{"id":139364,"date":"2019-09-09T12:22:34","date_gmt":"2019-09-09T16:22:34","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=139364"},"modified":"2019-09-09T12:22:34","modified_gmt":"2019-09-09T16:22:34","slug":"a-very-short-list-of-very-short-novels-with-very-short-commentary","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/","title":{"rendered":"A Very Short List of Very Short Novels with Very Short Commentary"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-139390\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg\" alt=\"\" width=\"1000\" height=\"500\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1-300x150.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1-768x384.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><em>In <\/em><em>her <a href=\"https:\/\/www.theparisreview.org\/interviews\/7474\/alice-mcdermott-the-art-of-fiction-no-244-alice-mcdermott\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Fiction interview<\/a> in our <\/em><em>new <a href=\"https:\/\/www.theparisreview.org\/back-issues\/230\">Fall issue<\/a>, Alice McDermott reveals<\/em> <em>that she is currently at work on a very short novel.<\/em><em> The format has long intrigued her, and she has taught a class on the subject to her M.F.A. students at <\/em><em>Johns Hopkins University<\/em><em>.<\/em> <em>\u201c<\/em><em>I divide the reading list into three loose categories: A Day in the Life, An Inciting Incident, and A Life. We read three novels in each category, and then the students begin their own short novels, using these somewhat fungible categories as structural guides,\u201d she says. \u201cThe wonderful thing about teaching the short novel is that structure is everything, and often more apparent than in a long and winding five-hundred-pager.\u201d We asked her to share a few of her favorite short novels below.<\/em><\/p>\n<p style=\"text-align: center;\"><strong>A Day in the Life<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/149877.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-139377\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/149877.jpg\" alt=\"\" width=\"310\" height=\"475\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/149877.jpg 310w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/149877-196x300.jpg 196w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><strong><em>Seize the Day<\/em> by Saul Bellow<\/strong><\/p>\n<p>This is a novel that careens to a foregone conclusion (page 2: \u201cToday he was afraid. He was aware that his routine was about to break up and he sensed that a huge trouble long presaged but til now formless was due\u201d) without ever losing its protagonist\u2019s\u2014the slovenly, whiny, disappointed, exhausted, endearing Tommy Wilhelm\u2019s\u2014own desperate, caffeinated, ever-flickering sense of hope. It\u2019s all in the language: hardly a sentence in this novel, hardly a detail, that does not, wryly, keenly, make your heart ache.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/51h1kjonbwl._sx330_bo1204203200_-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-139378\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/51h1kjonbwl._sx330_bo1204203200_-1.jpg\" alt=\"\" width=\"300\" height=\"451\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/51h1kjonbwl._sx330_bo1204203200_-1.jpg 332w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/51h1kjonbwl._sx330_bo1204203200_-1-200x300.jpg 200w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><strong><em>One Day in the Life of Ivan Denisovich<\/em> by Alexander Solzhenitsyn<\/strong><\/p>\n<p>A novel that proves <em>plodding<\/em> doesn\u2019t have to be a pejorative. Ivan Denisovich Shukov\u2019s icy plod through this long, cold, routine day in a Siberian labor camp magnifies an excruciating drama: the struggle to find food, to work, to stay out of trouble, to stay human in the most inhuman of circumstances. Less celebrated than it once was, this novel is more than a historical artifact or political tract, it\u2019s a chilling (literally) work of art.<\/p>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780241956793.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-139368 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780241956793-628x1024.jpg\" alt=\"\" width=\"300\" height=\"489\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780241956793-628x1024.jpg 628w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780241956793-184x300.jpg 184w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780241956793-768x1253.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780241956793.jpg 1000w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><em><strong>Mrs. Dalloway <\/strong><\/em><strong>by Virginia Woolf<\/strong><\/p>\n<p>I\u2019ve been surprised to find that many readers don\u2019t think of this as a short novel, although it comes in at just under two hundred pages (my own, arbitrary criterion). No doubt the richness of its language, its many characters and plotlines, its shifting points of view, make it seem longer in retrospect.<br \/>\nBut it\u2019s the novel\u2019s very briefness that allows a reader to hear, like a held note, the sound of the last word in its famous first line: \u201cMrs. Dalloway said she would buy the flowers herself,\u201d as it reverberates (if only to our unconscious ear) in the novel\u2019s last sentence, \u201cFor there she was.\u201d<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: center;\"><strong>An Inciting Incident<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/91ujwmg24zl.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-139369 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/91ujwmg24zl-666x1024.jpg\" alt=\"\" width=\"300\" height=\"461\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/91ujwmg24zl-666x1024.jpg 666w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/91ujwmg24zl-195x300.jpg 195w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/91ujwmg24zl-768x1181.