{"id":136150,"date":"2019-05-07T13:00:57","date_gmt":"2019-05-07T17:00:57","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=136150"},"modified":"2019-05-08T11:33:21","modified_gmt":"2019-05-08T15:33:21","slug":"redux-i-fell-in-love-with-the-florist","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/05\/07\/redux-i-fell-in-love-with-the-florist\/","title":{"rendered":"Redux: I Fell In Love with the Florist"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-136151\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-3.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-3.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-3-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-3-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><br \/>\nThis week at\u00a0<em>The Paris Review<\/em>, we\u2019re celebrating that April\u2019s showers have turned into May\u2019s flowers. Read\u00a0our\u00a0<a href=\"https:\/\/www.theparisreview.org\/interviews\/2313\/iris-murdoch-the-art-of-fiction-no-117-iris-murdoch\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D8a16249016%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1557257097665000&amp;usg=AFQjCNH8frsTXO_GxzXwkgYgfEPE_hniGA\">Art of Fiction interview<\/a>\u00a0with Iris Murdoch, as well as Ira Sadoff\u2019s short story \u201c<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=e2add49063&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3De2add49063%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1557257097665000&amp;usg=AFQjCNGjHWhJHEzSe-YgHCfgGxvYTqGa3Q\">S<\/a><a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=3729c82fd1&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D3729c82fd1%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1557257097665000&amp;usg=AFQjCNGW6Zb1SI-Yw5CRQTi40SuGMJ_lwg\">even Romances<\/a>\u201d and Dorothea Lasky\u2019s poem \u201c<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=dd653a931d&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3Ddd653a931d%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1557257097665000&amp;usg=AFQjCNGxOI1qT30C-Evq03-cCcbQpJwU3Q\">The Orange Flower<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe to read the entire archive<\/a>? You\u2019ll also get four new issues of the quarterly delivered straight to your door.<\/p>\n<div>\n<p><a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=0764af22a8&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D0764af22a8%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1557257097665000&amp;usg=AFQjCNEoSxinILvFrKDfe9YlLyn7_ynPEQ\">Iris Murdoch, The Art of Fiction No. 117<\/a><br \/>\n<em>Issue no. 115 (Summer 1990)<\/em><\/p>\n<blockquote><p>You have the extraordinary experience when you begin a novel that you are now in a state of unlimited freedom, and this is alarming. Every choice you make will exclude another choice, so that it\u2019s rather important what happens then, what state of mind you\u2019re in and what you think matters.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-136152\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-4.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-4.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-4-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-4-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=e34873e4a4&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3De34873e4a4%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1557257097665000&amp;usg=AFQjCNF9pdFRBa9WLeKVRSCmRmTqzOWmaQ\">The Orange Flower<\/a><br \/>\nBy Dorothea Lasky<br \/>\n<em>Issue no. 208 (Spring 2014)<\/em><\/p>\n<blockquote><p>What is between us<br \/>\nIs an orange flower<\/p>\n<p>And it is blooming and blooming<br \/>\nAnd I can\u2019t I won\u2019t stop it<\/p>\n<p>Still the sour flower of my vagina<br \/>\nRuins everything \u2026<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-136153\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-5.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-5.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-5-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/05\/unnamed-5-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=b6f45d3aa7&amp;e=d83a869fb4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3Db6f45d3aa7%26e%3Dd83a869fb4&amp;source=gmail&amp;ust=1557257097666000&amp;usg=AFQjCNHvM-0ylcsiaA-tnZB1CYrR1zdL3A\">Seven Romances<\/a><br \/>\nBy Ira Sadoff<br \/>\n<em>Issue no. 68 (Winter 1976)<\/em><\/p>\n<blockquote><p>I could not help myself, I fell in love with the florist. Each day he handed me arrangements of flowers: lilies-of-the-valley, chrysanthemums and roses, exotic willows and violets. As a lover he was strange and melancholy: he had an intense hatred for the out-of-doors and almost never left the house; the mention of sports made him dizzy and a car moving too fast would bring him close to tears \u2026<\/p><\/blockquote>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on our\u00a0Art of Fiction interview\u00a0with Iris Murdoch, as well as Ira Sadoff\u2019s short story \u201cSeven Romances\u201d and Dorothea Lasky\u2019s poem \u201cThe Orange Flower.\u201d<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-136150","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: I Fell In Love with the Florist by The Paris Review<\/title>\n<meta name=\"description\" content=\"May 7, 2019 \u2013 This week, we\u2019ve lowered the paywall on our\u00a0Art of Fiction interview\u00a0with Iris Murdoch, as well as Ira Sadoff\u2019s short story \u201cSeven Romances\u201d and Dorothea Lasky\u2019s poem \u201cThe Orange Flower.\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, 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