{"id":137890,"date":"2019-07-09T13:00:52","date_gmt":"2019-07-09T17:00:52","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=137890"},"modified":"2019-07-09T12:17:53","modified_gmt":"2019-07-09T16:17:53","slug":"redux-a-creator-of-inwardness","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/07\/09\/redux-a-creator-of-inwardness\/","title":{"rendered":"Redux: A Creator of Inwardness"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Elizabeth Hardwick.<\/p><\/div>\n

The Paris Review<\/em> meets The New York Review of Books<\/em>: our summer subscription deal is here! To celebrate, we\u2019re taking a dive into both our archives for this week\u2019s Redux. Read on for Elizabeth Hardwick\u2019s Art of Fiction interview<\/a>, paired with her 1969 essay \u201cReflections on Fiction<\/a>\u201d; Susan Sontag\u2019s Art of Fiction interview<\/a>, paired with her essay on Simone Weil<\/a>; and James Baldwin\u2019s Art of Fiction interview<\/a>, paired with his 1970 letter to Angela Davis<\/a>.<\/p>\n

If you enjoy these free interviews and essays, why not subscribe<\/a> to both magazines? From now through the end of August, you\u2019ll pay just $99\u2014that\u2019s 35% off\u2014to receive a yearlong subscription to both The Paris Review<\/em> and The New York Review of Books<\/em>, as well as complete access to their respective archives. And if you\u2019re already a Paris Review<\/em> subscriber, never fear\u2014this deal will extend your current subscription, and your new subscription to The New York Review<\/em>\u00a0will begin immediately. <\/p>\n

 <\/p>\n

Elizabeth Hardwick, The Art of Fiction No. 87<\/a>
\nThe Paris Review, issue no. 96 (Summer 1985)<\/em><\/p>\n

I\u2019m not sure I understand the process of writing. There is, I\u2019m sure, something strange about imaginative concentration. The brain slowly begins to function in a different way, to make mysterious connections. Say, it is Monday, and you write a very bad draft, but if you keep trying, on Friday, words, phrases, appear almost unexpectedly. I don\u2019t know why you can\u2019t do it on Monday, or why I can\u2019t. I\u2019m the same person, no smarter, I have nothing more at hand.<\/p><\/blockquote>\n

Reflections on Fiction<\/a>
\nBy Elizabeth Hardwick
\nThe New York Review of Books, volume 12, no. 3 (February 13, 1969)<\/em><\/p>\n

The length of a novel, the abundance of detail have a disturbing and exciting effect on the imagination; in a sense one reads on to find out \u201cwhat happens\u201d and yet what happens is exactly the most quickly forgotten, the most elusive.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

Susan Sontag.<\/p><\/div>\n

 <\/p>\n

Susan Sontag, The Art of Fiction No. 143<\/a>
\nThe Paris Review, issue no. 137 (Winter 1995)<\/em><\/p>\n

I wouldn\u2019t be the person I am, I wouldn\u2019t understand what I understand, were it not for certain books. I\u2019m thinking of the great question of nineteenth-century Russian literature: how should one live? A novel worth reading is an education of the heart. It enlarges your sense of human possibility, of what human nature is, of what happens in the world. It\u2019s a creator of inwardness.<\/p><\/blockquote>\n

Simone Weil<\/a>
\nBy Susan Sontag
\nThe New York Review of Books, volume 1, no. 1 (February 1, 1963)<\/em><\/p>\n

Ours is an age which consciously pursues health, and yet only believes in the reality of sickness. The truths we respect are those born of affliction. We measure truth in terms of the cost to the writer in suffering\u2014rather than by the standard of an objective truth to which a writer\u2019s words correspond. Each of our truths must have a martyr.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a>

James Baldwin in Hyde Park, London. Photograph by Allan Warren, The Paris Review<\/em>, issue no. 129.<\/p><\/div>\n

 <\/p>\n

James Baldwin, The Art of Fiction No. 78<\/a>
\nThe Paris Review, issue no. 91 (Spring 1984)<\/em><\/p>\n

When you\u2019re writing, you\u2019re trying to find out something which you don\u2019t know. The whole language of writing for me is finding out what you don\u2019t want to know, what you don\u2019t want to find out. But something forces you to anyway.<\/p><\/blockquote>\n

An Open Letter to My Sister, Miss Angela Davis<\/a>
\nBy James Baldwin
\nThe New York Review of Books, volume 15, no. 12 (January 7, 1971)<\/em><\/p>\n

One way of gauging a nation\u2019s health, or of discerning what it really considers to be its interests\u2014or to what extent it can be considered as a nation as distinguished from a coalition of special interests\u2014is to examine those people it elects to represent or protect it.<\/p><\/blockquote>\n

 <\/p>\n

If you like what you read, subscribe<\/a> to both <\/em>The Paris Review and <\/em>The New York Review of Books for just $99.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

To celebrate our subscription deal with \u2018The New York Review of Books,\u2019 we\u2019ve lowered the paywall on pairings from both magazines\u2019 archives.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-137890","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: A Creator of Inwardness by The Paris Review<\/title>\n<meta name=\"description\" content=\"To celebrate our subscription deal with \u2018The New York Review of Books,\u2019 we\u2019ve lowered the paywall on pairings from both magazines\u2019 archives.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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