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/91ujwmg24zl.jpg 1400w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><strong><em>Chronicle of a Death Foretold<\/em> by Gabriel Garcia Marquez<\/strong><\/p>\n<p>Here\u2019s an illustration, for any writer who seeks it, of E.\u2009M. Forster\u2019s observation that in any narrative, a sense of inevitability should overlie everything. \u201cOn the morning they were going to kill him, Santiago Nasar got up at five-thirty in the morning to wait for the boat the bishop was coming on.\u201d Inevitability\u2014ya think?<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/guest_7b5c16d4-37d6-4fa1-ae85-e25cd78c8d8f.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-139372 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/guest_7b5c16d4-37d6-4fa1-ae85-e25cd78c8d8f.jpeg\" alt=\"\" width=\"488\" height=\"488\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/guest_7b5c16d4-37d6-4fa1-ae85-e25cd78c8d8f.jpeg 488w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/guest_7b5c16d4-37d6-4fa1-ae85-e25cd78c8d8f-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/guest_7b5c16d4-37d6-4fa1-ae85-e25cd78c8d8f-300x300.jpeg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><em><strong>So Long, See You Tomorrow<\/strong><\/em><strong> by William Maxwell<\/strong><\/p>\n<p>What better inciting incident than the sound of a gunshot. But it\u2019s a sign of the rich complexity of Maxwell\u2019s compassionate and beautifully told tale of tenant farmers in the early twentieth-century Midwest that the students in my class endlessly debate the true inciting incident here: is it the gunshot, the first meeting of the two lovers, the friendship between the farmers, the friendship between the boys, the marriage of the narrator\u2019s father, the death of his mother? That debate about consequence mirrors the narrator\u2019s attempt to understand how any one of us might live our own lives \u201cundestroyed\u201d by what was not our own doing.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780199538096.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-139379\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780199538096.jpeg\" alt=\"\" width=\"300\" height=\"456\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780199538096.jpeg 362w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/9780199538096-197x300.jpeg 197w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><strong><em>Ethan Frome<\/em> by Edith Wharton<\/strong><\/p>\n<p>If you can forget everything you felt or heard about this novel when (if) you were made to read it in high school, you\u2019ll be better able to appreciate its brilliance. Here is landscape and character and, yes, that sense of inevitability, masterfully manipulated so that moments of joy, of beauty, of hope, appear convincingly, even as we never lose sight of that lowering sense of doom. This lady novelist knew what she was doing.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>A Life<\/strong><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/maud-martha.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-139380\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/maud-martha.jpeg\" alt=\"\" width=\"300\" height=\"462\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/maud-martha.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/maud-martha-195x300.jpeg 195w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><strong><em>Maud Martha<\/em> by Gwendolyn Brooks<\/strong><\/p>\n<p>A poet\u2019s short novel and as such there is as much said in the spaces, in the silences, as there is in each episode and scene. A short novel with more life\u2014harsh, beautiful, mournful, celebratory life\u2014than many door-stoppers. Not an entire life, we follow Maud Martha only from childhood to her pregnancy with her second child, but breath and heartbeat and moment-to-moment life. This is one of those novels you should never dissect, a novel of language and image, and truth.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/traindreams.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-139381 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/traindreams.jpg\" alt=\"\" width=\"300\" height=\"448\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/traindreams.jpg 402w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/traindreams-201x300.jpg 201w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><em><strong>Train Dreams <\/strong><\/em><strong>by Denis Johnson<\/strong><\/p>\n<p>Wild and weird\u2014it\u2019s Denis Johnson\u2014but also among the most humane and compassionate of his novels. For all its vividness, there\u2019s something taciturn, vaguely astonished, about the voice here, which suits well the life story of a laborer in the wild and rapidly changing American West. Natural beauty and harsh realism, the vividly fantastic, the tragic, the mundane, a time gone forever. All in just over one hundred pages.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/90795502725f6a96bb1980aa5fa06b86.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-139382\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/90795502725f6a96bb1980aa5fa06b86.jpg\" alt=\"\" width=\"300\" height=\"424\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/90795502725f6a96bb1980aa5fa06b86.jpg 707w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/90795502725f6a96bb1980aa5fa06b86-212x300.jpg 212w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><strong><em>The Buddha in the Attic<\/em> by Julie Otsuka<\/strong><\/p>\n<p>Compressed and yet incredibly expansive, this brief novel uses the collective <em>we<\/em> to evoke the lives of Japanese women brought to San Francisco early in the twentieth century as \u201cpicture brides.\u201d The resulting chorus is mesmerizing. Each woman\u2019s experience remains unique and distinctive even as their voices combine to form a whole\u2014a whole that rises and falls and then, adeptly, tragically, fades and disappears. A book to remind the aspiring short novel writer to take a risk, one you might not have the courage to take in a longer work. Whether the risk succeeds or fails, it won\u2019t be for long.