{"id":139040,"date":"2019-08-27T13:00:00","date_gmt":"2019-08-27T17:00:00","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=139040"},"modified":"2019-08-26T13:59:42","modified_gmt":"2019-08-26T17:59:42","slug":"redux-a-heat-that-hung-like-rain","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/08\/27\/redux-a-heat-that-hung-like-rain\/","title":{"rendered":"Redux: A Heat That Hung Like Rain"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_139049\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/interviews\/1887\/don-delillo-the-art-of-fiction-no-135-don-delillo\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-139049\" class=\"wp-image-139049 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/don-d.jpg\" alt=\"\" width=\"1000\" height=\"664\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/don-d.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/don-d-300x199.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/don-d-768x510.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-139049\" class=\"wp-caption-text\">Don DeLillo, ca. 2011. Photo: Thousandrobots.<\/p><\/div>\n<p>This week at <em>The Paris Review<\/em>, we\u2019re celebrating that most late-August phenomenon: humidity, and the ensuing sweat. Read on for Don DeLillo\u2019s <a href=\"https:\/\/www.theparisreview.org\/interviews\/1887\/don-delillo-the-art-of-fiction-no-135-don-delillo\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Fiction interview<\/a>, Sheila Kohler\u2019s short story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/1190\/cracks-sheila-kohler\" target=\"_blank\" rel=\"noopener noreferrer\">Cracks<\/a>,\u201d and Andrew Klavan\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/2325\/the-pond-andrew-klavan\" target=\"_blank\" rel=\"noopener noreferrer\">The Pond<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not subscribe to <em>The Paris Review<\/em> and read the entire archive? You\u2019ll also get four new issues of the quarterly delivered straight to your door. <!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/1887\/don-delillo-the-art-of-fiction-no-135-don-delillo\" target=\"_blank\" rel=\"noopener noreferrer\">Don DeLillo, The Art of Fiction No. 135<\/a><br \/>\n<em>Issue no. 128 (Fall 1993)<\/em><\/p>\n<blockquote><p>On humid summer nights I tracked horseflies through the apartment and killed them\u2014not for the meat but because they were driving me crazy with their buzzing. I hadn\u2019t developed a sense of the level of dedication that\u2019s necessary to do this kind of work.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/1190\/cracks-sheila-kohler\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-139054\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/cracks.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/cracks.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/cracks-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/cracks-768x511.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/1190\/cracks-sheila-kohler\" target=\"_blank\" rel=\"noopener noreferrer\">Cracks<\/a><br \/>\nBy Sheila Kohler<br \/>\n<em>Issue no. 145 (Winter 1997)<\/em><\/p>\n<blockquote><p>Perhaps Fiamma did not make herself faint. Perhaps she just fainted. The girls on the swimming team take turns fainting in chapel. We all know how to do it. Before Communion, while you are on your knees and have not had any breakfast, you breathe hard a few times, and then you hold your breath and close your eyes. You sweat and start to see diamonds in the dark. You feel yourself rush out of yourself, out and out.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/2325\/the-pond-andrew-klavan\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-139053\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/poem.jpg\" alt=\"\" width=\"1000\" height=\"750\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/poem.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/poem-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/08\/poem-768x576.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/2325\/the-pond-andrew-klavan\" target=\"_blank\" rel=\"noopener noreferrer\">The Pond<\/a><br \/>\nBy Andrew Klavan<br \/>\n<em>Issue no. 115 (Summer 1990)<\/em><\/p>\n<blockquote><p>Child-crafted clouds, all sheen and fleece and curlicues,<br \/>\nas a girl, with her tongue in her teeth, would have made them,<br \/>\nthe point of her crayon squashed against the page.<br \/>\nOne came across the mountains, then another came;<br \/>\none shadow of one ran across the grass and then another;<br \/>\nbut the small apple tree and even the great maples<br \/>\nflagged in a heat that hung like rain,<br \/>\nthat grayed the air with sweat under<br \/>\nthe stark, flat, white medallion of the sun;<br \/>\na swimmer\u2019s heat that even the woman on the porch steps<br \/>\npanted in. Still, she would not go in the pond.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on Don DeLillo\u2019s Art of Fiction interview, a short story by Sheila Kohler, and a poem by Andrew Klavan.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-139040","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - 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