{"id":136828,"date":"2019-05-31T12:44:21","date_gmt":"2019-05-31T16:44:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=136828"},"modified":"2019-05-31T14:11:49","modified_gmt":"2019-05-31T18:11:49","slug":"walt-whitmans-right-hand","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/05\/31\/walt-whitmans-right-hand\/","title":{"rendered":"Walt Whitman\u2019s Right Hand"},"content":{"rendered":"<p><em>The great Walt Whitman sang a song of himself, and that song has continued to resonate over the two centuries that have passed since his birth. As a poet, a queer icon, and a literary celebrity, his influence on the American consciousness was monumental. A new exhibition at The Morgan Library and Museum, \u201c<a href=\"https:\/\/www.themorgan.org\/exhibitions\/walt-whitman\" target=\"_blank\" rel=\"noopener noreferrer\">Walt Whitman: Bard of Democracy<\/a>\u201d (on view from June 7 to September 15), examines how thoroughly Whitman\u2019s work is threaded into this country\u2019s DNA and mythology. A selection of artifacts from the show\u2014including a plaster cast of the poet\u2019s right hand, a notebook containing early versions of lines from <\/em>Leaves of Grass<em>, and the cardboard butterfly he posed with in one of his infamous author portraits\u2014appears below.<\/em><\/p>\n<div id=\"attachment_136836\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-butterfly-portrait.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136836\" class=\"wp-image-136836 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-butterfly-portrait.jpg\" alt=\"\" width=\"1000\" height=\"1532\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-butterfly-portrait.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-butterfly-portrait-196x300.jpg 196w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-butterfly-portrait-768x1177.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-butterfly-portrait-668x1024.jpg 668w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136836\" class=\"wp-caption-text\">Phillips &amp; Taylor, Photograph of Walt Whitman, 1873. Prints and Photographs Division, Library of Congress. Image provided courtesy of the Library of Congress.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_136841\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt_whitman_butterfly_loc_0001-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136841\" class=\"size-full wp-image-136841\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt_whitman_butterfly_loc_0001-1.jpg\" alt=\"\" width=\"1000\" height=\"1326\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt_whitman_butterfly_loc_0001-1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt_whitman_butterfly_loc_0001-1-226x300.jpg 226w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt_whitman_butterfly_loc_0001-1-768x1018.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt_whitman_butterfly_loc_0001-1-772x1024.jpg 772w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136841\" class=\"wp-caption-text\"><em>Walt Whitman\u2019s cardboard butterfly<\/em>, 1850. Manuscript Division, Thomas Biggs Harned Collection of Walt Whitman Papers, Library of Congress. Image provided courtesy of the Library of Congress.<\/p><\/div>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_136833\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/plaster_cast_hand_2_loc.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136833\" class=\"wp-image-136833 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/plaster_cast_hand_2_loc.jpg\" alt=\"\" width=\"1000\" height=\"751\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/plaster_cast_hand_2_loc.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/plaster_cast_hand_2_loc-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/plaster_cast_hand_2_loc-768x577.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136833\" class=\"wp-caption-text\">Truman Howe Bartlett (1835\u20131922), Plaster cast of Walt Whitman\u2019s hand, 1881. Library of Congress, Manuscript Division, Charles E. Feinberg Collection of Walt Whitman Papers.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_136832\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136832\" class=\"wp-image-136832 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt1.jpg\" alt=\"\" width=\"1000\" height=\"679\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt1-300x204.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/walt1-768x521.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136832\" class=\"wp-caption-text\">Joseph Pennell (1857\u20131926), <em>Walt Whitman\u2019s house, Camden, New Jersey<\/em>, ca. 1924, etching. Purchased on the Edwin V. Erbe, Jr. Acquisitions Fund, The Morgan Library &amp; Museum. Photography by Graham S Haber 2019.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_136835\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-and-peter-doyle.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136835\" class=\"wp-image-136835 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-and-peter-doyle.jpg\" alt=\"\" width=\"1000\" height=\"1244\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-and-peter-doyle.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-and-peter-doyle-241x300.jpg 241w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-and-peter-doyle-768x955.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-and-peter-doyle-823x1024.jpg 823w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136835\" class=\"wp-caption-text\">Moses P. Rice and Sons?, <em>Walt Whitman and his rebel soldier friend Pete Doyle<\/em>, 1865, photograph; albumen print on card mount. Library of Congress Prints and Photographs Division. Image provided courtesy of the Library of Congress.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_136838\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136838\" class=\"wp-image-136838 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136838\" class=\"wp-caption-text\">Walt Whitman (1819\u20131892), Notebook with trial lines for Leaves of Grass, ca. 1847-1854. The Library of Congress. Image provided courtesy of the Library of Congress.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_136837\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook-pagea.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136837\" class=\"wp-image-136837 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook-pagea.jpg\" alt=\"\" width=\"1000\" height=\"1376\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook-pagea.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook-pagea-218x300.jpg 218w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook-pagea-768x1057.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitman-notebook-pagea-744x1024.jpg 744w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136837\" class=\"wp-caption-text\">Walt Whitman (1819\u20131892), Notebook with trial lines for <em>Leaves of Grass<\/em>, ca. 1847-1854. The Library of Congress. Image provided courtesy of the Library of Congress.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_136842\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitmansbooks.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136842\" class=\"size-full wp-image-136842\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitmansbooks.jpg\" alt=\"\" width=\"1000\" height=\"813\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitmansbooks.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitmansbooks-300x244.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/whitmansbooks-768x624.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136842\" class=\"wp-caption-text\">Walt Whitman, <em>Walt Whitman\u2019s Books<\/em>, broadside advertisement printed on linen, ca. 1871. The Morgan Library &amp; Museum, gift of Charles<br \/>E. Feinberg, 1959; PML 50638. Photography by Graham S Haber 2017.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_136830\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/57641u.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136830\" class=\"wp-image-136830 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/57641u.jpg\" alt=\"\" width=\"1000\" height=\"1343\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/57641u.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/57641u-223x300.jpg 223w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/57641u-768x1031.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/57641u-762x1024.jpg 762w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136830\" class=\"wp-caption-text\">George Frank E. Pearsall (1841\u20131931), Walt Whitman, 1871, photographic print. Image courtesy of the Library of Congress.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><em>\u201c<a href=\"https:\/\/www.themorgan.org\/exhibitions\/walt-whitman\" target=\"_blank\" rel=\"noopener noreferrer\">Walt Whitman: Bard of Democracy<\/a>\u201d will open at The Morgan Library and Museum on June 7.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just in time for Whitman\u2019s two-hundredth birthday, a new show examines how thoroughly the poet\u2019s work is threaded into America\u2019s DNA and mythology.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[],"class_list":["post-136828","post","type-post","status-publish","format-standard","hentry","category-look"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - 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