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/7474\/alice-mcdermott-the-art-of-fiction-no-244-alice-mcdermott\"><em>Read our Art of Fiction interview with Alice McDermott here.<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alice McDermott suggests nine novels that will fit in your back pocket.<\/p>\n","protected":false},"author":1839,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[],"class_list":["post-139364","post","type-post","status-publish","format-standard","hentry","category-arts-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Very Short List of Very Short Novels with Very Short Commentary by Alice McDermott<\/title>\n<meta name=\"description\" content=\"September 9, 2019 \u2013 Alice McDermott suggests nine novels that will fit in your back pocket.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Very Short List of Very Short Novels with Very Short Commentary by Alice McDermott\" \/>\n<meta property=\"og:description\" content=\"September 9, 2019 \u2013 Alice McDermott suggests nine novels that will fit in your back pocket.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-09T16:22:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alice McDermott\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alice McDermott\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/\"},\"author\":{\"name\":\"Alice McDermott\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/73b688f25ade4056e4db5ac4e0164381\"},\"headline\":\"A Very Short List of Very Short Novels with Very Short Commentary\",\"datePublished\":\"2019-09-09T16:22:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/\"},\"wordCount\":1018,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg\",\"articleSection\":[\"Arts &amp; Culture\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/\",\"name\":\"A Very Short List of Very Short Novels with Very Short Commentary by Alice McDermott\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg\",\"datePublished\":\"2019-09-09T16:22:34+00:00\",\"description\":\"September 9, 2019 \u2013 Alice McDermott suggests nine novels that will fit in your back pocket.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"A Very Short List of Very Short Novels with Very Short Commentary\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/73b688f25ade4056e4db5ac4e0164381\",\"name\":\"Alice McDermott\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/1be09c729a8408cba3d3f85568776280283430b445c4c4ec9ceca87bfbac848e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/1be09c729a8408cba3d3f85568776280283430b445c4c4ec9ceca87bfbac848e?s=96&d=mm&r=g\",\"caption\":\"Alice McDermott\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/amcdermott\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"A Very Short List of Very Short Novels with Very Short Commentary by Alice McDermott","description":"September 9, 2019 \u2013 Alice McDermott suggests nine novels that will fit in your back pocket.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/","og_locale":"en_US","og_type":"article","og_title":"A Very Short List of Very Short Novels with Very Short Commentary by Alice McDermott","og_description":"September 9, 2019 \u2013 Alice McDermott suggests nine novels that will fit in your back pocket.","og_url":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2019-09-09T16:22:34+00:00","og_image":[{"width":1000,"height":500,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg","type":"image\/jpeg"}],"author":"Alice McDermott","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Alice McDermott","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/"},"author":{"name":"Alice McDermott","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/73b688f25ade4056e4db5ac4e0164381"},"headline":"A Very Short List of Very Short Novels with Very Short Commentary","datePublished":"2019-09-09T16:22:34+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/"},"wordCount":1018,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg","articleSection":["Arts &amp; Culture"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/","url":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/","name":"A Very Short List of Very Short Novels with Very Short Commentary by Alice McDermott","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg","datePublished":"2019-09-09T16:22:34+00:00","description":"September 9, 2019 \u2013 Alice McDermott suggests nine novels that will fit in your back pocket.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/09\/untitled-3-1.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/09\/09\/a-very-short-list-of-very-short-novels-with-very-short-commentary\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"A Very Short List of Very Short Novels with Very Short Commentary"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/73b688f25ade4056e4db5ac4e0164381","name":"Alice McDermott","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/1be09c729a8408cba3d3f85568776280283430b445c4c4ec9ceca87bfbac848e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1be09c729a8408cba3d3f85568776280283430b445c4c4ec9ceca87bfbac848e?s=96&d=mm&r=g","caption":"Alice McDermott"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/amcdermott\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/139364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/1839"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=139364"}],"version-history":[{"count":8,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/139364\/revisions"}],"predecessor-version":[{"id":139397,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/139364\/revisions\/139397"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=139364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=139364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=139364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}