{"id":135560,"date":"2019-04-16T13:00:21","date_gmt":"2019-04-16T17:00:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=135560"},"modified":"2019-04-16T11:27:01","modified_gmt":"2019-04-16T15:27:01","slug":"redux-everything-is-a-machine","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/","title":{"rendered":"Redux: Everything Is a Machine"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/2314\/wallace-stegner-the-art-of-fiction-no-118-wallace-stegner\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-135565 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg\" alt=\"\" width=\"1000\" height=\"750\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy-768x576.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>In this week\u2019s Redux, we\u2019re in a reflective mood. Read Wallace Stegner\u2019s 1990 <a href=\"https:\/\/www.theparisreview.org\/interviews\/2314\/wallace-stegner-the-art-of-fiction-no-118-wallace-stegner\" target=\"_blank\" rel=\"noopener noreferrer\">Art of Fiction interview<\/a>, Joy Williams\u2019s short story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/4223\/jeffersons-beauty-joy-williams\" target=\"_blank\" rel=\"noopener noreferrer\">Jefferson\u2019s Beauty<\/a>,\u201d and Mary Jo Bang\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/6609\/self-portrait-in-the-bathroom-mirror-mary-jo-bang\" target=\"_blank\" rel=\"noopener noreferrer\">Self-Portrait in the Bathroom Mirror<\/a>.\u201d<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe to read the entire archive<\/a>? You\u2019ll also get four new issues of the quarterly delivered straight to your door.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/2314\/wallace-stegner-the-art-of-fiction-no-118-wallace-stegner\" target=\"_blank\" rel=\"noopener noreferrer\">Wallace Stegner, The Art of Fiction No. 118<\/a><br \/>\n<em>Issue no. 115 (Summer 1990)<\/em><\/p>\n<blockquote><p>I don\u2019t think straitjackets are the way to get at fiction. I would rather define the novel as Stendhal did, as a mirror in the roadway. Whatever happens in the road is going to happen in the mirror too.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/4223\/jeffersons-beauty-joy-williams\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-135563 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/jeffy.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/jeffy.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/jeffy-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/jeffy-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/4223\/jeffersons-beauty-joy-williams\" target=\"_blank\" rel=\"noopener noreferrer\">Jefferson\u2019s Beauty<\/a><br \/>\nBy Joy Williams<br \/>\n<em>Issue no. 45 (Winter 1968)<\/em><\/p>\n<blockquote><p>\u201cJeffie,\u201d he said to the face in the mirror, \u201cis going to do something special for you today.\u201d He smiled. The vision in the mirror smiled. He crooned at it, opened his mouth still wider and grinned. He thought again of the whale and of his own wonderful idea, pleased that something so eminently his own could be put to such good and fragrant use.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6609\/self-portrait-in-the-bathroom-mirror-mary-jo-bang\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-135564 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/bathy.jpg\" alt=\"\" width=\"1000\" height=\"750\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/bathy.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/bathy-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/bathy-768x576.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/6609\/self-portrait-in-the-bathroom-mirror-mary-jo-bang\" target=\"_blank\" rel=\"noopener noreferrer\">Self-Portrait in the Bathroom Mirror<\/a><br \/>\nBy Mary Jo Bang<br \/>\n<em>Issue no. 216 (Spring 2016)<\/em><\/p>\n<blockquote><p>Some days, everything is a machine, by which I mean<br \/>\nremove any outer covering and you will most likely<br \/>\nfind component parts: cogs and wheels that whir just<br \/>\nlike an artificial heart \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=ReduxBlogpost&amp;utm_medium=ReduxBlogpost&amp;utm_campaign=ReduxBlogpost&amp;utm_term=ReduxBlogpost&amp;utm_content=ReduxBlogpost\" target=\"_blank\" rel=\"noreferrer noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on Wallace Stegner\u2019s Art of Fiction interview, a short story by Joy Williams, and a poem by Mary Jo Bang.