{"id":136734,"date":"2019-05-30T12:00:35","date_gmt":"2019-05-30T16:00:35","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=136734"},"modified":"2019-05-30T14:28:47","modified_gmt":"2019-05-30T18:28:47","slug":"welcoming-our-new-digital-director-craig-morgan-teicher","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/05\/30\/welcoming-our-new-digital-director-craig-morgan-teicher\/","title":{"rendered":"Welcoming Our New Digital Director, Craig Morgan Teicher"},"content":{"rendered":"
\"\"<\/a>

Criag Morgan Teicher. Photo: Spencer Quong.<\/p><\/div>\n

Attentive readers of the magazine may recognize a new name on our masthead: on May 28, Craig Morgan Teicher joined the staff as our digital director. Craig has been a regular contributor to The Paris <\/em>Review<\/em>, with that rare trifecta of bylines in poetry<\/a>, fiction<\/a>, and essays<\/a>, spanning from 2004 to last fall. Meanwhile, he\u2019s had a daytime career at Publisher\u2019s Weekly<\/em>. Over the last dozen years at that magazine, he\u2019s worn many hats, including director of digital operations and, most recently, director of special editorial projects. We were impressed by his pragmatic and broad set of technical skills, his track record of bolstering digital platforms at organizations much like our own, and his literary acumen. He arrives with a sensibility that manifests as a robust understanding of TPR<\/em>\u00a0as a magazine, web presence, and resource, which will be central to any new initiatives we undertake on the site.<\/p>\n

We wear a lot of hats here, too. We\u2019re eager for Craig to flex his multifaceted muscles and help guide a great many projects on the web. Stay tuned to this space to see improved site navigation, new features to enhance our sixty-six-year archive, even better newsletters, and a more user-friendly way to get your TPR<\/em> swag. And the podcast! We\u2019re heading back into the studio\u2014season 2 will be coming this fall.<\/p>\n

We asked Craig for a favorite piece from the archive (all of which is digitized and available here<\/a>), and he replied with a piece from issue no. 215<\/a>. He writes, \u201cI carry Henri Cole\u2019s books with me everywhere I go, literally\u2014I have all the e-books downloaded on my phone. I feel like he speaks for and out of the dark in my heart, and reaches toward a narrow kind of joy, a pinprick of light, that I\u2019m also drawn to. So I picked this poem, \u2018At the Grave of Robert Lowell<\/a>,\u2019 because, in it, Cole is looking back at another poet who is desperately important to me, complicated for me, as he is for so many others.\u201d<\/p>\n

Welcome, Craig!<\/p>\n","protected":false},"excerpt":{"rendered":"

Attentive readers of the magazine may recognize a new name on our masthead…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2559],"tags":[],"class_list":["post-136734","post","type-post","status-publish","format-standard","hentry","category-bulletin"],"acf":[],"yoast_head":"\nWelcoming Our New Digital Director, Craig Morgan Teicher by The Paris Review<\/title>\n<meta name=\"description\" content=\"May 30, 2019 \u2013 Attentive readers of the magazine may recognize a new name on our masthead...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2019\/05\/30\/welcoming-our-new-digital-director-craig-morgan-teicher\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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