedere, California. Her collection is of English and Danish translations and retellings of the Icelandic sagas, from the eighteenth century to the present.<\/p>\n

\u201cThe changing aims of the translators caused for very different works to be produced and that is what ultimately fascinates me. My focus has changed to collect editions of these \u2018same\u2019 sagas to show how different they are, and ultimately how national, political, or personal goals change how we approach and deal with texts,\u201d Lund writes.<\/p>\n

Honey & Wax says, \u201cWe were impressed by Lund\u2019s attention to the changing messages that the \u2018same\u2019 saga communicated at different moments of publication: a polyglot edition designed to reach an international readership, a patriotic morale booster marketed to everyday Danish readers (\u2018Menig-Mand\u2019), William Morris\u2019s handsomely designed tribute to a romanticized, pre-industrial society.\u201d<\/p>\n

Cara Santarsiera: Romancing the Field Guide<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Cara Santarsiera, twenty-nine, is a writer and photographer in Clarksville, Tennessee. She collects twentieth-century illustrated field guides employing the \u201cPeterson Identification System,\u201d an often overlooked mass-market genre, organized taxonomically.<\/p>\n

\u201cMy goal for this collection is to continue to refine it to fit the specifications I\u2019ve come to recognize as essential to the \u2018best\u2019 field guides: a protective cover, a compact size, detailed illustrations in text, an index of common and scientific names, among others. As I continue to explore this beautiful planet and document it in photos, additional guides will be required,\u201d Santarsiera writes.<\/p>\n

Honey & Wax says, \u201cWe admired how Santarsiera\u2019s personal and professional use of these practical field guides awakened an instinct for the books as material artifacts, creating a knowledge base which she systematizes in a taxonomy not unlike those used for the floral and fauna in her books.\u201d<\/p>\n

 <\/p>\n

Honey & Wax would like to the thank the sponsors of the 2019 Honey & Wax Prize: Biblio<\/a>, The Rosenbach<\/a>, and Swann Galleries<\/a>. They\u2019d also like to thank the Antiquarian Booksellers\u2019 Association of America<\/a>,\u00a0Fine Books & Collections<\/a>, the Florida Antiquarian Book Fair<\/a>, the Brooklyn Antiquarian Book Fair<\/a>, and all the independent booksellers and institutional supporters who helped spread the word about this year\u2019s prize. Now on to next year!<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

We are pleased to unveil the winners of a prize for American women book collectors, aged thirty and younger<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2559],"tags":[],"class_list":["post-139463","post","type-post","status-publish","format-standard","hentry","category-bulletin"],"acf":[],"yoast_head":"\nSix Young Women and Their Book Collections by The Paris Review<\/title>\n<meta name=\"description\" content=\"September 11, 2019 \u2013 We are pleased to unveil the winners of a prize for American women book collectors, aged thirty and younger\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/11\/six-young-women-and-their-book-collections\/\" \/>\n<meta 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