{"id":13833,"date":"2011-04-01T11:35:04","date_gmt":"2011-04-01T15:35:04","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=13833"},"modified":"2011-04-01T11:35:04","modified_gmt":"2011-04-01T15:35:04","slug":"the-murakami-landscape-your-inner-clown","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/04\/01\/the-murakami-landscape-your-inner-clown\/","title":{"rendered":"The Murakami Landscape; Your Inner Clown"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2978\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/boyreadingnedanshutzsmall2-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/boyreadingnedanshutzsmall2-211x300.jpg 211w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/boyreadingnedanshutzsmall2.jpg 271w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><em>Dear Mr. Stein,<br \/>\n I recently got back from Germany, where they\u2019ve had Haruki Murakami\u2019s <\/em>1Q84<em> for months. After reading it (and already having read most of his other works several times), I\u2019m interested in finding books by other authors that will create the odd, developed mental landscapes I experience when reading his. Do you have any suggestions?<br \/>\n Thanks,<\/em><br \/>\n Greg Smith<\/p>\n<p>We are Murakami fans, too. In fact his name came up several times this week at the office. One <em>Paris Review<\/em> contributor wrote in, comparing <em><a href=\"https:\/\/www.theparisreview.org\/fiction\/6083\/the-third-reich-part-i-roberto-bolano\">The Third Reich<\/a><\/em> to Murakami\u2019s work, suggesting that Bola\u00f1o and Murakami share \u201ca reverence for mystery, the sense of another realm.\u201d It is also a kind of stagey reticence. Murakami and Bola\u00f1o both dare you to think they\u2019re full of shit, and are not. They are magisterial. You see a similar quality in a David Lynch movie like <em>Inland Empire<\/em>, where Lynch shows you all the guy wires and indulges one extravagance after another, and you still believe. All of which is to say, Greg, you would do well to <a href=\"http:\/\/store.theparisreview.org\/collections\/subscribe\">subscribe<\/a>. Bola\u00f1o aside, there are stories in our next issue by Jonathan Lethem and Amie Barrodale that I think will appeal especially to you.<\/p>\n<p>And if you like those, I suggest Bola\u00f1o\u2019s second-most Murakamian novel, <em>2666<\/em>, and the complete works of Don DeLillo.<\/p>\n<p><em>I\u2019m just a misunderstood poet here in the middle of California. <\/em>The Paris Review<em> has rejected me twice, and I feel lazy about getting the third. Why is it so hard to get poetry and, well, anything else published? Does that mean that many of us are bad writers? Amateur clowns imitating W. B. Yeats, Kafka, Frank O\u2019Hara, et cetera? Who should I be if I am nothing right now? Will I be somebody if I get published?\u00a0<em>\u2014<\/em><\/em>Jorge<\/p>\n<p>As a young editor, Robert Giroux once asked T. S. Eliot whether all editors were not failed poets. \u201cAll poets are failed poets,\u201d said Eliot. And he was Eliot. To have your work published is nice, of course, but in my experience it takes more than a story or poem to make a nobody feel like a somebody. The world is full of published writers who suspect they\u2019re amateur clowns. And those are the good ones! My advice? Be kind to your inner clown.<\/p>\n<p><em>Have a question for <\/em>The Paris Review<em>?<a href=\"mailto:advice@theparisreview.org\"> E-mail<\/a> us.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dear Mr. Stein, I recently got back from Germany, where they\u2019ve had Haruki Murakami\u2019s 1Q84 for months. After reading it (and already having read most of his other works several times), I\u2019m interested in finding books by other authors that will create the odd, developed mental landscapes I experience when reading his. Do you have [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[57,2081,456,1772],"class_list":["post-13833","post","type-post","status-publish","format-standard","hentry","category-ask-the-paris-review","tag-advice","tag-haruki-murakami","tag-lorin-stein","tag-t-s-eliot"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Murakami Landscape; Your Inner Clown by Lorin Stein<\/title>\n<meta name=\"description\" content=\"April 1, 2011 \u2013 Dear Mr. Stein, I recently got back from Germany, where they\u2019ve had Haruki Murakami\u2019s 1Q84 for months. 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