{"id":136334,"date":"2019-05-14T13:00:53","date_gmt":"2019-05-14T17:00:53","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=136334"},"modified":"2019-05-14T11:37:53","modified_gmt":"2019-05-14T15:37:53","slug":"redux-disappointment-is-oily","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/05\/14\/redux-disappointment-is-oily\/","title":{"rendered":"Redux: Disappointment Is Oily"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_136337\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/interviews\/6401\/eileen-myles-the-art-of-poetry-no-99-eileen-myles\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-136337\" class=\"wp-image-136337 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/myles.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/myles.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/myles-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/myles-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-136337\" class=\"wp-caption-text\">Eileen Myles. Photo: Shae Detar.<\/p><\/div>\n<p>This week at <em>The Paris Review<\/em>, we\u2019re turning our attention to graduation season. Read Eileen Myles\u2019s <a href=\"https:\/\/www.theparisreview.org\/interviews\/6401\/eileen-myles-the-art-of-poetry-no-99-eileen-myles\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Poetry interview<\/a>, as well as David Lehman\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/550\/four-poems-david-lehman\" target=\"_blank\" rel=\"noopener noreferrer\">Commencement<\/a>\u201d and Venita Blackburn\u2019s short story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/7206\/fam-venita-blackburn\" target=\"_blank\" rel=\"noopener noreferrer\">Fam<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not <a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe to read the entire archive<\/a>? You\u2019ll also get four new issues of the quarterly delivered straight to your door.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/6401\/eileen-myles-the-art-of-poetry-no-99-eileen-myles\" target=\"_blank\" rel=\"noopener noreferrer\">Eileen Myles, The Art of Poetry No. 99<\/a><br \/>\n<em>Issue no. 214 (Fall 2015)<\/em><\/p>\n<blockquote><p>If I had been a good student and an achiever, I might have been excited by a more systematic approach to writing than what I do. People loved to throw around the word <em>rigorous<\/em> in the eighties. I\u2019d go <em>bleh<\/em>. When I started to pull something out of the pool of incoherence, it was exciting in itself.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/550\/four-poems-david-lehman\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-136338 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/lehman.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/lehman.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/lehman-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/lehman-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/550\/four-poems-david-lehman\" target=\"_blank\" rel=\"noopener noreferrer\">Commencement<\/a><br \/>\nBy David Lehman<br \/>\n<em>Issue no. 158 (Spring\u2013Summer 2001)<\/em><\/p>\n<blockquote><p>They\u2019re calling old people seniors<br \/>\nshort for senior citizens but it\u2019s as though<br \/>\nthey\u2019re still in college and can look forward<br \/>\nto graduate school at Purgatory State<br \/>\nor the University of the Damned and<br \/>\nI can see this poem is intent on being Catholic<br \/>\nthough it started out agnostic \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/7206\/fam-venita-blackburn\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-136339 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/fam.jpg\" alt=\"\" width=\"1000\" height=\"668\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/fam.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/fam-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/fam-768x513.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/7206\/fam-venita-blackburn\" target=\"_blank\" rel=\"noopener noreferrer\">Fam<\/a><br \/>\nBy Venita Blackburn<br \/>\n<em>Issue no. 226 (Fall 2018)<\/em><\/p>\n<blockquote><p>My lil sister\/niece\/granddaughter\/baby cousin doesn\u2019t know she\u2019s pretty, so she asks everybody, one post at a time. Her mom showed up at her high school graduation, no one had seen her in eight years.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on Eileen Myles\u2019s Art of Poetry interview, a poem by David Lehman, and a short story by Venita Blackburn.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[16304,9205,3263,18017,53684,5365,53685,71,35131,53683,10901,53687,504,3539,7221,1447,165,53682,219,53686,10113],"class_list":["post-136334","post","type-post","status-publish","format-standard","hentry","category-redux","tag-archive","tag-art-of-poetry","tag-ben-lerner","tag-commencement","tag-david-lehman","tag-eileen-myles","tag-fam","tag-fiction","tag-free","tag-graduate","tag-graduation","tag-incoherence","tag-literature","tag-poem","tag-poems","tag-poet","tag-poetry","tag-pomp-and-circumstance","tag-school","tag-venita-blackburn","tag-writers-at-work"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: Disappointment Is 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