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[52559,16304,1016,8892,689,46095,71,35131,241,52560,7285,504,21339,24538,17316,38793,3539,1447,165,31384,52558,261,1185,10113],"class_list":["post-135560","post","type-post","status-publish","format-standard","hentry","category-redux","tag-angle-of-repose","tag-archive","tag-art-of-fiction","tag-childhood","tag-craft","tag-crossing-to-safety","tag-fiction","tag-free","tag-interview","tag-jeffersons-beauty","tag-joy-williams","tag-literature","tag-mary-jo-bang","tag-mirror","tag-mirrors","tag-paywall","tag-poem","tag-poet","tag-poetry","tag-redux","tag-self-portrait-in-the-bathroom-mirror","tag-short-story","tag-wallace-stegner","tag-writers-at-work"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: Everything Is a Machine by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Wallace Stegner\u2019s Art of Fiction interview, a short story by Joy Williams, and a poem by Mary Jo Bang.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Everything Is a Machine by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"April 16, 2019 \u2013 This week, we\u2019ve lowered the paywall on Wallace Stegner\u2019s Art of Fiction interview, a short story by Joy Williams, and a poem by Mary Jo Bang.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-16T17:00:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"750\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: Everything Is a Machine\",\"datePublished\":\"2019-04-16T17:00:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/\"},\"wordCount\":319,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg\",\"keywords\":[\"Angle of Repose\",\"archive\",\"Art of Fiction\",\"childhood\",\"craft\",\"Crossing to Safety\",\"fiction\",\"free\",\"interview\",\"Jefferson\u2019s Beauty\",\"Joy Williams\",\"literature\",\"Mary Jo Bang\",\"Mirror\",\"mirrors\",\"paywall\",\"poem\",\"poet\",\"poetry\",\"Redux\",\"Self-Portrait in the Bathroom Mirror\",\"short story\",\"Wallace Stegner\",\"writers at work\"],\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/\",\"name\":\"Redux: Everything Is a Machine by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg\",\"datePublished\":\"2019-04-16T17:00:21+00:00\",\"description\":\"This week, we\u2019ve lowered the paywall on Wallace Stegner\u2019s Art of Fiction interview, a short story by Joy Williams, and a poem by Mary Jo Bang.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg\",\"width\":1000,\"height\":750},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: Everything Is a Machine\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: Everything Is a Machine by The Paris Review","description":"This week, we\u2019ve lowered the paywall on Wallace Stegner\u2019s Art of Fiction interview, a short story by Joy Williams, and a poem by Mary Jo Bang.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/","og_locale":"en_US","og_type":"article","og_title":"Redux: Everything Is a Machine by The Paris Review","og_description":"April 16, 2019 \u2013 This week, we\u2019ve lowered the paywall on Wallace Stegner\u2019s Art of Fiction interview, a short story by Joy Williams, and a poem by Mary Jo Bang.","og_url":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2019-04-16T17:00:21+00:00","og_image":[{"width":1000,"height":750,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: Everything Is a Machine","datePublished":"2019-04-16T17:00:21+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/"},"wordCount":319,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg","keywords":["Angle of Repose","archive","Art of Fiction","childhood","craft","Crossing to Safety","fiction","free","interview","Jefferson\u2019s Beauty","Joy Williams","literature","Mary Jo Bang","Mirror","mirrors","paywall","poem","poet","poetry","Redux","Self-Portrait in the Bathroom Mirror","short story","Wallace Stegner","writers at work"],"articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/","url":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/","name":"Redux: Everything Is a Machine by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg","datePublished":"2019-04-16T17:00:21+00:00","description":"This week, we\u2019ve lowered the paywall on Wallace Stegner\u2019s Art of Fiction interview, a short story by Joy Williams, and a poem by Mary Jo Bang.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/04\/steggy.jpg","width":1000,"height":750},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/04\/16\/redux-everything-is-a-machine\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: Everything Is a Machine"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/135560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=135560"}],"version-history":[{"count":7,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/135560\/revisions"}],"predecessor-version":[{"id":135571,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/135560\/revisions\/135571"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=135560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=135560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=135560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}