{"id":135958,"date":"2019-04-30T13:00:08","date_gmt":"2019-04-30T17:00:08","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=135958"},"modified":"2019-04-29T17:42:29","modified_gmt":"2019-04-29T21:42:29","slug":"redux-april-in-paris","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/30\/redux-april-in-paris\/","title":{"rendered":"Redux: April in Paris"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_135959\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/interviews\/4912\/francoise-sagan-the-art-of-fiction-no-15-francoise-sagan\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-135959\" class=\"wp-image-135959 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/sagan.png\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/sagan.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/sagan-300x200.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/sagan-768x511.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-135959\" class=\"wp-caption-text\">Sketch by Ivy Nicholson, 1956.<\/p><\/div>\n<p>This week, we\u2019re listening to that old jazz standard \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=fCsNg6XB3dg\" target=\"_blank\" rel=\"noopener noreferrer\">April in Paris<\/a>\u201d and reading Fran\u00e7oise Sagan\u2019s <a href=\"https:\/\/www.theparisreview.org\/interviews\/4912\/francoise-sagan-the-art-of-fiction-no-15-francoise-sagan\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Fiction interview<\/a>, as well as Zygmunt Haupt\u2019s short story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/5158\/in-paris-and-in-arcadia-zygmunt-haupt\" target=\"_blank\" rel=\"noopener noreferrer\">In Paris and in Arcadia<\/a>\u201d and Charles Baudelaire\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/6843\/parisian-dream-charles-baudelaire\" target=\"_blank\" rel=\"noopener noreferrer\">Parisian Dream<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe to read the entire archive<\/a>? You\u2019ll also get four new issues of the quarterly delivered straight to your door.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/4912\/francoise-sagan-the-art-of-fiction-no-15-francoise-sagan\" target=\"_blank\" rel=\"noopener noreferrer\">Fran\u00e7oise Sagan, The Art of Fiction No. 15<\/a><br \/>\n<em>Issue no. 14 (Autumn 1956)<\/em><\/p>\n<blockquote><p>I had read a lot of stories. It seemed to me impossible not to want to write one. Instead of leaving for Chile with a band of gangsters, one stays in Paris and writes a novel. That seems to me the great adventure.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/5158\/in-paris-and-in-arcadia-zygmunt-haupt\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-135962 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/haupt.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/haupt.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/haupt-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/haupt-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/5158\/in-paris-and-in-arcadia-zygmunt-haupt\" target=\"_blank\" rel=\"noopener noreferrer\">In Paris and in Arcadia<\/a><br \/>\nBy Zygmunt Haupt<br \/>\n<em>Issue no. 4 (Winter 1953)<\/em><\/p>\n<blockquote><p>In the inside pocket of my coat, in a compartment of my much-used wallet I treasured a check for 500 francs nicely folded in four. From my looking at it so often to assure myself it was still there, the check had become a little crumpled and yellowish, but it had its full value. This check was a kind of magic passport for me, a safe guarantee of my return. It would then be a diploma, also, for title failure of my life\u2019s dream, for my surrender in the conquering of the world\u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6843\/parisian-dream-charles-baudelaire\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-135963 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/baudelaire.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/baudelaire.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/baudelaire-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/baudelaire-768x511.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6843\/parisian-dream-charles-baudelaire\" target=\"_blank\" rel=\"noopener noreferrer\">Parisian Dream<\/a><br \/>\nBy Charles Baudelaire<br \/>\n<em>Issue no. 82 (Winter 1981)<\/em><\/p>\n<blockquote><p>It is a terrible terrain<br \/>\nno mortal eye has seen<br \/>\nwhose image still seduces me<br \/>\nthis morning as it fades \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on Fran\u00e7oise Sagan\u2019s Art of Fiction interview, a short story by Zygmunt Haupt, and a poem by Charles Baudelaire.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[16304,1016,2654,71,53151,2894,35131,15942,241,504,3539,7221,1447,165,53150,31384,261,53149],"class_list":["post-135958","post","type-post","status-publish","format-standard","hentry","category-redux","tag-archive","tag-art-of-fiction","tag-charles-baudelaire","tag-fiction","tag-flowers-of-evil","tag-francoise-sagan","tag-free","tag-french-literature","tag-interview","tag-literature","tag-poem","tag-poems","tag-poet","tag-poetry","tag-polish-literature","tag-redux","tag-short-story","tag-zygmunt-haupt"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: April in Paris by The Paris 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